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   "prompt": "Photoreal, true to life: natural skin texture with its imperfections, a relaxed natural expression and a weight-bearing pose, no retouched gloss. This is the account manager from the three reference sheets attached in this chat; they are the only source for his face, eyes, hair, skin and build. THE ACCOUNT MANAGER. Identity, locked: a white European man in his late twenties; tall and slim, long-legged, with a slight forward lean when he listens; an oval face with a straight nose and a defined clean-shaven jaw, a small mole high on the left cheek; dark brown eyes; fair skin with visible pores; thick black hair, short at the sides and longer on top, swept to one side; thin round black-rimmed glasses. Identifiers, present in every image: the thin round black-rimmed glasses; the thick black hair swept to one side; the tall, slim, long-legged build; the small mole high on the left cheek. Wardrobe range, variable: a charcoal unstructured blazer over a plain white T-shirt or a pale grey oxford shirt, dark indigo jeans and brown suede desert boots on hotel visits; a navy crew-neck jumper on office days; a black rain jacket outdoors; a black laptop backpack. Kept out: tattoos, jewellery, lanyards, name badges, printed text and logos. Scene: launch-day late morning, just outside the entrance of the hotel, the air still damp after rain. This frame is in the same hour as every other frame of the property; it is not an evening or dusk frame, and the set has only two evening frames, both of them the weekend guest's arrival. He stands a step from the door, the black laptop backpack on one shoulder, pausing to look back at the lobby behind the glass before he goes on his way. He wears the black rain jacket over the pale grey oxford shirt, dark indigo jeans and the brown suede desert boots, the thin round black-rimmed glasses lightly beaded with rain. Expression hopeful, a small quiet satisfaction, lips closed, eyes on the glass and never on the camera. Material set, the facade set of this property and nothing outside it: brick and pale plaster on the wall above and behind him, with a straight flat parapet out of focus above; tall rectangular windows; a flat glass-and-iron canopy over the recessed entrance; four worn grey stone steps. Kept out of frame: polished stone cladding, a glass-and-steel modernist entrance, rusticated limestone, cartouches, wrought-iron balconies, a warm shopfront glow, a golden glow from the lobby, warm streaks on the pavement, a sign, a plaque, a nameplate, a house number, and any landmark, monument or skyline that would identify the city. The damp pavement reflects only the pale overcast sky, with no warm reflection and no coloured light of any kind. Hour and light: late morning under a high unbroken overcast, one soft light source only, flat daylight from above on his face, the glasses and the brick; the lobby behind the glass is lit by the same daylight and reads cool and quiet, giving no glow and no saturated colour into the frame; no dusk sky, no warm interior light, no second source. Camera: mid shot at standing eye level, 35mm-equivalent lens, verticals straight with no tilt and no converging lines, his face, glasses and the backpack strap on the left third with spare room above and below, so a 9:16 or 4:5 crop keeps them. Copy space: the upper right and the mid right, the plain brick-and-plaster wall beside the canopy, one even plane at brightness 150 to 180 with a standard deviation of 40 or below in both blocks, kept clear for one line of dark type and crossed by no cable, canopy edge, reflection or figure. Grade, stated for this German set and borrowed from no other property: mean frame brightness 120 to 160; p1 25 to 35; p5 at or above 40; p95 200 to 230 and never above 235; contrast p95 minus p5 between 130 and 170; red-minus-blue of the mid frame between 0 and +12 so the frame reads neutral, neither warm-washed nor cool blue; highlights 6300 to 7000K; shadows 4500 to 6000K; clipping under one percent; whole-frame saturation 0.12 to 0.20, with saturated colour only on clothing and every background surface, the lobby behind the glass included, under 0.30 saturation. No readable signage, lettering or house number anywhere. No maker's marks on the jacket, the boots or the backpack. Portrait 2:3, PNG 1024x1536. Every person in frame reads as a white European. No flags, pins, badges, stickers, rainbow motifs or symbols of any cause anywhere in frame. European fittings; no wall sockets, plugs or light switches in view, no money in view. Available light only, no flash, no rim light, no lens flare, one light source only. Nobody looks at the camera: no smile to camera, no thumbs-up, no pointing. No purple or violet anywhere in frame. No text, letters or numbers anywhere, no logos, brand names, signage or badges, no watermark, no readable handwriting. No drawn, painted or 3D-rendered look. No tablet, no charts or dashboards, no screen content visible.",
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   "file": "congress-guest--entrance-arrival--wide-land--v1.png",
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   "prompt": "Photoreal, true to life: natural skin texture with its imperfections, a relaxed natural expression and a weight-bearing pose, no retouched gloss. This is the congress guest from the three reference sheets attached in this chat; they are the only source for her face, eyes, hair, skin and build. THE CONGRESS GUEST. Identity, locked: a white European woman in her early thirties; average height, slim, an upright brisk carriage; an oval face with a straight nose and a soft jawline; green eyes; fair skin with a light golden tan and faint freckles across the nose; dark blonde hair, shoulder length, usually tied back in a low ponytail. Identifiers, present in every image: the dark blonde hair tied back in a low ponytail; the oval, lightly freckled face; the slim, upright build. Wardrobe range, variable: a tailored navy blazer over a cream blouse, dark trousers and low block-heeled shoes for the congress floor; a white linen shirt and beige chinos for the terrace; a packable black raincoat outdoors; a structured black tote with a laptop sleeve. Kept out: tattoos, jewellery, a conference lanyard or badge, printed text and logos. Scene: early afternoon at the glass entrance of a 4-star city hotel on Barcelona's Diagonal Mar, by the beach and the CCIB congress hall, forty minutes before her next session. She strides in from a taxi drop-off just out of frame, the structured black tote with the laptop sleeve on one shoulder, a small wheeled case pulled behind her with her other hand, moving quickly but composed. She wears the tailored navy blazer over the cream blouse and dark trousers. Expression focused and time-pressed, lips closed. Modern glass doors and a pale stone threshold behind her, the sea-bright daylight of the Diagonal Mar outside soft and overexposed; no congress signage, banner or badge anywhere. Hour and light: early afternoon, bright even daylight through the glass, clean and cool on the stone floor and her blazer. Camera: wide shot at standing eye level, 35mm-equivalent lens, her figure, face and the tote left of centre with spare room on every side, so a 16:9 or 1.91:1 crop keeps them; the right third, the bright glass entrance, quiet enough to carry one line of type. Grade: soft and low-contrast, leaning to cool pale blue-grey; the navy blazer the strongest note. No readable text on the case, the tote or the doors. No maker's marks on her clothing or the case. Landscape 3:2. Every person in frame reads as a white European. No flags, pins, badges, stickers, rainbow motifs or symbols of any cause anywhere in frame. European fittings; no wall sockets, plugs or light switches in view, no money in view. Available light only, no flash, no rim light, no lens flare. Nobody looks at the camera: no smile to camera, no thumbs-up, no pointing. No purple or violet anywhere in frame. No text, letters or numbers anywhere, no logos, brand names or signage, no watermark. No drawn, painted or 3D-rendered look. No tablet, no charts or dashboards, no screen content visible.",
   "provenance": "chat",
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   "prompt": "Photoreal, true to life: natural skin texture with its imperfections, a relaxed natural expression and a weight-bearing pose, no retouched gloss. This is the congress guest from the three reference sheets attached in this chat; they are the only source for her face, eyes, hair, skin and build. THE CONGRESS GUEST. Identity, locked: a white European woman in her early thirties; average height, slim, an upright brisk carriage; an oval face with a straight nose and a soft jawline; green eyes; fair skin with a light golden tan and faint freckles across the nose; dark blonde hair, shoulder length, usually tied back in a low ponytail. Identifiers, present in every image: the dark blonde hair tied back in a low ponytail; the oval, lightly freckled face; the slim, upright build. Wardrobe range, variable: a tailored navy blazer over a cream blouse, dark trousers and low block-heeled shoes for the congress floor; a white linen shirt and beige chinos for the terrace; a packable black raincoat outdoors; a structured black tote with a laptop sleeve. Kept out: tattoos, jewellery, a conference lanyard or badge, printed text and logos. Scene: her one free day, in Park Güell, the mosaic-tiled park on a hillside above Barcelona, part of the full-day Gaudí combo tour, the city soft and hazy in the distance below. She stands at the edge of a curved tiled terrace, one hand resting on the mosaic bench beside her, looking out over the view rather than at anything close, unhurried for once. She wears the white linen shirt and beige chinos in place of her congress blazer, a small crossbody bag instead of the structured tote. A few other visitors along the terrace, out of focus, all white European adults. Expression open and unhurried, a small private smile. Hour and light: midday, bright even daylight, warm on the tiled surfaces and her face. Camera: wide shot at standing eye level, 35mm-equivalent lens, her figure and the tiled bench left of centre with spare room on every side, so a 16:9 or 1.91:1 crop keeps her; the right third, the hazy city view, quiet enough to carry one line of type. Grade: soft and low-contrast, leaning to warm beige and greige; the white linen shirt the brightest note. No maker's marks on the bag or her clothing. Landscape 3:2. Every person in frame, background figures included, reads as a white European. No flags, pins, badges, stickers, rainbow motifs or symbols of any cause anywhere in frame. No money in view. Available light only, no flash, no rim light, no lens flare. Nobody looks at the camera: no smile to camera, no thumbs-up, no pointing. No purple or violet anywhere in frame. No text, letters or numbers anywhere, no logos, brand names or signage, no watermark. No drawn, painted or 3D-rendered look. No tablet, no charts or dashboards, no screen content visible.",
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   "prompt": "Photoreal, true to life: natural skin texture with its imperfections, a relaxed natural expression and a weight-bearing pose, no retouched gloss. This is the congress guest from the three reference sheets attached in this chat; they are the only source for her face, eyes, hair, skin and build. THE CONGRESS GUEST. Identity, locked: a white European woman in her early thirties; average height, slim, an upright brisk carriage; an oval face with a straight nose and a soft jawline; green eyes; fair skin with a light golden tan and faint freckles across the nose; dark blonde hair, shoulder length, usually tied back in a low ponytail. Identifiers, present in every image: the dark blonde hair tied back in a low ponytail; the oval, lightly freckled face; the slim, upright build. Wardrobe range, variable: a tailored navy blazer over a cream blouse, dark trousers and low block-heeled shoes for the congress floor; a white linen shirt and beige chinos for the terrace; a packable black raincoat outdoors; a structured black tote with a laptop sleeve. Kept out: tattoos, jewellery, a conference lanyard or badge, printed text and logos. Scene: a free afternoon between sessions, in a lobby armchair of the Barcelona hotel. She sits forward in a low modern armchair, the white linen shirt and beige chinos in place of her congress blazer, looking at what is nearby on her phone, held in both hands at chest height with the screen toward her and away from the camera; the phone is a generic unbranded smartphone in a plain matte case with no visible logo. The structured black tote rests against the chair leg beside her. Expression interested, a small focused half-smile toward the screen. Hour and light: afternoon daylight through a tall window, soft and even on her face and the linen shirt. Camera: mid shot at seated eye level, 35mm-equivalent lens, her face, hair and the phone in the centre with spare room above and below, so a 9:16 or 4:5 crop keeps them; the wall above her head quiet enough to carry one line of type. Grade: soft and low-contrast, leaning to cool pale blue-grey; the white linen shirt the brightest note. No maker's marks or labels on the phone, the tote or her clothing. Portrait 2:3. Every person in frame reads as a white European. No flags, pins, badges, stickers, rainbow motifs or symbols of any cause anywhere in frame. European fittings; no wall sockets, plugs or light switches in view, no money in view. Available light only, no flash, no rim light, no lens flare. Nobody looks at the camera: no smile to camera, no thumbs-up, no pointing. No purple or violet anywhere in frame. No text, letters or numbers anywhere, no logos, brand names or signage, no watermark. No drawn, painted or 3D-rendered look. No tablet, no charts or dashboards, no screen content visible.",
   "provenance": "chat",
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   "prompt": "Photoreal, true to life: natural skin texture with its imperfections, a relaxed natural expression and a weight-bearing pose, no retouched gloss. This is the congress guest from the three reference sheets attached in this chat; they are the only source for her face, eyes, hair, skin and build. THE CONGRESS GUEST. Identity, locked: a white European woman in her early thirties; average height, slim, an upright brisk carriage; an oval face with a straight nose and a soft jawline; green eyes; fair skin with a light golden tan and faint freckles across the nose; dark blonde hair, shoulder length, usually tied back in a low ponytail. Identifiers, present in every image: the dark blonde hair tied back in a low ponytail; the oval, lightly freckled face; the slim, upright build. Wardrobe range, variable: a tailored navy blazer over a cream blouse, dark trousers and low block-heeled shoes for the congress floor; a white linen shirt and beige chinos for the terrace; a packable black raincoat outdoors; a structured black tote with a laptop sleeve. Kept out: tattoos, jewellery, a conference lanyard or badge, printed text and logos. Scene: her one free evening, at a small table in a tapas bar in Barcelona's old town, a low stage with a flamenco dancer soft and out of focus beyond her shoulder, unidentifiable, no face resolved. She sits with a small plate and glass in front of her, her hands resting on the table edge rather than on the food, watching the stage with quiet pleasure. She wears the white linen shirt in place of her congress blazer, her hair loosened from its ponytail. Expression relaxed and pleased, a small smile toward the stage, not at the camera. Warm low lighting, exposed brick walls soft behind her. Hour and light: evening, warm low light from wall sconces, soft on her face and the brick. Camera: mid shot at seated eye level, 35mm-equivalent lens, her face and shoulders in the centre with spare room above and below, so a 9:16 or 4:5 crop keeps her; the stage above and behind her shoulder, quiet enough to carry one line of type. Grade: soft and low-contrast, leaning to warm beige and greige; the warm wall light the softest note. No readable characters on any menu or signage. No maker's marks on the plate or glass. Portrait 2:3. Every person in frame, background figures included, reads as a white European. No flags, pins, badges, stickers, rainbow motifs or symbols of any cause anywhere in frame. No money in view. Available light only, no flash, no rim light, no lens flare. Nobody looks at the camera: no smile to camera, no thumbs-up, no pointing. No purple or violet anywhere in frame. No text, letters or numbers anywhere, no logos, brand names or signage, no watermark. No drawn, painted or 3D-rendered look. No tablet, no charts or dashboards, no screen content visible.",
   "provenance": "chat",
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   "prompt": "Photoreal, true to life: natural skin texture with its imperfections, a relaxed natural expression and a weight-bearing pose, no retouched gloss. This is the desk agent from the three reference sheets attached in this chat; they are the only source for his face, eyes, hair, skin and build. THE DESK AGENT. Identity, locked: a white European man in his early thirties; medium height, lean and athletic, an upright posture; an angular face with a straight jaw, defined cheekbones and a short dark stubble beard; dark brown eyes; olive Mediterranean skin with visible pores and a light natural tan; near-black hair, cropped short and neatly side-parted. Identifiers, present in every image: the short dark stubble beard; the angular olive-skinned face with the straight jaw; the lean, athletic build. Wardrobe range, variable: a slate-blue fitted blazer with no badge over a white shirt, charcoal trousers and black leather shoes at the desk; a denim jacket over a plain white tee, indigo jeans and white trainers off shift; a grey wool overcoat outdoors. Kept out: tattoos, jewellery, name badges, printed text and logos. Scene: mid-morning at the reception desk of a 4-star city hotel on Barcelona's Diagonal Mar, by the beach and the CCIB congress hall, during a congress arrival wave. A line of delegates with wheeled cases queues at the desk, backs to camera, out of focus; he leans slightly across the counter, handing a blank white key card to the front of the queue without breaking his own stride, his other hand already reaching for the next card in a small tray. He wears the slate-blue fitted blazer with no badge over the white shirt and charcoal trousers. Expression pressed but composed, lips slightly parted mid-word. Behind him a plain pale wall and a low bank of blank key-card sleeves; no badge, no lanyard rack, no congress signage anywhere. Hour and light: mid-morning, bright even daylight from a tall glass entrance at the side, cool and clean on the pale desk and wall. Camera: wide shot from the lobby side at standing eye level, looking past the queue toward the desk, 35mm-equivalent lens, every guest strictly from behind and out of focus in the foreground, his face, hands and the card tray right of centre inside a crop-safe band, so a 16:9 or 1.91:1 crop keeps them; the wall above him quiet enough to carry one line of type. Grade: soft and low-contrast, leaning to cool pale blue-grey; the slate-blue blazer the strongest colour. No readable text on any card, tray or wall. No maker's marks on his clothing. Landscape 3:2. Every person in frame, background figures included, reads as a white European. No flags, pins, badges, stickers, rainbow motifs or symbols of any cause anywhere in frame. European fittings; no wall sockets, plugs or light switches in view, no money or card terminal in view. Available light only, no flash, no rim light, no lens flare. Nobody looks at the camera: no smile to camera, no thumbs-up, no pointing. No purple or violet anywhere in frame. No text, letters or numbers anywhere, no logos, brand names or signage, no watermark. No drawn, painted or 3D-rendered look. No tablet, no charts or dashboards, no screen content visible.",
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   "prompt": "Photoreal, true to life: natural skin texture with its imperfections, a relaxed natural expression and a weight-bearing pose, no retouched gloss. This is the desk agent from the three reference sheets attached in this chat; they are the only source for his face, eyes, hair, skin and build. THE DESK AGENT. Identity, locked: a white European man in his early thirties; medium height, lean and athletic, an upright posture; an angular face with a straight jaw, defined cheekbones and a short dark stubble beard; dark brown eyes; olive Mediterranean skin with visible pores and a light natural tan; near-black hair, cropped short and neatly side-parted. Identifiers, present in every image: the short dark stubble beard; the angular olive-skinned face with the straight jaw; the lean, athletic build. Wardrobe range, variable: a slate-blue fitted blazer with no badge over a white shirt, charcoal trousers and black leather shoes at the desk; a denim jacket over a plain white tee, indigo jeans and white trainers off shift; a grey wool overcoat outdoors. Kept out: tattoos, jewellery, name badges, printed text and logos. Scene: a spare minute between check-ins at the reception desk of the 4-star city hotel on Barcelona's Diagonal Mar, by the beach and the CCIB congress hall. He leans toward the desktop screen, angled away from the camera so nothing on it is visible, one hand on the mouse, glancing over the list he set once rather than working through it, at ease. He wears the slate-blue fitted blazer with no badge over the white shirt. Expression calm, faintly amused at how little there is to do. A plain pale wall behind him, the low bank of blank key-card sleeves at the edge of frame. Hour and light: midday, bright even daylight from the glass entrance. Camera: mid shot at seated eye level from the side of the desk, 35mm-equivalent lens, his face and the monitor edge left of centre with spare room on every side, so a 16:9 crop keeps them; the wall above him quiet enough to carry one line of type. Grade: soft and low-contrast, leaning to cool pale blue-grey; the slate-blue blazer the strongest colour. No readable characters on the screen edge. No maker's marks or logos on the monitor or keyboard. Landscape 3:2. Every person in frame reads as a white European. No flags, pins, badges, stickers, rainbow motifs or symbols of any cause anywhere in frame. European fittings; no wall sockets, plugs or light switches in view, no money or card terminal in view. Available light only, no flash, no rim light, no lens flare. Nobody looks at the camera: no smile to camera, no thumbs-up, no pointing. No purple or violet anywhere in frame. No text, letters or numbers anywhere, no logos, brand names or signage, no watermark. No drawn, painted or 3D-rendered look. No tablet, no charts or dashboards, no screen content visible.",
   "provenance": "chat",
   "provider": "gemini",
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   "file": "desk-agent--five-a-side--mid-port--v1.png",
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   "prompt": "Photoreal, true to life: natural skin texture with its imperfections, a relaxed natural expression and a weight-bearing pose, no retouched gloss. This is the desk agent from the three reference sheets attached in this chat; they are the only source for his face, eyes, hair, skin and build. THE DESK AGENT. Identity, locked: a white European man in his early thirties; medium height, lean and athletic, an upright posture; an angular face with a straight jaw, defined cheekbones and a short dark stubble beard; dark brown eyes; olive Mediterranean skin with visible pores and a light natural tan; near-black hair, cropped short and neatly side-parted. Identifiers, present in every image: the short dark stubble beard; the angular olive-skinned face with the straight jaw; the lean, athletic build. Wardrobe range, variable: a slate-blue fitted blazer with no badge over a white shirt, charcoal trousers and black leather shoes at the desk; a denim jacket over a plain white tee, indigo jeans and white trainers off shift; a grey wool overcoat outdoors. Kept out: tattoos, jewellery, name badges, printed text and logos. Scene: evening, off duty, at a small outdoor five-a-side pitch near his flat in Barcelona's Poblenou district. He stands at the edge of the pitch with one foot resting on a football, about to join a kickabout with colleagues, the denim jacket open over a plain white tee, indigo jeans and white trainers off shift. A colleague, unidentified, stands out of focus a few paces behind him at the low chain-link fencing. Expression loose and pleased, a small private smile, lips closed. The last daylight over rooftops behind the fence. Hour and light: evening, warm low sun from one side, soft on his face and the stubble beard. Camera: mid shot at standing eye level, 35mm-equivalent lens, his face, hair and the ball in the centre with spare room above and below, so a 9:16 or 4:5 crop keeps them; the sky above the fence quiet enough to carry one line of type. Grade: soft and low-contrast, leaning to warm beige and greige; no strong colour beyond his skin tone and the worn pitch. No maker's marks on the ball, the fencing or his clothing. Portrait 2:3. Every person in frame, background figures included, reads as a white European. No flags, pins, badges, stickers, rainbow motifs or symbols of any cause anywhere in frame. No money in view. Available light only, no flash, no rim light, no lens flare. Nobody looks at the camera: no smile to camera, no thumbs-up, no pointing. No purple or violet anywhere in frame. No text, letters or numbers anywhere, no logos, brand names or signage, no watermark. No drawn, painted or 3D-rendered look. No tablet, no charts or dashboards, no screen content visible.",
   "provenance": "chat",
   "provider": "chatgpt",
   "recovered": {
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    "request": "r_mudsc8bk_19",
    "source": "6ab38071-aaa0-83eb-8437-eee0330be1d6-04.png",
    "verified": "foot on the ball at a Poblenou five-a-side pitch, denim jacket over a white tee"
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     "path": "../../../../brand-cast/output/assets/sheets/desk-agent.png",
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  "desk-agent--setup-call--mid-land--v1": {
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   "bytes": 1937473,
   "file": "desk-agent--setup-call--mid-land--v1.png",
   "group": "desk-agent",
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   "id": "desk-agent--setup-call--mid-land--v1",
   "imageMode": "single",
   "mode": "chat-per-prompt",
   "prompt": "Photoreal, true to life: natural skin texture with its imperfections, a relaxed natural expression and a weight-bearing pose, no retouched gloss. This is the desk agent from the three reference sheets attached in this chat; they are the only source for his face, eyes, hair, skin and build. THE DESK AGENT. Identity, locked: a white European man in his early thirties; medium height, lean and athletic, an upright posture; an angular face with a straight jaw, defined cheekbones and a short dark stubble beard; dark brown eyes; olive Mediterranean skin with visible pores and a light natural tan; near-black hair, cropped short and neatly side-parted. Identifiers, present in every image: the short dark stubble beard; the angular olive-skinned face with the straight jaw; the lean, athletic build. Wardrobe range, variable: a slate-blue fitted blazer with no badge over a white shirt, charcoal trousers and black leather shoes at the desk; a denim jacket over a plain white tee, indigo jeans and white trainers off shift; a grey wool overcoat outdoors. Kept out: tattoos, jewellery, name badges, printed text and logos. Scene: a quiet hour at the reception desk of the 4-star city hotel on Barcelona's Diagonal Mar, by the beach and the CCIB congress hall, in the days after signing with Guesteria. He holds the desk phone handset to his ear with one hand, the other resting on a printed setup sheet on the counter, listening more than talking, patient. He wears the slate-blue fitted blazer with no badge over the white shirt. Expression attentive and unhurried, lips closed. A plain pale wall behind him, the low bank of blank key-card sleeves at the edge of frame, the lobby empty behind. Hour and light: mid-morning, even daylight from the glass entrance, cool and clean on the pale desk and wall. Camera: mid shot at standing eye level, 35mm-equivalent lens, his face, the phone and the sheet left of centre with spare room on every side, so a 16:9 crop keeps them; the wall above him quiet enough to carry one line of type. Grade: soft and low-contrast, leaning to cool pale blue-grey; the slate-blue blazer the strongest colour. No readable characters on the sheet. No maker's marks on the phone. Landscape 3:2. Every person in frame reads as a white European. No flags, pins, badges, stickers, rainbow motifs or symbols of any cause anywhere in frame. European fittings; no wall sockets, plugs or light switches in view, no money or card terminal in view. Available light only, no flash, no rim light, no lens flare. Nobody looks at the camera: no smile to camera, no thumbs-up, no pointing. No purple or violet anywhere in frame. No text, letters or numbers anywhere, no logos, brand names or signage, no watermark. No drawn, painted or 3D-rendered look. No tablet, no charts or dashboards, no screen content visible.",
   "provenance": "chat",
   "provider": "gemini",
   "sha256": "8a453a293260e4332db829e4b13f1a4ce8a221e323e8ebf65e667d54785987fb",
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   "status": "done",
   "written_by": "внештатный раннер в скретчпаде сессии; значения измерены с файла"
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  "estate-manager--grounds-walk--wide-land--v1": {
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   "bytes": 2721076,
   "chatId": "6ab3d5df-8e84-83eb-893a-ca81fd1e7585",
   "file": "estate-manager--grounds-walk--wide-land--v1.png",
   "group": "estate-manager",
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   "id": "estate-manager--grounds-walk--wide-land--v1",
   "imageMode": "single",
   "mode": "chat-per-prompt",
   "prompt": "Photoreal, true to life: natural skin texture with its imperfections, a relaxed natural expression and a weight-bearing pose, no retouched gloss. This is the estate manager from the three reference sheets attached in this chat; they are the only source for his face, eyes, hair, skin and build. THE ESTATE MANAGER. Identity, locked: a white European man in his early sixties; stocky, medium height, broad through the shoulders, weathered hands; a broad face with deep smile lines and a closely trimmed grey beard; brown eyes; tanned skin with deep lines from years outdoors and a slightly ruddy complexion; short iron-grey hair, receding at the temples. Identifiers, present in every image: the closely trimmed grey beard; the broad, tanned, deeply lined face; the stocky, broad-shouldered build. Wardrobe range, variable: a moss-green quilted gilet over a brown-checked shirt with dark trousers and brown leather boots on the grounds; a charcoal jacket with no tie for the restaurant in the evening; a waxed tan jacket in the vine rows. Kept out: tattoos, jewellery, a tie, printed text and logos. Scene: early morning on the grounds of a 17th-century château hotel on a wine estate near Sarlat, in the Dordogne's Périgord Noir, before breakfast service. He walks unhurried along a gravel path between rose beds and clipped box hedges, one hand trailing lightly past a rosebush, checking it in passing, the stone château visible soft and out of focus behind him. He wears the moss-green quilted gilet over the brown-checked shirt, dark trousers and brown leather boots. Expression calm and attentive, lips closed. Morning mist low over the grounds, dew on the gravel and the box hedges. Hour and light: early morning, soft low sun through light mist, warm on the stone and the gravel. Camera: wide shot at standing eye level, 35mm-equivalent lens, his figure and the rose bed left of centre with spare grounds on every side, so a 16:9 or 1.91:1 crop keeps him; the right third, the misty grounds and pale stone, quiet enough to carry one line of type. Grade: soft and low-contrast, leaning to warm beige and greige; the moss-green gilet the strongest colour. No maker's marks on his clothing or tools. Landscape 3:2. Every person in frame reads as a white European. No flags, pins, badges, stickers, rainbow motifs or symbols of any cause anywhere in frame. European fittings; no wall sockets, plugs or light switches in view, no money in view. Available light only, no flash, no rim light, no lens flare. Nobody looks at the camera: no smile to camera, no thumbs-up, no pointing. No purple or violet anywhere in frame. No text, letters or numbers anywhere, no logos, brand names or signage, no watermark. No drawn, painted or 3D-rendered look. No tablet, no charts or dashboards, no screen content visible.",
   "provenance": "chat",
   "provider": "chatgpt",
   "references": [
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   "requestId": "r_mue5cbm7_8",
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   "session": "chatgpt/guesteria",
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   "upload_confirmation": "confirmed - file_upload reported 3 of 3 sheet(s)",
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  "estate-manager--office-report--mid-land--v1": {
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   "chatId": "6ab3d679-cce0-83ed-82bb-f6229c0c4fa6",
   "file": "estate-manager--office-report--mid-land--v1.png",
   "group": "estate-manager",
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   "id": "estate-manager--office-report--mid-land--v1",
   "imageMode": "single",
   "mode": "chat-per-prompt",
   "prompt": "Photoreal, true to life: natural skin texture with its imperfections, a relaxed natural expression and a weight-bearing pose, no retouched gloss. This is the estate manager from the three reference sheets attached in this chat; they are the only source for his face, eyes, hair, skin and build. THE ESTATE MANAGER. Identity, locked: a white European man in his early sixties; stocky, medium height, broad through the shoulders, weathered hands; a broad face with deep smile lines and a closely trimmed grey beard; brown eyes; tanned skin with deep lines from years outdoors and a slightly ruddy complexion; short iron-grey hair, receding at the temples. Identifiers, present in every image: the closely trimmed grey beard; the broad, tanned, deeply lined face; the stocky, broad-shouldered build. Wardrobe range, variable: a moss-green quilted gilet over a brown-checked shirt with dark trousers and brown leather boots on the grounds; a charcoal jacket with no tie for the restaurant in the evening; a waxed tan jacket in the vine rows. Kept out: tattoos, jewellery, a tie, printed text and logos. Scene: afternoon in his office off the château's courtyard, near Sarlat in the Dordogne. He sits upright at a heavy wooden desk, compiling the month's figures for the management company's report on the office computer, a plain black monitor with no logo whose screen is angled away from the camera so nothing on it is visible, one hand on a plain black mouse, the printed monthly report pages stacked beside the keyboard with a leather diary and a fountain pen across it. He wears the charcoal jacket with no tie over the checked shirt. A window onto the herb garden at his side, a row of small framed old photographs of the château soft on the wall, a chair worn at the arms. Expression checking and considering, lips closed, no smile, no celebration. Hour and light: afternoon daylight through the herb-garden window, soft on his face, the grey beard and the wood. Camera: mid shot at seated eye level from the side of the desk, 35mm-equivalent lens, his face, beard, the diary and his hand left of centre with spare room on every side, so a 16:9 crop keeps them; the right third, the garden window, quiet enough to carry one line of type. Grade: soft and low-contrast, leaning to warm beige and greige; the charcoal jacket the strongest note against the pale wall. No readable characters on the report pages, the diary or the photographs. No maker's marks or logos on the computer, keyboard or lamp. Landscape 3:2. Every person in frame reads as a white European. No flags, pins, badges, stickers, rainbow motifs or symbols of any cause anywhere in frame. European fittings; no wall sockets, plugs or light switches in view, no money in view. Available light only, no flash, no rim light, no lens flare. Nobody looks at the camera: no smile to camera, no thumbs-up, no pointing. No purple or violet anywhere in frame. No text, letters or numbers anywhere, no logos, brand names or signage, no watermark. No drawn, painted or 3D-rendered look. No tablet, no charts or dashboards, no screen content visible.",
   "provenance": "chat",
   "provider": "chatgpt",
   "references": [
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  "front-office-manager--back-office-answers--mid-land--v1": {
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   "id": "front-office-manager--back-office-answers--mid-land--v1",
   "imageMode": "series",
   "mode": "one-chat",
   "prompt": "Photoreal, true to life: natural skin texture with its imperfections, a relaxed natural expression and a weight-bearing pose, no retouched gloss. This is the front office manager from the three reference sheets attached in this chat; they are the only source for her face, eyes, hair, skin and build. THE FRONT OFFICE MANAGER. Identity, locked: a white European woman in her early forties; tall, broad-shouldered and solid; an oval face with a wide jaw, a short straight nose and thick dark brows; light brown eyes; fair skin with visible pores, faint freckles on the cheekbones and fine lines at the corners of the eyes; thick straight dark brown hair pulled back into one long braid that hangs down her back. Identifiers, present in every image: the one long dark brown braid, hanging straight down her back and never brought forward over a shoulder; the thick dark brows on the wide-jawed oval face; the tall, broad-shouldered, solid build. Wardrobe range, variable: a black fitted blazer with no badge over a white blouse, black trousers and black low-heeled shoes at the desk; a tan trench coat and a black leather tote on the way in; a burgundy knit jumper and blue jeans at home. Kept out: tattoos, jewellery, name badges, printed text and logos. Scene: a quiet late morning in the small back office behind reception. This back office is the one back office of the property and it is the same room in every frame that shows it. She sits at the desk typing the hotel's own answers into the desktop computer, the monitor turned so that only its dark back and casing are seen and no part of the screen is visible, her handwritten list of repeated questions on a sheet of lined paper beside the keyboard, one hand flat on it as she reads a line and the other on the keyboard; the handwriting is a rhythm of short strokes with no distinguishable words, letters or numbers. The black desk phone beside the monitor, the open doorway to reception at her left. She wears the black fitted blazer with no badge over the white blouse. Seen from her side in strict profile, so the one long dark brown braid shows hanging down her back. Expression absorbed, lips closed, eyes on the paper. Material set, the one back-office set and nothing outside it: a medium-oak desk of the same single tone as the rest of the property; a bentwood Vienna chair with a worn seat; pale blue-grey lime plaster on the walls; a black desk phone. Kept out of frame: a white desk, white laminate, mesh office chairs, light grey paint, framed papers or documents on the wall, wall notices, calendars, certificates, and any wall socket, plug or light switch. Hour and light: late morning under a high unbroken overcast, one soft light only, diffuse daylight through the open doorway from one side onto her face and the paper; no second source, no lamp lit, no direct sun. Camera: mid shot at seated eye level from the side of the desk, 35mm-equivalent lens, verticals straight with no tilt, her face, braid, the list and her hand on the left third with spare room on every side, so a 16:9 crop keeps them. Copy space: the upper right, plain blue-grey plaster wall, one even plane at brightness 160 to 190 with a standard deviation of 25 or below, kept clear for one line of dark type and crossed by nothing. Grade, stated for this German set and borrowed from no other property: mean frame brightness 120 to 160; p1 25 to 35; p5 at or above 40; p95 200 to 230; contrast p95 minus p5 between 130 and 170; red-minus-blue of the mid frame between 0 and +12 so the frame reads neutral, neither cool pale blue-grey nor warm-washed; highlights 6300 to 7000K; shadows 4500 to 6000K; clipping under one percent; whole-frame saturation 0.12 to 0.20, saturated colour only on clothing and every background surface under 0.30 saturation. No readable characters on the paper. No maker's marks or logos on the monitor, keyboard, phone or paper. No wall notices, calendars or certificates. Landscape 3:2, PNG 1536x1024. Every person in frame reads as a white European. No flags, pins, badges, stickers, rainbow motifs or symbols of any cause anywhere in frame. European fittings; no wall sockets, plugs or light switches in view, no money in view. Available light only, no flash, no rim light, no lens flare, one light source only. Nobody looks at the camera: no smile to camera, no thumbs-up, no pointing. No purple or violet anywhere in frame. No text, letters or numbers anywhere, no logos, brand names, signage or badges, no watermark, no readable handwriting. No drawn, painted or 3D-rendered look. No tablet, no charts or dashboards, no screen content visible.",
   "provenance": "chat",
   "provider": "chatgpt",
   "references": [
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Wardrobe range, variable: a black fitted blazer with no badge over a white blouse, black trousers and black low-heeled shoes at the desk; a tan trench coat and a black leather tote on the way in; a burgundy knit jumper and blue jeans at home. Kept out: tattoos, jewellery, name badges, printed text and logos. Scene: the late-morning check-in rush at the reception desk of the small independent city hotel, at the one reference desk of the property. Behind the desk she holds the desk phone handset at her ear with one hand while she reads from a sheet of paper in her other hand, held up with its written side facing her so the camera sees only the plain white back of the sheet with nothing on it, to a guest at the counter who stands with his back fully to the camera, only the back of his head in view, unidentifiable. Two more guests stand in a short queue facing the desk with small cases, strictly from behind and out of focus, not one face visible. The guests are white European adults in dark navy, black or grey: no rust-brown jacket, no ginger or white hair, nothing that resembles another cast member. On the counter a stack of faded plain leaflets with not one character or picture on them and a small key-card tray; a desktop screen at her side turned fully away from the camera so only its dark back is seen. She wears the black fitted blazer with no badge over the white blouse; her head turned a little so the one long dark brown braid shows behind her shoulder, hanging down her back. Expression pressed and patient, lips parted mid-word, eyes on the sheet. Material set, the one set for this property and nothing outside it: dark wood panelling on the front of the counter; pale blue-grey lime plaster on the wall above it; terracotta tile at the foot of the counter; the brass desk lamp, lit as an object only; medium oak for the counter top. Kept out of frame: light oak with panelled fronts, any second counter, a bell, downlights, a glazed entrance in frame, and any wall socket, plug or light switch. Hour and light: late morning under a high unbroken overcast, one soft light only, diffuse daylight from a tall rectangular window with linen sheers to one side; the brass lamp gives one small warm note and lights nothing else; no cold blown-out entrance at the left, no warm downlights, no second source. Camera: wide shot at standing eye level from the lobby side behind the queue, 35mm-equivalent lens, verticals straight with no tilt, looking past the waiting guests toward the desk so every guest is seen strictly from behind, heads and shoulders soft in the foreground; her face, braid and the sheet on the left third inside a crop-safe centre band, so a 16:9 or 1.91:1 crop keeps them; the foreground lifted, not sunk into shadow. Copy space: the plaster wall above the counter on the right, one even plane at brightness 150 to 180 with a standard deviation of 40 or below, free of lamp pools, downlight patches and heads, kept clear for one line of dark type. Grade, stated for this German set and borrowed from no other property: mean frame brightness 120 to 160; p1 25 to 35; p5 at or above 40; p95 200 to 230; contrast p95 minus p5 between 130 and 170; red-minus-blue of the mid frame between 0 and +12 so the frame reads neutral, neither cool pale blue-grey nor warm-washed; highlights 6300 to 7000K; shadows 4500 to 6000K; clipping under one percent; whole-frame saturation 0.12 to 0.20, with the terracotta tile and every other background surface under 0.30 saturation and saturated colour only on clothing. The sheet, the leaflets and the key cards show no readable characters. No maker's marks on the phone or the screen. Landscape 3:2, PNG 1536x1024. Every person in frame, background figures included, reads as a white European. No flags, pins, badges, stickers, rainbow motifs or symbols of any cause anywhere in frame. European fittings; no wall sockets, plugs or light switches in view, no money or card terminal in view. Available light only, no flash, no rim light, no lens flare, one light source only. Nobody looks at the camera: no smile to camera, no thumbs-up, no pointing. No purple or violet anywhere in frame. No text, letters or numbers anywhere, no room numbers, no logos, brand names, signage or badges, no watermark, no readable handwriting. No drawn, painted or 3D-rendered look. No tablet, no charts or dashboards, no screen content visible.",
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   "prompt": "Photoreal, true to life: natural skin texture with its imperfections, a relaxed natural expression and a weight-bearing pose, no retouched gloss. This is the front office manager from the three reference sheets attached in this chat; they are the only source for her face, eyes, hair, skin and build. THE FRONT OFFICE MANAGER. Identity, locked: a white European woman in her early forties; tall, broad-shouldered and solid; an oval face with a wide jaw, a short straight nose and thick dark brows; light brown eyes; fair skin with visible pores, faint freckles on the cheekbones and fine lines at the corners of the eyes; thick straight dark brown hair pulled back into one long braid that hangs down her back. Identifiers, present in every image: the one long dark brown braid, hanging straight down her back and never brought forward over a shoulder; the thick dark brows on the wide-jawed oval face; the tall, broad-shouldered, solid build. Wardrobe range, variable: a black fitted blazer with no badge over a white blouse, black trousers and black low-heeled shoes at the desk; a tan trench coat and a black leather tote on the way in; a burgundy knit jumper and blue jeans at home. Kept out: tattoos, jewellery, name badges, printed text and logos. Scene: a spare minute between check-ins at the one reference desk of the property. This is her anchor frame: the light, the camera position and the clear right third are reproduced one to one, and only the view beyond the glass, the desk materials and the black point change. She leans toward the desktop monitor, turned so that only its dark back and casing are seen and no part of the screen is visible, one hand on the mouse, scrolling once through a list already filled in rather than typing, mildly pleased that the work is already done. She wears the black fitted blazer with no badge over a cream blouse, the one long dark brown braid hanging straight down her back, not over a shoulder and not brought forward. Expression settled and faintly surprised, lips closed, eyes on the turned-away monitor. The black desk phone at her side. Material set, the one set for this property and nothing outside it: dark wood panelling on the front of the counter; pale blue-grey lime plaster on the wall behind; terracotta tile at the foot of the counter; the brass desk lamp as an object only; medium oak for the counter top. Beyond the glass a plain city street or an inner courtyard with a brick wall, no landmark and nothing that identifies the city, held soft. Kept out of frame: an olive tree in a grey planter, a southern stone wall, limestone paving, arched openings, terrazzo, walnut, limed pine, and any wall socket, plug or light switch. Hour and light: late morning under a high unbroken overcast, one soft light only, even diffuse daylight on her face from the side; no second source, no direct sun. Camera: mid shot at seated eye level from the side of the desk, 35mm-equivalent lens, verticals straight with no tilt, her face, braid and the monitor edge on the left third with spare room on every side, so a 16:9 crop keeps them. Copy space: the right third, the plain blue-grey plaster wall, one even plane at brightness about 180 with a standard deviation of 2 to 25, kept clear for one line of dark type and crossed by nothing. Grade, stated for this German set and borrowed from no other property: mean frame brightness 120 to 160; p1 lifted to 25 to 35; p5 lifted to 40 or above; p95 200 to 230; contrast p95 minus p5 brought down to between 130 and 170; red-minus-blue of the mid frame between 0 and +12 so the frame reads neutral, neither cool pale blue-grey nor warm-washed; highlights 6300 to 7000K; shadows 4500 to 6000K; clipping under one percent; whole-frame saturation 0.12 to 0.20, saturated colour only on clothing and every background surface under 0.30 saturation. No readable characters on the monitor casing or the desk. No maker's marks or logos on the monitor, keyboard or phone. Landscape 3:2, PNG 1536x1024. Every person in frame reads as a white European. No flags, pins, badges, stickers, rainbow motifs or symbols of any cause anywhere in frame. European fittings; no wall sockets, plugs or light switches in view, no money in view. Available light only, no flash, no rim light, no lens flare, one light source only. Nobody looks at the camera: no smile to camera, no thumbs-up, no pointing. No purple or violet anywhere in frame. No text, letters or numbers anywhere, no logos, brand names, signage or badges, no watermark, no readable handwriting. No drawn, painted or 3D-rendered look. No tablet, no charts or dashboards, no screen content visible.",
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   "prompt": "Photoreal, true to life: natural skin texture with its imperfections, a relaxed natural expression and a weight-bearing pose, no retouched gloss. This is the front office manager from the three reference sheets attached in this chat; they are the only source for her face, eyes, hair, skin and build. THE FRONT OFFICE MANAGER. Identity, locked: a white European woman in her early forties; tall, broad-shouldered and solid; an oval face with a wide jaw, a short straight nose and thick dark brows; light brown eyes; fair skin with visible pores, faint freckles on the cheekbones and fine lines at the corners of the eyes; thick straight dark brown hair pulled back into one long braid that hangs down her back. Identifiers, present in every image: the one long dark brown braid, hanging straight down her back and never brought forward over a shoulder; the thick dark brows on the wide-jawed oval face; the tall, broad-shouldered, solid build. Wardrobe range, variable: a black fitted blazer with no badge over a white blouse, black trousers and black low-heeled shoes at the desk; a tan trench coat and a black leather tote on the way in; a burgundy knit jumper and blue jeans at home. Kept out: tattoos, jewellery, name badges, printed text and logos. Scene: late-morning check-in at the one reference desk of the property. She leans slightly across the counter, handing a new guest a small folded card - a clean blank card with not one character or mark on either face - together with the room key, saying the line she always says at this point, unhurried despite the queue building behind him. The guest stands with his back fully to the camera, only the back of his head in view, unidentifiable, a small case at his feet, and every other guest in the queue is strictly from behind and out of focus with not one readable face anywhere in frame. They are white European adults in dark navy, black or grey: no rust-brown jacket, no ginger or white hair, nothing that resembles another cast member. She wears the black fitted blazer with no badge over the white blouse, the one long dark brown braid hanging straight down her back. Expression warm but brisk, lips parted mid-word, eyes on the guest, not on the camera. Material set, the one set for this property and nothing outside it: dark wood panelling on the front of the counter; pale blue-grey lime plaster on the wall above it; terracotta tile at the foot of the counter; the brass desk lamp as an object only; medium oak for the counter top; a small key-card tray. Kept out of frame: a brass bell of any kind, a second counter, a glazed entrance in frame, downlights, and any wall socket, plug or light switch. Hour and light: late morning under a high unbroken overcast, one soft light only, diffuse daylight from a tall rectangular window with linen sheers to one side, soft and even; no cold blown-out entrance at the left, no second source, no direct sun. Camera: mid shot from the lobby side at standing eye level, 35mm-equivalent lens, verticals straight with no tilt, the guest strictly from behind and out of focus in the foreground, her face, braid and the card on the left third inside a crop-safe band, so a 16:9 crop keeps them. Copy space: the upper centre of the plaster wall above the counter, one even plane at brightness 150 to 180 with a standard deviation of 40 or below, clear of the guest's head and of any lamp pool, kept clear for one line of dark type. Grade, stated for this German set and borrowed from no other property: mean frame brightness 120 to 160; p1 25 to 35; p5 at or above 40; p95 200 to 230; contrast p95 minus p5 between 130 and 170; red-minus-blue of the mid frame between 0 and +12 so the frame reads neutral, neither cool pale blue-grey nor warm-washed; highlights 6300 to 7000K, never warmer; shadows 4500 to 6000K; clipping under one percent; whole-frame saturation 0.12 to 0.20, saturated colour only on clothing and every background surface under 0.30 saturation. No readable characters on the card, the key or the tray. No maker's marks on the phone or the tray. Landscape 3:2, PNG 1536x1024. Every person in frame, background figures included, reads as a white European. No flags, pins, badges, stickers, rainbow motifs or symbols of any cause anywhere in frame. European fittings; no wall sockets, plugs or light switches in view, no money or card terminal in view. Available light only, no flash, no rim light, no lens flare, one light source only. Nobody looks at the camera: no smile to camera, no thumbs-up, no pointing, no handshake. No purple or violet anywhere in frame. No text, letters or numbers anywhere, no room numbers, no logos, brand names, signage or badges, no watermark, no readable handwriting. No drawn, painted or 3D-rendered look. No tablet, no charts or dashboards, no screen content visible.",
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   "prompt": "Photoreal exterior photograph of an early-twentieth-century city hotel building, used as a background plate for one line of type. Scene: the front of the building at pavement level, a plain brick-and-plaster street facade with a straight flat parapet, tall rectangular windows with no shutters, a flat glass-and-iron canopy over a recessed entrance, and four worn stone steps up to the door; the street empty, nobody present, no traffic and no parked cars in frame. The city is not identifiable: no landmark, no monument, no skyline, no tram, no house number, no sign, no plaque and no nameplate anywhere. Kept out of frame: rusticated limestone, cartouches, carved consoles, wrought-iron balconies, window boxes of hydrangeas, clipped bay trees in tubs, arched openings, a glass marquee. Material set, the one set for this property and nothing outside it: brick and pale plaster on the facade, grey stone for the steps, plain glass and thin dark iron for the canopy. Hour and light: late morning under a high unbroken overcast, one soft light from above and slightly in front, flat and calm on the brick, the plaster and the glass; no direct sun, no second source, no lamp lit anywhere. Camera: wide shot at standing eye level from across the pavement, 35mm-equivalent lens, verticals straight with no tilt and no converging lines, the entrance centred with spare facade on every side. Copy space: the strip of sky, framed tight so it fills the upper twenty to twenty-five percent of the frame as one even band at brightness 190 to 215 with a standard deviation of 20 or below, clear for one line of dark copy and crossed by nothing - no cable, branch, mast, aerial or bird; the middle band calm enough that a 16:9 or 1.91:1 crop from the full width still carries copy. Grade, stated for this German set and borrowed from no other property: red-minus-blue of the mid frame between 0 and +8 so the frame reads neutral, neither cool blue-grey nor warm-washed; highlights 6500 to 7000K; mean frame brightness 120 to 160; p1 25 to 35; p5 at or above 40; p95 205 to 225; contrast p95 minus p5 between 130 and 170; clipping under one percent; whole-frame saturation 0.12 to 0.18, with no background surface above 0.30 saturation. No person anywhere in frame: no figure, silhouette, reflection or distant guest, no hands, no clothing left as if worn. A background plate: no single object draws the eye, and the scene reads as a calm backdrop. No wall sockets, plugs or light switches in view, no money, no flags, pins, stickers, rainbow motifs or symbols of any cause. Natural material wear, available light only, no flash, no lens flare. No purple or violet anywhere in frame, no brand colour wash, no tint, no gradient, no vignette. No text, letters or numbers anywhere, no house number, no logos, brand names or signage, no watermark. No drawn, painted or 3D-rendered look. Landscape 3:2, PNG 1536x1024.",
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   "requestId": "r_mug07k30_m",
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   "prompt": "Photoreal interior photograph of a guest room in a small independent city hotel in northern Europe, used as a background plate for one line of type. This room is the reference room for every frame of the property: the same walls, the same wood, the same rug, the same one lamp. Scene: an ordinary guest room, tidy and empty, late in the morning. A made bed with plain oatmeal linen in the lower third, a medium-oak headboard, a small medium-oak bedside table and a wooden door frame, a patterned wool rug of the same family as the lobby rug, a tall rectangular window with linen sheer curtains at the left edge. One brass table lamp only, and it is switched off. Material set, the one set for this property and nothing outside it: pale blue-grey lime plaster on the walls; medium oak for the headboard, the bedside table and the door frame, one single tone; the patterned wool rug; oatmeal linen; one brass lamp; the tall rectangular window with linen sheers. Kept out of frame: a wrought-iron balcony, limestone tile, jute, sisal, a second lamp, a wall sconce, grey carpet, a stone house opposite, a lilac or pink sky, any purple or violet, and any wall socket, plug, light switch or key-card slot. Beyond the window a plain city street with no landmark and nothing that identifies the city, held soft. Hour and light: late morning under a high unbroken overcast, one soft light only, daylight through the linen sheers from the left across the linen and the wood; no direct sun, no second source, the lamp unlit. Camera: wide shot at standing eye level from the doorway, 35mm-equivalent lens, verticals straight with no tilt, the bed and window centred with spare room on every side. Copy space: the upper half, the plain plaster wall above the headboard, one even plane at brightness 150 to 180 with a standard deviation of 25 or below, clear for one line of dark copy and left completely blank - nothing written, painted, projected or printed on it, no wall tag beside the door; the middle band calm enough that a 16:9 or 1.91:1 crop from the full width still carries copy. Grade, stated for this German set and borrowed from no other property: mean frame brightness 120 to 160; p1 25 to 35; p5 at or above 40; p95 200 to 230; contrast p95 minus p5 between 130 and 170; red-minus-blue of the mid frame between 0 and +12 so the frame reads neutral, neither cool blue-grey nor warm-washed; highlights 6300 to 7000K; shadows 4500 to 6000K, never warmer; clipping under one percent; whole-frame saturation 0.12 to 0.20, with no background surface above 0.30 saturation. No person anywhere in frame: no figure, silhouette, reflection or distant guest, no hands, no clothing left as if worn. A background plate: no single object draws the eye, and the scene reads as a calm backdrop. European fittings; no wall sockets, plugs, light switches or key-card slots in view, no money, no flags, pins, stickers, rainbow motifs or symbols of any cause. Natural material wear, available light only, no flash, no lens flare. No purple or violet anywhere in frame, no brand colour wash, no tint, no gradient, no vignette. No text, letters or numbers anywhere, no room numbers, no logos, brand names or signage, no watermark. No drawn, painted or 3D-rendered look. Landscape 3:2, PNG 1536x1024.",
   "provenance": "chat",
   "provider": "chatgpt",
   "references": [],
   "requestId": "r_mug8432q_9",
   "sent_prefix": true,
   "session": "chatgpt/guesteria",
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   "collected": "chat",
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    "note": "re-derived from disk; the runner rewrites this file from an in-memory copy and drops concurrent edits",
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   "prompt": "Photoreal interior photograph of the lobby of a small independent city hotel in northern Europe, used as a background plate for one line of type. This frame is the anchor of the set: the hour, the direction of the light, the composition and the copy space are reproduced one to one, and only the materials change. Scene: the lobby late in the morning, before the guests come down. Two soft rounded armchairs in oatmeal boucle and a low round medium-oak table in the lower third, a patterned wool rug on a cream ground over a floor of large grey stone slabs, a tall rectangular window with linen sheer curtains at the left edge, a ficus in a terracotta pot; a medium-oak sideboard soft and out of focus at the far right edge. The ficus is the one plant of this property and the only green thing in frame: broad glossy dark-green oval leaves on a woody stem. The vase on the low round table holds cuttings of that same ficus and nothing else - the same broad glossy dark-green oval leaves - and the sideboard at the far right edge is bare, carrying no plant, no vase, no jar and no foliage of any kind. Material set, the one set for this property and nothing outside it: pale blue-grey lime plaster on the walls; a floor of large grey stone slabs; the patterned cream wool rug; tall rectangular windows with linen sheer curtains; warm wood of one single tone throughout, medium oak; oatmeal boucle upholstery; terracotta only in the plant pot; white porcelain; the dark-green glossy-leaved ficus. Kept out of frame: olive of any kind - an olive tree, an olive sprig, olive branches in a vase, jar or pot, on the table, on the sideboard or beyond the window - and every grey-green, silver-leaved or narrow-leaved Mediterranean plant with it, eucalyptus, rosemary, lavender, bay and myrtle included; limestone paving, lime-washed southern plaster, stone steps beyond the doorway, wrought-iron balconies, arched openings, terrazzo, sisal, jute, walnut, limed pine, stained or fumed oak, white laminate, PVC, mesh office chairs, and any wall socket, plug or light switch. Beyond the window a plain city street with no landmark, no monument and nothing that identifies the city, held soft and out of focus, with no silver-leaved or grey-green tree in it. Hour and light: late morning under a high unbroken overcast, one soft light only, side light through the linen sheers from the left falling across fabric, wood and stone; no direct sun, no second source, no lamp lit. Camera: wide shot at standing eye level, 35mm-equivalent lens, verticals straight with no tilt, the furniture soft in the lower third. Copy space: the upper half, the pale blue-grey plaster wall in soft window light, even and light, brightness 150 to 200 with a standard deviation of 25 or below, clear for one line of dark copy and left completely blank - nothing written, painted, projected or printed on it; the middle band calm enough that a 16:9 or 1.91:1 crop from the full width still carries copy. Grade, stated for this German set and borrowed from no other property: mean frame brightness 120 to 160; p1 25 to 35; p5 at or above 40; p95 200 to 230; contrast p95 minus p5 between 130 and 170; red-minus-blue of the mid frame between 0 and +12 so the frame reads neutral, neither cool blue-grey nor warm-washed; highlights 6300 to 7000K; shadows 4500 to 6000K; clipping under one percent; whole-frame saturation 0.12 to 0.20, with no background surface above 0.30 saturation. No person anywhere in frame: no figure, silhouette, reflection or distant guest, no hands, no clothing left as if worn. A background plate: no single object draws the eye, and the scene reads as a calm backdrop. European fittings; no wall sockets, plugs or light switches in view, no money, no flags, pins, stickers, rainbow motifs or symbols of any cause. Natural material wear, available light only, no flash, no lens flare. No purple or violet anywhere in frame, no brand colour wash, no tint, no gradient, no vignette. No text, letters or numbers anywhere, no logos, brand names or signage, no watermark. No drawn, painted or 3D-rendered look. Landscape 3:2, PNG 1536x1024.",
   "provenance": "chat",
   "provider": "chatgpt",
   "references": [],
   "requestId": "r_mugdys5g_o",
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    "note": "re-derived from disk; the runner rewrites this file from an in-memory copy and drops concurrent edits",
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   "prompt": "Photoreal interior photograph of the reception desk of a small independent city hotel in northern Europe, used as a background plate for one line of type. This desk is the reference desk for every frame of the property: it is the same counter, the same panelling and the same wall in all of them. Scene: the wooden reception desk late in the morning, nobody at the desk. A closed black notebook and a small key-card tray on the counter, and the brass desk lamp at the left end of the counter lit and reading as an object, a small warm pool on the wood, never as the key light of the frame. Beside the lamp a small white porcelain pot holding the one plant of this property: a ficus, broad glossy dark-green oval leaves on a short woody stem, the same plant as the ficus in the lobby and the only green thing anywhere in frame. Material set, the one set for this property and nothing outside it: dark wood panelling on the front of the counter; pale blue-grey lime plaster on the wall above the counter; terracotta tile at the foot of the counter; the brass of the one desk lamp; pale blond white oak for the counter top; white porcelain; the dark-green glossy-leaved ficus. Kept out of frame: olive of any kind - an olive tree, an olive sprig, olive branches in a pot, jar or vase - and every grey-green, silver-leaved or narrow-leaved Mediterranean plant with it, eucalyptus, rosemary, lavender, bay and myrtle included, in the pot on the counter as much as anywhere else; limestone paving, arched openings, terrazzo, sisal, walnut, limed pine, stained or fumed oak, white laminate, PVC, a second lamp, a bell, and any wall socket, plug or light switch. Hour and light: late morning, one soft light only, cool diffuse daylight from a tall rectangular window with linen sheers at the left, falling across the counter and the panelling; the brass lamp contributes one small warm spot and lights nothing else; no direct sun, no second daylight source, no downlight. Camera: mid shot at standing eye level from the lobby side, 35mm-equivalent lens, verticals straight with no tilt, the desk low in the frame and soft, so a 16:9 crop from the full width keeps the lamp and the copy space. Copy space: the upper half of the plaster wall above the counter, one even plane at brightness 150 to 180 with a standard deviation of 25 or below, clear for one line of dark copy and left completely blank - nothing written, painted, projected or printed on it, no frame, notice, calendar or certificate. Grade, stated for this German set and borrowed from no other property: mean frame brightness 120 to 160; p1 25 to 35; p5 at or above 40; p95 200 to 230; contrast p95 minus p5 between 130 and 170; red-minus-blue of the mid frame between 0 and +12 so the frame reads neutral, neither cool blue-grey nor warm-washed; highlights 6300 to 7000K; shadows 4500 to 6000K; clipping under one percent; whole-frame saturation 0.12 to 0.20, with the terracotta tile and the brass held under 0.30 saturation. No person anywhere in frame: no figure, silhouette, reflection or distant guest, no hands, no clothing left as if worn. A background plate: no single object draws the eye, and the scene reads as a calm backdrop. European fittings; no wall sockets, plugs or light switches in view, no money, no bell, no flags, pins, stickers, rainbow motifs or symbols of any cause. Natural material wear, available light only, no flash, no lens flare. No purple or violet anywhere in frame, no brand colour wash, no tint, no gradient, no vignette. No text, letters or numbers anywhere, no logos, brand names or signage, no watermark. No drawn, painted or 3D-rendered look. Landscape 3:2, PNG 1536x1024.",
   "provenance": "chat",
   "provider": "chatgpt",
   "references": [],
   "requestId": "r_mugdswbi_n",
   "sent_prefix": true,
   "session": "chatgpt/guesteria",
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   "turn": 0
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  "ground--lobby-morning--wide-land--v1": {
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   "bytes": 2881701,
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   "file": "ground--lobby-morning--wide-land--v1.jpeg",
   "group": null,
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    "previews": 0
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   "id": "ground--lobby-morning--wide-land--v1",
   "imageMode": "single",
   "mode": "chat-per-prompt",
   "prompt": "Photoreal interior photograph of a small independent hotel in a European tourist city, used as a background plate for one line of type. Scene: the lobby early in the morning, before the guests come down. Two soft rounded armchairs in oatmeal fabric and a low round wooden table in the lower third, a wool rug on a stone floor, a tall window with sheer curtains at the left edge, a potted plant; the wooden reception desk soft and out of focus at the far right edge. Copy space: the upper half, pale plaster wall and soft window light, even and light, clear for a line of dark copy; the middle band calm enough that a 16:9 or 1.91:1 crop from the full width still carries copy. Value: light overall. Hour and light: early morning, soft daylight through the sheer curtains from the left, falling across fabric, wood and stone. Camera: wide shot at standing eye level, 35mm-equivalent lens, the furniture soft. Grade: soft and low-contrast, leaning to cool pale blue-grey with the warm wood of the desk. No person anywhere in frame: no figure, silhouette, reflection or distant guest, no hands, no clothing left as if worn. A background plate: no single object draws the eye, and the scene reads as a calm backdrop. European fittings; no wall sockets, plugs or light switches in view, no money, no flags, pins, stickers, rainbow motifs or symbols of any cause. Natural material wear, available light only, no flash, no lens flare. No purple or violet anywhere in frame, no brand colour wash, no tint, no gradient, no vignette. No text, letters or numbers anywhere, no logos, brand names or signage, no watermark. No drawn, painted or 3D-rendered look. Landscape 3:2.",
   "provenance": "chat",
   "provider": "gemini",
   "references": [],
   "requestId": "r_mu28y9kn_10",
   "sent_prefix": true,
   "session": "gemini/guesteria",
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   "sheet": false,
   "status": "done",
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   "turn": 0
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  "ground--mirall-entrance-facade--wide-land--v1": {
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   "file": "ground--mirall-entrance-facade--wide-land--v1.png",
   "group": null,
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   "id": "ground--mirall-entrance-facade--wide-land--v1",
   "imageMode": "single",
   "mode": "chat-per-prompt",
   "prompt": "Photoreal exterior photograph of a modern 4-star city hotel on Barcelona's Diagonal Mar, by the beach and the CCIB congress hall, used as a background plate for one line of type. Scene: the front of the building at pavement level in bright midday Mediterranean daylight, modern glass entrance doors set in a pale stone facade, a paved forecourt, nobody present, no traffic or parked cars in frame. Copy space: the upper half, the pale stone facade and a strip of bright open sky, clear for a line of dark copy; the middle band calm enough that a 16:9 or 1.91:1 crop from the full width still carries copy. Value: light overall. Hour and light: midday, bright even Mediterranean daylight, the glass doors slightly overexposed. Camera: wide shot at standing eye level from across the forecourt, 35mm-equivalent lens, the entrance centred with spare facade on every side. Grade: soft and low-contrast, leaning to cool pale blue-grey with the pale stone. No person anywhere in frame: no figure, silhouette, reflection or distant guest, no hands, no clothing left as if worn. A background plate: no single object draws the eye, and the scene reads as a calm backdrop. No wall sockets, plugs or light switches in view, no money, no flags, pins, stickers, rainbow motifs or symbols of any cause. Natural material wear, available light only, no flash, no lens flare. No purple or violet anywhere in frame, no brand colour wash, no tint, no gradient, no vignette. No text, letters or numbers anywhere, no house number, no logos, brand names or signage, no watermark. No drawn, painted or 3D-rendered look. Landscape 3:2.",
   "provenance": "chat",
   "provider": "chatgpt",
   "references": [],
   "requestId": "r_muetz7ur_l",
   "sent_prefix": true,
   "session": "chatgpt/guesteria",
   "sha256": "7f2286257b3e54876e8cf8ca670f11523164a7f349b0d0037a97dcae07560161",
   "sheet": false,
   "status": "done",
   "upload_confirmation": "кадр места рисуется по описанию, вложений нет",
   "written_by": "внештатный раннер в скретчпаде сессии; значения измерены с файла"
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  "ground--mirall-guest-room--wide-land--v1": {
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   "file": "ground--mirall-guest-room--wide-land--v1.png",
   "group": null,
   "harvest": {
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   "id": "ground--mirall-guest-room--wide-land--v1",
   "imageMode": "single",
   "mode": "chat-per-prompt",
   "prompt": "Photoreal interior photograph of a modern 4-star city hotel on Barcelona's Diagonal Mar, by the beach and the CCIB congress hall, a new-build rather than a converted older building, used as a background plate for one line of type. Scene: a tidy, empty guest room, a made bed with plain light-grey linen in the lower third, a floor-to-ceiling glass window at the left edge with sheer curtains and bright overexposed daylight showing no view or skyline detail resolved, a travertine-topped bedside table at the right edge, smooth white plaster walls, pale wood flooring. Copy space: the upper half, the plain white plaster wall above the bed, clear for a line of dark copy; the middle band calm enough that a 16:9 or 1.91:1 crop from the full width still carries copy. Value: light overall. Hour and light: midday, bright even Mediterranean daylight through the sheer curtains, soft on the linen and the pale wood. Camera: wide shot at standing eye level from the doorway, 35mm-equivalent lens, the bed and window centred with spare room on every side. Grade: soft and low-contrast, leaning to cool pale blue-grey with the warm note of the travertine. No person anywhere in frame: no figure, silhouette, reflection or distant guest, no hands, no clothing left as if worn. A background plate: no single object draws the eye, and the scene reads as a calm backdrop. European fittings; no wall sockets, plugs, light switches or key-card slots in view, no money, no flags, pins, stickers, rainbow motifs or symbols of any cause. Natural material wear, available light only, no flash, no lens flare. No purple or violet anywhere in frame, no brand colour wash, no tint, no gradient, no vignette. No text, letters or numbers anywhere, no room numbers, no logos, brand names or signage, no watermark. No drawn, painted or 3D-rendered look. Landscape 3:2.",
   "provenance": "chat",
   "provider": "chatgpt",
   "references": [],
   "requestId": "r_mueu1zs0_o",
   "sent_prefix": true,
   "session": "chatgpt/guesteria",
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   "sheet": false,
   "status": "done",
   "upload_confirmation": "кадр места рисуется по описанию, вложений нет",
   "written_by": "внештатный раннер в скретчпаде сессии; значения измерены с файла"
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   "collected": "chat",
   "file": "ground--mirall-lobby-daylight--wide-land--v1.jpeg",
   "group": null,
   "harvest": {
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   "id": "ground--mirall-lobby-daylight--wide-land--v1",
   "imageMode": "single",
   "mode": "chat-per-prompt",
   "prompt": "Photoreal interior photograph of a modern 4-star city hotel on Barcelona's Diagonal Mar, by the beach and the CCIB congress hall, used as a background plate for one line of type. Scene: the lobby at midday, bright open Barcelona daylight, nobody present. A low modern armchair in pale grey fabric and a low round stone-topped table in the lower third, a large potted palm at the left edge, a wide expanse of pale stone flooring, a tall glass wall at the right edge showing soft overexposed daylight with no view or skyline detail resolved. Copy space: the upper half, a plain pale plaster wall and even daylight, clear for a line of dark copy; the middle band calm enough that a 16:9 or 1.91:1 crop from the full width still carries copy. Value: light overall. Hour and light: midday, bright even Mediterranean daylight through the glass wall, soft across the stone floor and the pale fabric. Camera: wide shot at standing eye level, 35mm-equivalent lens, the furniture soft. Grade: soft and low-contrast, leaning to cool pale blue-grey with the warm stone of the table. No person anywhere in frame: no figure, silhouette, reflection or distant guest, no hands, no clothing left as if worn. A background plate: no single object draws the eye, and the scene reads as a calm backdrop. European fittings; no wall sockets, plugs or light switches in view, no money, no flags, pins, stickers, rainbow motifs or symbols of any cause. Natural material wear, available light only, no flash, no lens flare. No purple or violet anywhere in frame, no brand colour wash, no tint, no gradient, no vignette. No text, letters or numbers anywhere, no logos, brand names or signage, no watermark. No drawn, painted or 3D-rendered look. Landscape 3:2.",
   "provenance": "chat",
   "provider": "gemini",
   "recovered": true,
   "references": [],
   "requestId": "r_mudqxd0t_y",
   "sent_prefix": true,
   "session": "gemini/guesteria",
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   "sheet": false,
   "status": "done",
   "tries": [
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     "seq": "photos-shots-a1"
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   "turn": 0
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  "ground--mirall-reception-desk--mid-land--v1": {
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   "file": "ground--mirall-reception-desk--mid-land--v1.png",
   "group": null,
   "harvest": {
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   "id": "ground--mirall-reception-desk--mid-land--v1",
   "imageMode": "single",
   "mode": "chat-per-prompt",
   "prompt": "Photoreal interior photograph of a modern 4-star city hotel on Barcelona's Diagonal Mar, by the beach and the CCIB congress hall, a new-build with a double-height glass lobby, used as a background plate for one line of type. Scene: a light-wood-panelled reception counter on a mezzanine level above the lobby floor, reached by a few steps, a glass balustrade running along the mezzanine edge in the foreground, nobody at the desk. Pale stone flooring below, a smooth white plaster wall behind the counter. Copy space: the upper half, the plain white plaster wall, clear for a line of dark copy; the middle band calm enough that a 16:9 crop from the full width still carries copy. Value: light overall. Hour and light: midday, bright even Mediterranean daylight, cool and clean on the pale wood and the glass balustrade. Camera: mid shot at standing eye level from the lobby floor looking up toward the mezzanine, 35mm-equivalent lens, the counter and balustrade centred with spare room on every side. Grade: soft and low-contrast, leaning to cool pale blue-grey with the warm note of the light wood panelling. No person anywhere in frame: no figure, silhouette, reflection or distant guest, no hands, no clothing left as if worn. A background plate: no single object draws the eye, and the scene reads as a calm backdrop. European fittings; no wall sockets, plugs or light switches in view, no money or card terminal in view, no flags, pins, stickers, rainbow motifs or symbols of any cause. Natural material wear, available light only, no flash, no lens flare. No purple or violet anywhere in frame, no brand colour wash, no tint, no gradient, no vignette. No text, letters or numbers anywhere, no logos, brand names or signage, no watermark. No drawn, painted or 3D-rendered look. Landscape 3:2.",
   "provenance": "chat",
   "provider": "chatgpt",
   "references": [],
   "requestId": "r_mueu0d43_n",
   "sent_prefix": true,
   "session": "chatgpt/guesteria",
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   "sheet": false,
   "status": "done",
   "upload_confirmation": "кадр места рисуется по описанию, вложений нет",
   "written_by": "внештатный раннер в скретчпаде сессии; значения измерены с файла"
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   "collected": "chat",
   "file": "ground--mirall-rooftop-pool--wide-land--v1.jpeg",
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   "harvest": {
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   "id": "ground--mirall-rooftop-pool--wide-land--v1",
   "imageMode": "single",
   "mode": "chat-per-prompt",
   "prompt": "Photoreal exterior photograph of a modern 4-star city hotel on Barcelona's Diagonal Mar, by the beach and the CCIB congress hall, a new-build with a double-height glass lobby, used as a background plate for one line of type. Scene: the hotel's own rooftop pool terrace at midday, nobody present. A small rectangular rooftop swimming pool along the lower third, its water still and flat pale blue-green with nothing reflected in it; a row of three low sun loungers in pale grey canvas on pale stone decking at the left edge, one white towel folded square on each, none draped or disturbed; a large potted palm and a clipped low hedge in a long planter at the right edge; a glass balustrade along the far edge of the terrace with bright overexposed daylight beyond it showing no view, skyline or landmark detail resolved. Copy space: the upper half, open bright sky above the balustrade, even and light, clear for a line of dark copy; the middle band calm enough that a 16:9 or 1.91:1 crop from the full width still carries copy. Value: light overall. Hour and light: midday, bright even Mediterranean daylight from high overhead, soft on the stone decking and the pale canvas, the water surface even and unbroken. Camera: wide shot at standing eye level from the far end of the terrace, 35mm-equivalent lens, the pool and loungers soft. Grade: soft and low-contrast, leaning to cool pale blue-grey with the warm note of the stone decking. No person anywhere in frame: no figure, silhouette, distant guest, and no reflection of one in the water or the glass, no hands, no clothing left as if worn, no swimwear, bag, book or drink left out. A background plate: no single object draws the eye, and the scene reads as a calm backdrop. European fittings; no wall sockets, plugs or light switches in view, no money, no flags, pins, stickers, rainbow motifs or symbols of any cause. Natural material wear, available light only, no flash, no lens flare. No purple or violet anywhere in frame, no brand colour wash, no tint, no gradient, no vignette. No text, letters or numbers anywhere, no depth marking, pool rule board or other sign, no logos, brand names or signage, no watermark. No drawn, painted or 3D-rendered look. Landscape 3:2.",
   "provenance": "chat",
   "provider": "gemini",
   "recovered": true,
   "references": [],
   "requestId": "r_muffaakr_2k",
   "sent_prefix": true,
   "session": "gemini/guesteria",
   "sha256": "7e85222b84c2d0207bfab4c64ddb9e5dcc08a8246d276f91b584b083b1820ea5",
   "sheet": false,
   "status": "done",
   "tries": [
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   "turn": 0
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  "ground--reception-desk-evening--mid-land--v1": {
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   "bytes": 2739169,
   "chatId": "00cd0e63d49dc4f9",
   "file": "ground--reception-desk-evening--mid-land--v1.jpeg",
   "group": null,
   "harvest": {
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    "previews": 0
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   "id": "ground--reception-desk-evening--mid-land--v1",
   "imageMode": "single",
   "mode": "chat-per-prompt",
   "prompt": "Photoreal interior photograph of a small independent hotel in a European tourist city. Scene: the wooden reception desk in the evening after the rush, nobody at the desk. One small desk lamp lit at the left end of the counter, a closed notebook and a small key-card tray beside it, a plain plaster wall dim behind. The upper half of the frame and the right third are empty dark plaster wall, even and calm, left completely blank: nothing written, painted, projected or printed on it. Value: dark overall. Hour and light: evening, the lamp a small warm pool on the wood, the rest of the lobby falling into shade. Camera: mid shot at standing eye level from the lobby, 35mm-equivalent lens, the desk low in the frame and soft, so a 16:9 crop from the full width keeps the lamp and the copy space. Grade: soft and low-contrast, leaning to cool pale blue-grey with the one warm lamp. No person anywhere in frame: no figure, silhouette, reflection or distant guest, no hands, no clothing left as if worn. A background plate: no single object draws the eye, and the scene reads as a calm backdrop. European fittings; no wall sockets, plugs or light switches in view, no money, no bell, no flags, pins, stickers, rainbow motifs or symbols of any cause. Natural material wear, available light only, no flash, no lens flare. No purple or violet anywhere in frame, no brand colour wash, no tint, no gradient, no vignette. No text, letters or numbers anywhere, no logos, brand names or signage, no watermark. No drawn, painted or 3D-rendered look. Landscape 3:2.",
   "provenance": "chat",
   "provider": "gemini",
   "references": [],
   "requestId": "r_mu29bacr_17",
   "sent_prefix": true,
   "session": "gemini/guesteria",
   "sha256": "d926b672f3e2cb36b0b3118a97498bf2b43a7f8018ddc1c79069c293b695d967",
   "sheet": false,
   "status": "done",
   "tries": [
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     "tool_select": "failed(gemini-tool-unverified)"
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    {
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     "requestId": "r_mu29bacr_17",
     "seq": "photos-shots-a2",
     "tool_select": "failed(gemini-tools-panel-open)"
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   "turn": 0
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  "ground--roqueterre-entrance-facade--wide-land--v1": {
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   "chatId": "6ab47830-5f28-83ed-8da0-6d01183a26ef",
   "file": "ground--roqueterre-entrance-facade--wide-land--v1.png",
   "group": null,
   "harvest": {
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    "previews": 0
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   "id": "ground--roqueterre-entrance-facade--wide-land--v1",
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   "mode": "chat-per-prompt",
   "prompt": "Photoreal exterior photograph of a 17th-century château hotel on a wine estate near Sarlat, in the Dordogne's Périgord Noir, used as a background plate for one line of type. Scene: the honey-coloured stone facade and turret roofline seen across the gravel courtyard in the late afternoon, the main entrance door recessed under a stone lintel, nobody present, no cars in frame. Copy space: the upper half, the pale sky above the turret roofline, clear for a line of dark copy; the middle band calm enough that a 16:9 or 1.91:1 crop from the full width still carries copy. Value: light overall. Hour and light: late afternoon, warm low sun from one side, golden on the honey stone and the gravel. Camera: wide shot at standing eye level from across the courtyard, 35mm-equivalent lens, the facade centred with spare gravel on every side. Grade: soft and low-contrast, leaning to warm beige and greige with the honey stone. No person anywhere in frame: no figure, silhouette, reflection or distant guest, no hands, no clothing left as if worn. A background plate: no single object draws the eye, and the scene reads as a calm backdrop. No wall sockets, plugs or light switches in view, no money, no flags, pins, stickers, rainbow motifs or symbols of any cause. Natural material wear, available light only, no flash, no lens flare. No purple or violet anywhere in frame, no brand colour wash, no tint, no gradient, no vignette. No text, letters or numbers anywhere, no house number, no logos, brand names or signage, no watermark. No drawn, painted or 3D-rendered look. Landscape 3:2.",
   "provenance": "chat",
   "provider": "chatgpt",
   "references": [],
   "requestId": "r_mueu36fl_p",
   "sent_prefix": true,
   "session": "chatgpt/guesteria",
   "sha256": "149a40eec891356d5eafc3d7a905e2c107c428520f94a67d4b00b553a9ac95ed",
   "sheet": false,
   "status": "done",
   "upload_confirmation": "кадр места рисуется по описанию, вложений нет",
   "written_by": "внештатный раннер в скретчпаде сессии; значения измерены с файла"
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   "chatId": "6ab478db-9a2c-83ed-8b84-a3f1c4792c14",
   "file": "ground--roqueterre-guest-room--wide-land--v1.png",
   "group": null,
   "harvest": {
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    "previews": 0
   },
   "id": "ground--roqueterre-guest-room--wide-land--v1",
   "imageMode": "single",
   "mode": "chat-per-prompt",
   "prompt": "Photoreal interior photograph of a 17th-century château hotel on a wine estate near Sarlat, in the Dordogne's Périgord Noir, used as a background plate for one line of type. Scene: a tidy, empty guest room under the château's sloped ceiling, a made bed with plain cream linen in the lower third, a tall stone-mullioned window at the left edge with a low window seat beneath it and soft-focus vineyard beyond the glass, a heavy wooden desk and chair at the right edge, a worn wooden floor. Copy space: the upper half, the plain plaster wall above the bed, clear for a line of dark copy; the middle band calm enough that a 16:9 or 1.91:1 crop from the full width still carries copy. Value: light overall. Hour and light: late afternoon, warm low sun through the stone-mullioned window, golden on the linen and the wood. Camera: wide shot at standing eye level from the doorway, 35mm-equivalent lens, the bed and window centred with spare room on every side. Grade: soft and low-contrast, leaning to warm beige and greige with the honey stone. No person anywhere in frame: no figure, silhouette, reflection or distant guest, no hands, no clothing left as if worn. A background plate: no single object draws the eye, and the scene reads as a calm backdrop. No wall sockets, plugs, light switches or key-card slots in view, no money, no flags, pins, stickers, rainbow motifs or symbols of any cause. Natural material wear, available light only, no flash, no lens flare. No purple or violet anywhere in frame, no brand colour wash, no tint, no gradient, no vignette. No text, letters or numbers anywhere, no room numbers, no logos, brand names or signage, no watermark. No drawn, painted or 3D-rendered look. Landscape 3:2.",
   "provenance": "chat",
   "provider": "chatgpt",
   "references": [],
   "requestId": "r_mueu6ug1_u",
   "sent_prefix": true,
   "session": "chatgpt/guesteria",
   "sha256": "6bfa9a6cd3cec696ac583bfeeb834c6b5634faa1920add0b1e7a738a30badc34",
   "sheet": false,
   "status": "done",
   "upload_confirmation": "кадр места рисуется по описанию, вложений нет",
   "written_by": "внештатный раннер в скретчпаде сессии; значения измерены с файла"
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   "harvest": {
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   "id": "ground--roqueterre-restaurant--wide-land--v1",
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   "prompt": "Photoreal interior photograph of a 17th-century château hotel on a wine estate near Sarlat, in the Dordogne's Périgord Noir, used as a background plate for one line of type. Scene: the restaurant before dinner service, nobody present. Wooden dining tables with simple wooden chairs in the lower third, white linen laid but bare of place settings, a stone wall behind hung with a few small framed old photographs of the château, a tall stone-mullioned window at the edge of frame. Copy space: the upper half, the plain stone wall, clear for a line of dark copy; the middle band calm enough that a 16:9 or 1.91:1 crop from the full width still carries copy. Value: light overall. Hour and light: early evening, warm low sun through the stone-mullioned window meeting a soft downlight over the tables. Camera: wide shot at standing eye level, 35mm-equivalent lens, the tables soft. Grade: soft and low-contrast, leaning to warm beige and greige with the honey stone. No person anywhere in frame: no figure, silhouette, reflection or distant guest, no hands, no clothing left as if worn, no plates, cutlery or glassware laid out. A background plate: no single object draws the eye, and the scene reads as a calm backdrop. No wall sockets, plugs or light switches in view, no money, no flags, pins, stickers, rainbow motifs or symbols of any cause. Natural material wear, available light only, no flash, no lens flare. No purple or violet anywhere in frame, no brand colour wash, no tint, no gradient, no vignette. No text, letters or numbers anywhere, no logos, brand names or signage, no watermark. No drawn, painted or 3D-rendered look. Landscape 3:2.",
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   "prompt": "Photoreal exterior photograph of the terrace of a 17th-century château hotel near Sarlat, in the Dordogne's Périgord Noir, used as a background plate for one line of type. Scene: a stone terrace overlooking the valley in the late afternoon, nobody present. A low stone balustrade along the lower third with a soft-focus sweep of vineyard and wooded valley beyond it, two empty wrought-iron garden chairs at the left edge, a large terracotta pot with a clipped bay tree at the right edge. Copy space: the upper half, open pale sky and the far tree line, clear for a line of dark copy; the middle band calm enough that a 16:9 or 1.91:1 crop from the full width still carries copy. Value: light overall. Hour and light: late afternoon, warm low sun from one side, golden on the stone balustrade and the vineyard. Camera: wide shot at standing eye level, 35mm-equivalent lens, the balustrade and chairs soft. Grade: soft and low-contrast, leaning to warm beige and greige with the honey stone. No person anywhere in frame: no figure, silhouette, reflection or distant guest, no hands, no clothing left as if worn. A background plate: no single object draws the eye, and the scene reads as a calm backdrop. No wall sockets, plugs or light switches in view, no money, no flags, pins, stickers, rainbow motifs or symbols of any cause. Natural material wear, available light only, no flash, no lens flare. No purple or violet anywhere in frame, no brand colour wash, no tint, no gradient, no vignette. No text, letters or numbers anywhere, no logos, brand names or signage, no watermark. No drawn, painted or 3D-rendered look. Landscape 3:2.",
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   "prompt": "Photoreal interior photograph of a 17th-century château hotel on a wine estate near Sarlat, in the Dordogne's Périgord Noir, used as a background plate for one line of type. Scene: the vestibule desk in the quiet mid-morning hour, nobody at the desk. A wooden desk in the lower third, a leather-bound reservations diary closed on it beside a small brass bell and a vase of garden flowers, a stone vestibule wall behind lit by a tall stone-mullioned window out of frame. Copy space: the upper half, the plain stone wall, clear for a line of dark copy; the middle band calm enough that a 16:9 crop from the full width still carries copy. Value: light overall. Hour and light: mid-morning, soft daylight through the stone-mullioned window, warm on the wood and the stone. Camera: mid shot at standing eye level from the vestibule, 35mm-equivalent lens, the desk and diary centred with spare room on every side. Grade: soft and low-contrast, leaning to warm beige and greige. No person anywhere in frame: no figure, silhouette, reflection or distant guest, no hands, no clothing left as if worn. A background plate: no single object draws the eye, and the scene reads as a calm backdrop. No wall sockets, plugs or light switches in view, no money or card terminal in view, no flags, pins, stickers, rainbow motifs or symbols of any cause. Natural material wear, available light only, no flash, no lens flare. No purple or violet anywhere in frame, no brand colour wash, no tint, no gradient, no vignette. No text, letters or numbers anywhere, no logos, brand names or signage, no watermark. No drawn, painted or 3D-rendered look. Landscape 3:2.",
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   "prompt": "Photoreal, true to life: natural skin texture with its imperfections, a relaxed natural expression and a weight-bearing pose, no retouched gloss. This is the housekeeper from the three reference sheets attached in this chat; they are the only source for her face, eyes, hair, skin and build. THE HOUSEKEEPER. Identity, locked: a white European woman in her late forties; small and slight, narrow shoulders, strong forearms and quick hands; a narrow face with high cheekbones, a pointed chin, a thin straight nose and laugh lines around the mouth; brown eyes; olive-fair Mediterranean skin with visible pores, a light flush on the cheeks and fine lines at the corners of the eyes; dark brown hair with grey strands at the temples, cut in a short practical crop with a side-swept fringe. Identifiers, present in every image: the short dark brown crop with the side-swept fringe and grey strands; the narrow high-cheekboned face with the pointed chin; the small, slight build. Wardrobe range, variable: a plain sage-green short-sleeved housekeeping tunic with no print, badge or logo, dark grey work trousers and black non-slip work shoes on shift, with a white long-sleeved top under the tunic on cold days; a mustard-yellow knitted cardigan over a plain white tee, black jeans and white trainers off shift; a navy padded jacket outdoors. Kept out: tattoos, jewellery, name badges, printed text and logos. Scene: evening, off duty, on the narrow balcony of her rented flat across the city from the hotel where she works. She stands watering a row of tomato plants in terracotta pots with a small metal watering can, her weight on one foot, unhurried. She wears the mustard-yellow knitted cardigan over a plain white tee and black jeans. Expression calm and private, lips closed. The balcony rail is plain painted metal; a folded work tunic hangs on a hook just inside the open balcony door, out of focus; rooftops of the city soft and pale in the background, no landmark or sign legible. Hour and light: evening, warm low sun from one side, soft on the leaves and her face. Camera: mid shot at standing eye level, 35mm-equivalent lens, her figure, the plants and the can in the centre with spare room above and below, so a 9:16 or 4:5 crop keeps them; the sky above the rooftops quiet enough to carry one line of type. Grade: soft and low-contrast, leaning to warm beige and greige; the mustard cardigan and the green leaves the strongest colours. No maker's marks on the pots or the can. No balcony number or plate. Portrait 2:3. Every person in frame reads as a white European. No flags, pins, badges, stickers, rainbow motifs or symbols of any cause anywhere in frame. European fittings; no wall sockets, plugs or light switches in view, no money in view. Available light only, no flash, no rim light, no lens flare. Nobody looks at the camera: no smile to camera, no thumbs-up, no pointing. No purple or violet anywhere in frame. No text, letters or numbers anywhere, no logos, brand names or signage, no watermark. No drawn, painted or 3D-rendered look. No tablet, no charts or dashboards, no screen content visible.",
   "provenance": "chat",
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   "prompt": "Photoreal, true to life: natural skin texture with its imperfections, a relaxed natural expression and a weight-bearing pose, no retouched gloss. This is the housekeeper from the three reference sheets attached in this chat; they are the only source for her face, eyes, hair, skin and build. THE HOUSEKEEPER. Identity, locked: a white European woman in her late forties; small and slight, narrow shoulders, strong forearms and quick hands; a narrow face with high cheekbones, a pointed chin, a thin straight nose and laugh lines around the mouth; brown eyes; olive-fair Mediterranean skin with visible pores, a light flush on the cheeks and fine lines at the corners of the eyes; dark brown hair with grey strands at the temples, cut in a short practical crop with a side-swept fringe. Identifiers, present in every image: the short dark brown crop with the side-swept fringe and grey strands; the narrow high-cheekboned face with the pointed chin; the small, slight build. Wardrobe range, variable: a plain sage-green short-sleeved housekeeping tunic with no print, badge or logo, dark grey work trousers and black non-slip work shoes on shift, with a white long-sleeved top under the tunic on cold days; a mustard-yellow knitted cardigan over a plain white tee, black jeans and white trainers off shift; a navy padded jacket outdoors. Kept out: tattoos, jewellery, name badges, printed text and logos. Scene: late morning on an upper floor of a 4-star city hotel on Barcelona's Diagonal Mar, by the beach and the CCIB congress hall. She pushes her housekeeping trolley of folded white towels and linen down a plain carpeted corridor toward the next room, moving fast because the desk wants this room ready early, one hand steering the trolley and the other smoothing a stack of towels flat. She wears the sage-green housekeeping tunic with no print, badge or logo, dark grey work trousers and black non-slip shoes. Expression brisk and focused, lips closed. A row of plain guest-room doors along the corridor, each blank with no number plate in view; a folded paper list tucked in her tunic pocket, its edge just visible. Hour and light: late morning, even ceiling downlights along the corridor, no window. Camera: wide shot at standing eye level, 35mm-equivalent lens, her figure and the trolley left of centre with spare corridor on every side, so a 16:9 or 1.91:1 crop keeps her and the trolley; the right two-thirds, the plain corridor wall, quiet enough to carry one line of type. Grade: soft and low-contrast, leaning to cool pale blue-grey; the sage-green tunic the strongest colour. No numbers, plates or signage on any door. No maker's marks on the trolley or the towels. Landscape 3:2. Every person in frame reads as a white European. No flags, pins, badges, stickers, rainbow motifs or symbols of any cause anywhere in frame. European fittings; no wall sockets, plugs or light switches in view, no money in view. Available light only, no flash, no rim light, no lens flare. Nobody looks at the camera: no smile to camera, no thumbs-up, no pointing. No purple or violet anywhere in frame. No text, letters or numbers anywhere, no room numbers, no logos, brand names or signage, no watermark. No drawn, painted or 3D-rendered look. No tablet, no charts or dashboards, no screen content visible.",
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  "housekeeper--dayoff-request--mid-port--v1": {
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   "prompt": "Photoreal, true to life: natural skin texture with its imperfections, a relaxed natural expression and a weight-bearing pose, no retouched gloss. This is the housekeeper from the three reference sheets attached in this chat; they are the only source for her face, eyes, hair, skin and build. THE HOUSEKEEPER. Identity, locked: a white European woman in her late forties; small and slight, narrow shoulders, strong forearms and quick hands; a narrow face with high cheekbones, a pointed chin, a thin straight nose and laugh lines around the mouth; brown eyes; olive-fair Mediterranean skin with visible pores, a light flush on the cheeks and fine lines at the corners of the eyes; dark brown hair with grey strands at the temples, cut in a short practical crop with a side-swept fringe. Identifiers, present in every image: the short dark brown crop with the side-swept fringe and grey strands; the narrow high-cheekboned face with the pointed chin; the small, slight build. Wardrobe range, variable: a plain sage-green short-sleeved housekeeping tunic with no print, badge or logo, dark grey work trousers and black non-slip work shoes on shift, with a white long-sleeved top under the tunic on cold days; a mustard-yellow knitted cardigan over a plain white tee, black jeans and white trainers off shift; a navy padded jacket outdoors. Kept out: tattoos, jewellery, name badges, printed text and logos. Scene: a short break in the staff corridor of the 4-star city hotel on Barcelona's Diagonal Mar, by the beach and the CCIB congress hall, seated on a plain bench. She holds her phone in both hands at chest height, the screen toward her and away from the camera, checking the coming week before tapping in a request for a day off; the phone is a generic unbranded smartphone in a plain matte case with no visible logo. She wears the sage-green housekeeping tunic with no print, badge or logo. Expression hopeful, a small private smile at the screen. Behind her a plain corridor wall, a folded jacket on the bench beside her. Hour and light: midday, even corridor downlights, no window. Camera: mid shot at seated eye level, 35mm-equivalent lens, her face and the phone in the centre with spare room above and below, so a 9:16 or 4:5 crop keeps them; the wall above her quiet enough to carry one line of type. Grade: soft and low-contrast, leaning to cool pale blue-grey; the sage-green tunic the strongest colour. No maker's marks or labels on the phone or the jacket. Portrait 2:3. Every person in frame reads as a white European. No flags, pins, badges, stickers, rainbow motifs or symbols of any cause anywhere in frame. European fittings; no wall sockets, plugs or light switches in view, no money in view. Available light only, no flash, no rim light, no lens flare. Nobody looks at the camera: no smile to camera, no thumbs-up, no pointing. No purple or violet anywhere in frame. No text, letters or numbers anywhere, no logos, brand names or signage, no watermark. No drawn, painted or 3D-rendered look. No tablet, no charts or dashboards, no screen content visible.",
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   "prompt": "Photoreal, true to life: natural skin texture with its imperfections, a relaxed natural expression and a weight-bearing pose, no retouched gloss. This is the housekeeper from the three reference sheets attached in this chat; they are the only source for her face, eyes, hair, skin and build. THE HOUSEKEEPER. Identity, locked: a white European woman in her late forties; small and slight, narrow shoulders, strong forearms and quick hands; a narrow face with high cheekbones, a pointed chin, a thin straight nose and laugh lines around the mouth; brown eyes; olive-fair Mediterranean skin with visible pores, a light flush on the cheeks and fine lines at the corners of the eyes; dark brown hair with grey strands at the temples, cut in a short practical crop with a side-swept fringe. Identifiers, present in every image: the short dark brown crop with the side-swept fringe and grey strands; the narrow high-cheekboned face with the pointed chin; the small, slight build. Wardrobe range, variable: a plain sage-green short-sleeved housekeeping tunic with no print, badge or logo, dark grey work trousers and black non-slip work shoes on shift, with a white long-sleeved top under the tunic on cold days; a mustard-yellow knitted cardigan over a plain white tee, black jeans and white trainers off shift; a navy padded jacket outdoors. Kept out: tattoos, jewellery, name badges, printed text and logos. Scene: mid-morning in the corridor of the 4-star city hotel on Barcelona's Diagonal Mar, by the beach and the CCIB congress hall, her trolley parked beside her. A guest has stopped her with a question, seen from behind, only the back of his head and shoulders in view, unidentifiable, a white European adult in dark navy, black or grey, no ginger or white hair, no braid, nothing that resembles another cast member. She stands half-turned, one hand raised to point past him at a small plain wall tag further down the corridor carrying a square scan code, a soft out-of-focus pattern with no readable characters. She wears the sage-green housekeeping tunic with no print, badge or logo. Expression helpful and brief, lips parted mid-word. Plain corridor walls, a row of blank guest-room doors with no numbers in view. Hour and light: mid-morning, even ceiling downlights, no window. Camera: wide shot at standing eye level, 35mm-equivalent lens, the guest strictly from behind and out of focus in the foreground, her figure, pointing hand and the wall tag right of centre inside a crop-safe band, so a 16:9 or 1.91:1 crop keeps them; the corridor wall above her quiet enough to carry one line of type. Grade: soft and low-contrast, leaning to cool pale blue-grey; the sage-green tunic the strongest colour. No numbers, plates or signage on any door. No maker's marks on the trolley. Landscape 3:2. Every person in frame, background figures included, reads as a white European. No flags, pins, badges, stickers, rainbow motifs or symbols of any cause anywhere in frame. European fittings; no wall sockets, plugs or light switches in view, no money in view. Available light only, no flash, no rim light, no lens flare. Nobody looks at the camera: no smile to camera, no thumbs-up, no pointing. No purple or violet anywhere in frame. No text, letters or numbers anywhere, no room numbers, no logos, brand names or signage, no watermark. No drawn, painted or 3D-rendered look. No tablet, no charts or dashboards, no screen content visible.",
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   "prompt": "Photoreal, true to life: natural skin texture with its imperfections, a relaxed natural expression and a weight-bearing pose, no retouched gloss. This is the housekeeper from the three reference sheets attached in this chat; they are the only source for her face, eyes, hair, skin and build. THE HOUSEKEEPER. Identity, locked: a white European woman in her late forties; small and slight, narrow shoulders, strong forearms and quick hands; a narrow face with high cheekbones, a pointed chin, a thin straight nose and laugh lines around the mouth; brown eyes; olive-fair Mediterranean skin with visible pores, a light flush on the cheeks and fine lines at the corners of the eyes; dark brown hair with grey strands at the temples, cut in a short practical crop with a side-swept fringe. Identifiers, present in every image: the short dark brown crop with the side-swept fringe and grey strands; the narrow high-cheekboned face with the pointed chin; the small, slight build. Wardrobe range, variable: a plain sage-green short-sleeved housekeeping tunic with no print, badge or logo, dark grey work trousers and black non-slip work shoes on shift, with a white long-sleeved top under the tunic on cold days; a mustard-yellow knitted cardigan over a plain white tee, black jeans and white trainers off shift; a navy padded jacket outdoors. Kept out: tattoos, jewellery, name badges, printed text and logos. Scene: the end of shift, standing just inside a tidied guest room of the 4-star city hotel on Barcelona's Diagonal Mar, by the beach and the CCIB congress hall, the last one on her list. She holds her phone at a three-quarter angle in one hand at chest height, its screen tilted toward the camera enough to show as a plain pale matte rectangle catching the window light, no icon, text or content of any kind on it, her other hand resting on the door frame. She wears the sage-green housekeeping tunic with no print, badge or logo. Expression quietly satisfied, lips closed. The made bed and a plain painted wall behind her, out of focus, a window with sheer curtains letting in the last daylight. Hour and light: late afternoon, soft daylight through the sheer curtains, warm on her face and the phone's blank screen. Camera: mid shot at standing eye level, three-quarter angle on the phone so its face reads clearly, 35mm-equivalent lens, her face and the phone in the centre with spare room above and below, so a 9:16 or 4:5 crop keeps them; the plain wall above quiet enough to carry one line of type. Grade: soft and low-contrast, leaning to cool pale blue-grey; the sage-green tunic the strongest colour. No maker's marks on the phone or the door frame. No room numbers anywhere. Portrait 2:3. Every person in frame reads as a white European. No flags, pins, badges, stickers, rainbow motifs or symbols of any cause anywhere in frame. European fittings; no wall sockets, plugs, light switches or key-card slots in view, no money in view. Available light only, no flash, no rim light, no lens flare. Nobody looks at the camera: no smile to camera, no thumbs-up, no pointing. No purple or violet anywhere in frame. No text, letters or numbers anywhere, no room numbers, no logos, brand names or signage, no watermark. No drawn, painted or 3D-rendered look. No tablet, no charts or dashboards, no screen content visible: the phone's screen is a blank matte surface with no drawn interface.",
   "provenance": "chat",
   "provider": "gemini",
   "sha256": "9dc1b2f3600854a940fba0884e5a9d4459419f7723ce551bbb62db2657b2c499",
   "sheet": false,
   "status": "done",
   "written_by": "внештатный раннер в скретчпаде сессии; значения измерены с файла"
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  "housekeeper--shift-start-tasklist--mid-port--v1": {
   "attempts": 1,
   "bytes": 2166152,
   "file": "housekeeper--shift-start-tasklist--mid-port--v1.png",
   "group": "housekeeper",
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   "id": "housekeeper--shift-start-tasklist--mid-port--v1",
   "imageMode": "single",
   "mode": "chat-per-prompt",
   "prompt": "Photoreal, true to life: natural skin texture with its imperfections, a relaxed natural expression and a weight-bearing pose, no retouched gloss. This is the housekeeper from the three reference sheets attached in this chat; they are the only source for her face, eyes, hair, skin and build. THE HOUSEKEEPER. Identity, locked: a white European woman in her late forties; small and slight, narrow shoulders, strong forearms and quick hands; a narrow face with high cheekbones, a pointed chin, a thin straight nose and laugh lines around the mouth; brown eyes; olive-fair Mediterranean skin with visible pores, a light flush on the cheeks and fine lines at the corners of the eyes; dark brown hair with grey strands at the temples, cut in a short practical crop with a side-swept fringe. Identifiers, present in every image: the short dark brown crop with the side-swept fringe and grey strands; the narrow high-cheekboned face with the pointed chin; the small, slight build. Wardrobe range, variable: a plain sage-green short-sleeved housekeeping tunic with no print, badge or logo, dark grey work trousers and black non-slip work shoes on shift, with a white long-sleeved top under the tunic on cold days; a mustard-yellow knitted cardigan over a plain white tee, black jeans and white trainers off shift; a navy padded jacket outdoors. Kept out: tattoos, jewellery, name badges, printed text and logos. Scene: the start of her shift in the linen room of a 4-star city hotel on Barcelona's Diagonal Mar, by the beach and the CCIB congress hall, the trolley still parked and not yet loaded behind her. She stands holding her phone at a three-quarter angle in both hands at chest height, its screen tilted up and toward the camera enough to show as a plain pale matte rectangle catching the overhead light, no icon, text or content of any kind on it. She wears the sage-green housekeeping tunic with no print, badge or logo, dark grey work trousers. Expression focused, reading, lips closed. Shelves of folded white towels and linen soft behind her, even ceiling downlights, no window. Hour and light: early morning, even ceiling downlights, no window. Camera: mid shot at standing eye level, three-quarter angle on the phone so its face reads clearly, 35mm-equivalent lens, her face and the phone in the centre with spare room above and below, so a 9:16 or 4:5 crop keeps them; the shelves above quiet enough to carry one line of type. Grade: soft and low-contrast, leaning to cool pale blue-grey; the sage-green tunic the strongest colour. No maker's marks on the phone, the shelves or the trolley. Portrait 2:3. Every person in frame reads as a white European. No flags, pins, badges, stickers, rainbow motifs or symbols of any cause anywhere in frame. European fittings; no wall sockets, plugs or light switches in view, no money in view. Available light only, no flash, no rim light, no lens flare. Nobody looks at the camera: no smile to camera, no thumbs-up, no pointing. No purple or violet anywhere in frame. No text, letters or numbers anywhere, no logos, brand names or signage, no watermark. No drawn, painted or 3D-rendered look. No tablet, no charts or dashboards, no screen content visible: the phone's screen is a blank matte surface with no drawn interface.",
   "provenance": "chat",
   "provider": "gemini",
   "sha256": "dd3805a844845f9ea994673fe7ee5b60acc6da37dbe54c7cff1ada7fd0758253",
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   "status": "done",
   "written_by": "внештатный раннер в скретчпаде сессии; значения измерены с файла"
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   "id": "object--flyer-stack--close-land--v1",
   "imageMode": "single",
   "mode": "chat-per-prompt",
   "prompt": "Photoreal documentary still life, true to life, no styling gloss. Scene: late afternoon on the wooden counter of a small hotel reception desk in a European tourist city, nobody at the desk. A stack of printed activity flyers curling at the corners, the top one sun-faded, their pictures soft blocks of colour with no readable characters; a pen lying across the stack; a small plain key-card tray holding blank white key cards at the edge of frame; a plain plaster wall soft and out of focus behind. Hour and light: late afternoon, warm downlight from above meeting cool daylight from the entrance, falling across the paper edges and the wood. Camera: close shot at standing eye level looking slightly down onto the counter, 50mm-equivalent lens, the curled corners just left of centre with spare counter on every side, the background soft. Value: light overall; the upper third, the soft back wall, quiet enough to carry one line of dark type. Grade: soft and low-contrast, leaning to cool pale blue-grey with the warm wood of the counter; no strong colour anywhere. No text, letters or numbers anywhere: no readable characters on the flyers or the key cards. No person anywhere in frame: no hands, no arm, no reflection, no clothing. European fittings; no wall sockets, plugs or light switches in view, no money, no flags, pins, stickers, rainbow motifs or symbols of any cause. No bell. Available light only, no flash, no lens flare. No purple or violet anywhere in frame. No logos or brand names, no watermark. No screen, no phone, no tablet, no charts. No drawn, painted or 3D-rendered look. Landscape 3:2.",
   "provenance": "chat",
   "provider": "gemini",
   "references": [],
   "requestId": "r_mu28ven3_y",
   "sent_prefix": true,
   "session": "gemini/guesteria",
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   "collected": "chat",
   "file": "object--flyer-stack--close-square--v1.png",
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   "id": "object--flyer-stack--close-square--v1",
   "imageMode": "single",
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   "prompt": "Photoreal close photograph of objects on a hotel reception counter, used as a background plate for one line of type. This is an object frame: the object category of this brand is shot square at 1:1 on a 50mm-equivalent lens, and that is deliberate and applies to every property, not only this one. Scene: late morning on the counter of the one reference reception desk of the property, nobody at the desk. A stack of activity flyers curling at the corners, the top one sun-faded, the paper blank - no printing, no picture, no block of colour standing in for a picture, not one character, digit or mark on any sheet; a pen lying across the stack; a small plain key-card tray holding blank white key cards at the edge of frame; the plaster wall soft and out of focus behind. Material set, the one set for this property and nothing outside it: the counter is the dark wood panelling and medium-oak top of the reference reception desk, the same tone as every other frame of the property; pale blue-grey lime plaster behind; the brass desk lamp out of frame; white porcelain and blank white card. Kept out of frame: stained or fumed oak, limed pine, light oak, walnut, white laminate, terrazzo, a bell, and any wall socket, plug or light switch. Hour and light: late morning under a high unbroken overcast, one soft light only, diffuse daylight from a tall rectangular window with linen sheers to one side, raking gently across the paper edges and the wood; no warm downlight from above, no cold daylight from an entrance, no second source. Camera: close shot at standing eye level looking slightly down onto the counter, 50mm-equivalent lens, verticals straight with no tilt, the curled corners just left of centre with spare counter on every side, the background soft. Copy space: the upper centre, the soft out-of-focus back wall, one even plane at brightness about 202 with a standard deviation of 6 or below, kept clear for one line of dark type and crossed by nothing. Grade, stated for this German set and borrowed from no other property: mean frame brightness 120 to 160; p1 lifted to 25 to 35; p5 lifted to 40 or above; p95 200 to 230; contrast p95 minus p5 brought down to between 130 and 170; red-minus-blue of the mid frame brought to between 0 and +12 so the frame reads neutral, neither warm-washed nor cool blue-grey; highlights 6300 to 7000K; shadows 4500 to 6000K; clipping under one percent; whole-frame saturation brought down to 0.12 to 0.20, with no surface above 0.30 saturation and no strong colour anywhere. No text, letters or numbers anywhere: no readable characters on the flyers or the key cards, no readable handwriting. No person anywhere in frame: no hands, no arm, no reflection, no clothing. European fittings; no wall sockets, plugs or light switches in view, no money, no flags, pins, stickers, rainbow motifs or symbols of any cause. No bell. Available light only, no flash, no lens flare, one light source only. No purple or violet anywhere in frame, no brand colour wash, no tint, no gradient, no vignette. No logos or brand names, no watermark. No screen, no phone, no tablet, no charts. No drawn, painted or 3D-rendered look. Square 1:1, PNG 1536x1536.",
   "provenance": "chat",
   "provider": "chatgpt",
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    "note": "re-derived from disk; the runner rewrites this file from an in-memory copy and drops concurrent edits"
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  "object--questions-list--close-square--v1": {
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    "note": "re-derived from disk; the runner rewrites this file from an in-memory copy and drops concurrent edits",
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   "mode": "chat-per-prompt",
   "prompt": "Photoreal close photograph of objects on a hotel desk, used as a background plate for one line of type. This is an object frame: the object category of this brand is shot square at 1:1 on a 50mm-equivalent lens, and that is deliberate and applies to every property, not only this one. Scene: a quiet late morning on the desk of the one back office of the property, nobody at the desk. A single sheet of lined paper lies on the desk, filled with a handwritten list of short lines seen at an angle: a rhythm of strokes only, with no distinguishable word, letter, digit or ligature anywhere and nothing that could be read; several lines ticked in pen, a pen lying beside it; the black desk phone handset resting in its cradle at the edge of frame with its keypad out of view. Material set, the one set for this property and nothing outside it: the desk is the medium oak of the back office, the same single tone as every other frame of the property; pale blue-grey lime plaster behind, soft; a black desk phone. Kept out of frame: limed pine, white laminate, light oak, walnut, stained or fumed oak, terrazzo, and any wall socket, plug or light switch. Hour and light: late morning under a high unbroken overcast, one soft light only, diffuse daylight from the doorway at the left across the paper; no second source, no lamp lit, no direct sun. Camera: close shot from standing eye level looking down at an angle, 50mm-equivalent lens, verticals straight with no tilt, the sheet left of centre with spare desk on every side. Copy space: the top centre, the soft desk and wall, one even plane at brightness about 215 with a standard deviation of 12 or below, kept clear for one line of dark type and crossed by nothing. Grade, stated for this German set and borrowed from no other property: mean frame brightness 120 to 160; p1 25 to 35; p5 lifted to 40 or above; p95 200 to 230; contrast p95 minus p5 between 130 and 170; highlights moved to 6300 to 7000K; red-minus-blue of the mid frame brought to between 0 and +12 so the frame reads neutral and never cool; shadows 4500 to 6000K; clipping under one percent; whole-frame saturation raised into 0.12 to 0.20, with no surface above 0.30 saturation and no strong colour anywhere. No readable handwriting, no text, letters or numbers anywhere, the phone keypad out of view, no maker's marks on the phone. No person anywhere in frame: no hands, no arm, no reflection, no clothing. European fittings; no wall sockets, plugs or light switches in view, no money, no flags, pins, stickers, rainbow motifs or symbols of any cause. Available light only, no flash, no lens flare, one light source only. No purple or violet anywhere in frame, no brand colour wash, no tint, no gradient, no vignette. No logos or brand names, no watermark. No screen, no mobile phone, no tablet, no charts. No drawn, painted or 3D-rendered look. Square 1:1, PNG 1536x1536.",
   "provenance": "chat",
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  "owner-manager--bar-espresso--mid-port--v1": {
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   "file": "owner-manager--bar-espresso--mid-port--v1.png",
   "graded": {
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    "method": "GERMANY-RESHOOT.md grade corridor, declared units: 900px long edge, Rec.709 luma, R-B of the 3x3 centre cell",
    "note": "re-derived from disk; the runner rewrites this file from an in-memory copy and drops concurrent edits",
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   "group": "owner-manager",
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   "id": "owner-manager--bar-espresso--mid-port--v1",
   "imageMode": "series",
   "mode": "one-chat",
   "prompt": "Photoreal, true to life: natural skin texture with its imperfections, a relaxed natural expression and a weight-bearing pose, no retouched gloss. This is the owner-manager from the three reference sheets attached in this chat; they are the only source for his face, eyes, hair, skin and build. THE OWNER-MANAGER. Identity, locked: a white European man in his late fifties; medium height, lean and upright, narrow shoulders and long arms; a long face with hollow cheeks, a prominent straight nose and a clean-shaven square chin; grey eyes; fair weathered skin with visible pores, deep lines at the corners of the eyes, two vertical lines between the brows and a few age spots at the temples; thick white hair, short at the sides and combed back from a high forehead. Identifiers, present in every image: the thick white hair combed back from a high forehead; the clean-shaven long face with the prominent straight nose; the lean, upright, narrow-shouldered build. Wardrobe range, variable: a navy unstructured wool jacket over a white open-collar shirt with no tie, stone-coloured chinos and brown leather shoes on the floor of the hotel; a dark green crew-neck jumper over the shirt on office afternoons; a navy wool overcoat outdoors. Kept out: tattoos, jewellery, a tie, printed text and logos. Scene: late morning before the day starts, at the small bar of his own independent city hotel in northern Europe, the bar still empty. He stands at the medium-oak bar counter, weight on one leg, a small white porcelain espresso cup held in one hand, reading his small black notebook that lies open on the counter beside the saucer with a pen across it. He wears the navy unstructured wool jacket over the white open-collar shirt with no tie and stone-coloured chinos. Expression watchful, lips closed, eyes down on the notebook. Behind the bar a plain medium-oak shelf with white porcelain cups and plain glasses only: no bottles, labels, menus or price boards. Material set, the one set for this property and nothing outside it: medium oak for the counter, the shelf and the bentwood stools, one single tone; pale blue-grey lime plaster on the wall; a floor of large grey stone slabs; white porcelain. Kept out of frame: an espresso machine, steel milk pitchers, light oak, smooth white plaster, olive branches, arched openings, limestone paving, terrazzo, walnut, limed pine, stained or fumed oak, white laminate, and any wall socket, plug or light switch. Hour and light: late morning under a high unbroken overcast, one soft light only, side light through a tall rectangular window with linen sheers at the right, soft on his face, the wood and the white cup; no direct sun, no second source, no lamp lit. Camera: mid shot at standing eye level, 35mm-equivalent lens, verticals straight with no tilt, his face, white hair, the cup and the notebook on the left third with spare room above and below, so a 9:16 or 4:5 crop keeps them. Copy space: the upper left, the plain blue-grey plaster wall above the shelf, one even plane at brightness about 197 with a standard deviation of 8 or below, kept clear for one line of dark type and crossed by nothing. Grade, stated for this German set and borrowed from no other property: mean frame brightness 120 to 160; p1 25 to 35; p5 at or above 40; p95 200 to 230; contrast p95 minus p5 between 130 and 170; red-minus-blue of the mid frame between 0 and +12 so the frame reads neutral, neither cool pale blue-grey nor warm-washed; highlights 6300 to 7000K; shadows 4500 to 6000K; clipping under one percent; whole-frame saturation 0.12 to 0.20, the navy jacket the only saturated note and every background surface under 0.30 saturation. The notebook shows no readable characters. No labels on his clothing. Portrait 2:3, PNG 1024x1536. Every person in frame reads as a white European. No flags, pins, badges, stickers, rainbow motifs or symbols of any cause anywhere in frame. European fittings; no wall sockets, plugs or light switches in view, no money in view. Available light only, no flash, no rim light, no lens flare, one light source only. Nobody looks at the camera: no smile to camera, no thumbs-up, no pointing. No purple or violet anywhere in frame. No text, letters or numbers anywhere, no logos, brand names, signage or badges, no watermark, no readable handwriting. No drawn, painted or 3D-rendered look. No tablet, no charts or dashboards, no screen content visible.",
   "provenance": "chat",
   "provider": "chatgpt",
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Wardrobe range, variable: a navy unstructured wool jacket over a white open-collar shirt with no tie, stone-coloured chinos and brown leather shoes on the floor of the hotel; a dark green crew-neck jumper over the shirt on office afternoons; a navy wool overcoat outdoors. Kept out: tattoos, jewellery, a tie, printed text and logos. Scene: late morning before the hotel goes live, in the same single office behind reception, shot from the same standpoint and in the same light as the frame of him at the computer. He sits upright at the medium-oak desk, a single clean white sheet lying in front of him with not one character, line or mark on it, one hand resting flat on it and the other writing into his small black notebook open beside it, weighing a low fixed fee against a share of each booking. He wears the navy unstructured wool jacket over the white open-collar shirt with no tie. Expression weighing and careful, lips pressed, no smile, no celebration, eyes down on the paper. Material set, the one office set and nothing outside it: a grey-blue painted wall with a wooden dado rail; the medium-oak desk; the worn cracked leather armchair with its mended seat; one brass table lamp only, standing as an object and switched off; the tall rectangular courtyard window with linen sheers drawn across it; three small framed black-and-white PHOTOGRAPHS of the 1910 hotel building on the wall. The three pictures are photographs and nothing else: silver-gelatin photographic prints in continuous grey tone with visible photographic grain, each one an exterior view of the same plain 1910 brick-and-plaster hotel building - a flat street facade with a straight flat parapet, tall rectangular windows in moulded stone surrounds and the flat glass-and-iron canopy over the recessed entrance - hung in a row in plain thin black frames, in the same order and at the same positions as in the frame of him at the computer. This office is reproduced one to one across the two frames that show it: the same wall, the same three photographs in the same order, the same worn cracked leather armchair with its mended seat, the same medium-oak desk, the same linen-veiled courtyard window, the same wooden dado rail, the same single brass lamp and the same camera position. Kept out of frame: a pencil drawing, an etching, an engraving, a lithograph, line art or any hand-drawn or painted rendering inside the picture frames; a steep pitched roof, a mansard roof, dormer windows, a turret, a spire or an ornate carved gable in any of the pictures; a grand city mansion, a Parisian house, a half-timbered house; a southern courtyard, planted tubs, wrought-iron garden furniture, stucco mouldings, a French casement, a second lamp, and any wall socket, plug or light switch. Beyond the window a plain brick courtyard wall with no landmark and nothing that identifies the city. Hour and light: late morning under a high unbroken overcast, one soft light only, cool diffuse daylight through the linen-veiled courtyard window, soft on his face, the white hair and the wool; the brass lamp unlit, no warm second source, no direct sun. Camera: mid shot at seated eye level from the side of the desk, 35mm-equivalent lens, verticals straight with no tilt, his face, white hair, the notebook and the sheet on the left third with spare room on every side, so a 16:9 crop keeps them. Copy space: the right third, the flat grey-blue wall beside the veiled window, one even plane at brightness 150 to 180 with a standard deviation of 40 or below, with no glazing bar or window frame crossing it, kept clear for one line of dark type. Grade, stated for this German set and borrowed from no other property: mean frame brightness 120 to 160; p1 25 to 35; p5 at or above 40; p95 200 to 230; contrast p95 minus p5 between 130 and 170; red-minus-blue of the mid frame between 0 and +12 so the frame reads neutral, neither cool pale blue-grey nor warm-washed; highlights 6300 to 7000K; shadows 4500 to 6000K; clipping under one percent; whole-frame saturation 0.12 to 0.20, the navy jacket the only saturated note and every background surface under 0.30 saturation. No readable characters on the sheet, the notebook or the photographs. No maker's marks or logos on the pen or the lamp. Landscape 3:2, PNG 1536x1024. Every person in frame reads as a white European. No flags, pins, badges, stickers, rainbow motifs or symbols of any cause anywhere in frame. European fittings; no wall sockets, plugs or light switches in view, no money in view. Available light only, no flash, no rim light, no lens flare, one light source only. Nobody looks at the camera: no smile to camera, no thumbs-up, no pointing. No purple or violet anywhere in frame. No text, letters or numbers anywhere, no logos, brand names, signage or badges, no watermark, no readable handwriting. No drawn, painted or 3D-rendered look. No tablet, no charts or dashboards, no screen content visible.",
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   "prompt": "Photoreal, true to life: natural skin texture with its imperfections, a relaxed natural expression and a weight-bearing pose, no retouched gloss. This is the owner-manager from the three reference sheets attached in this chat; they are the only source for his face, eyes, hair, skin and build. THE OWNER-MANAGER. Identity, locked: a white European man in his late fifties; medium height, lean and upright, narrow shoulders and long arms; a long face with hollow cheeks, a prominent straight nose and a clean-shaven square chin; grey eyes; fair weathered skin with visible pores, deep lines at the corners of the eyes, two vertical lines between the brows and a few age spots at the temples; thick white hair, short at the sides and combed back from a high forehead. Identifiers, present in every image: the thick white hair combed back from a high forehead; the clean-shaven long face with the prominent straight nose; the lean, upright, narrow-shouldered build. Wardrobe range, variable: a navy unstructured wool jacket over a white open-collar shirt with no tie, stone-coloured chinos and brown leather shoes on the floor of the hotel; a dark green crew-neck jumper over the shirt on office afternoons; a navy wool overcoat outdoors. Kept out: tattoos, jewellery, a tie, printed text and logos. Scene: late morning in the lobby of his small independent city hotel in northern Europe, shot from the same standpoint as the lobby plate and in the same room. He stands upright beside a floor-standing wire leaflet stand whose leaflets have gone pale and curled - faded plain paper with not one mark, character or picture on it - nobody touching them, and watches a couple walk away toward the entrance, which is behind the camera and out of frame. The couple are seen from behind, out of focus and unidentifiable, a white European man and woman in their forties dressed in dark navy, black or grey: no rust-brown jacket, no ginger or white hair, no braid, nothing that resembles another cast member; each holds a phone screen-inward toward their own face so no screen is visible to the camera, and both are placed left of centre so the right third of the frame is clear of people. He wears the navy unstructured wool jacket over the white open-collar shirt with no tie, stone-coloured chinos and brown leather shoes, his hands at his sides. Expression frustrated and watchful, lips closed, eyes on the couple, not on the camera. Material set, the one set for this property and nothing outside it: pale blue-grey lime plaster; a floor of large grey stone slabs; the patterned cream wool rug; tall rectangular windows with linen sheer curtains; medium oak of one single tone; oatmeal boucle armchairs. Kept out of frame: a glass-and-white lobby, terrazzo, limestone paving, olive branches, arched openings, sisal, walnut, limed pine, stained or fumed oak, white laminate, and any wall socket, plug or light switch. Hour and light: late morning under a high unbroken overcast, one soft light only, side light from a tall window with linen sheers; the entrance is behind the camera, so nothing in frame is backlit and nothing blows out. Camera: wide shot at standing eye level, 35mm-equivalent lens, verticals straight with no tilt, his figure, face and the leaflet stand on the left third with spare room on every side, so a 16:9 or 1.91:1 crop keeps them. Copy space: the right third, plain blue-grey plaster wall above the armchairs, one even plane at brightness 150 to 180 with a standard deviation of 40 or below, free of figures, window frames and folds, kept clear for one line of dark type. Grade, stated for this German set and borrowed from no other property: mean frame brightness 120 to 160; p1 25 to 35; p5 at or above 40; p95 at or below 230; contrast p95 minus p5 between 130 and 170; clipping under one percent; red-minus-blue of the mid frame between 0 and +12 so the frame reads neutral, neither cool pale blue-grey nor warm-washed; highlights 6300 to 7000K; shadows 4500 to 6000K; whole-frame saturation 0.12 to 0.20, the navy jacket the only saturated note and every background surface under 0.30 saturation. The leaflets and the phones show no readable characters and no screens. No labels on his clothing. Landscape 3:2, PNG 1536x1024. Every person in frame, background figures included, reads as a white European. No flags, pins, badges, stickers, rainbow motifs or symbols of any cause anywhere in frame. European fittings; no wall sockets, plugs or light switches in view, no money in view. Available light only, no flash, no rim light, no lens flare, one light source only. Nobody looks at the camera: no smile to camera, no thumbs-up, no pointing. No purple or violet anywhere in frame. No text, letters or numbers anywhere, no logos, brand names, signage or badges, no watermark, no readable handwriting. No drawn, painted or 3D-rendered look. No tablet, no charts or dashboards, no screen content visible.",
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   "prompt": "Photoreal, true to life: natural skin texture with its imperfections, a relaxed natural expression and a weight-bearing pose, no retouched gloss. This is the owner-manager from the three reference sheets attached in this chat; they are the only source for his face, eyes, hair, skin and build. THE OWNER-MANAGER. Identity, locked: a white European man in his late fifties; medium height, lean and upright, narrow shoulders and long arms; a long face with hollow cheeks, a prominent straight nose and a clean-shaven square chin; grey eyes; fair weathered skin with visible pores, deep lines at the corners of the eyes, two vertical lines between the brows and a few age spots at the temples; thick white hair, short at the sides and combed back from a high forehead. Identifiers, present in every image: the thick white hair combed back from a high forehead; the clean-shaven long face with the prominent straight nose; the lean, upright, narrow-shouldered build. Wardrobe range, variable: a navy unstructured wool jacket over a white open-collar shirt with no tie, stone-coloured chinos and brown leather shoes on the floor of the hotel; a dark green crew-neck jumper over the shirt on office afternoons; a navy wool overcoat outdoors. Kept out: tattoos, jewellery, a tie, printed text and logos. Scene: late morning a month after the hotel went live, in his small office behind reception. This office is the one office of the property and it is the same room in every frame that shows it. His face is the long, hollow-cheeked, weathered face of the sheets, not a fuller or younger face. He sits upright at a medium-oak desk looking at the office computer, a plain black monitor with no logo whose screen is angled away from the camera so nothing on it is visible, one hand on a plain black mouse, his small black notebook open beside the keyboard with a pen across it, and a short stack of plain blank white paper with no covers, no printing, no emblems and no marks of any kind. He wears the dark green crew-neck jumper over the white shirt with its collar open, no tie; the jumper has a round crew neck, not a V neck. Expression checking and considering, lips closed, no smile, no celebration, eyes down on the notebook. Material set, the one office set and nothing outside it: a grey-blue painted wall with a wooden dado rail; a medium-oak desk of the same single tone as the rest of the property; a worn cracked leather armchair with a mended seat; one brass table lamp only, standing as an object and switched off; a tall rectangular window onto a courtyard with linen sheers drawn across it; three small framed black-and-white PHOTOGRAPHS of the 1910 hotel building on the wall. The three pictures are photographs and nothing else: silver-gelatin photographic prints in continuous grey tone with visible photographic grain, each one an exterior view of the same plain 1910 brick-and-plaster hotel building - a flat street facade with a straight flat parapet, tall rectangular windows in moulded stone surrounds and the flat glass-and-iron canopy over the recessed entrance - hung in a row in plain thin black frames, in this same order and at these same positions in both frames of this office. This office is reproduced one to one across the two frames that show it: the same wall, the same three photographs in the same order, the same worn cracked leather armchair with its mended seat, the same medium-oak desk, the same linen-veiled courtyard window, the same wooden dado rail, the same single brass lamp and the same camera position. Kept out of frame: a pencil drawing, an etching, an engraving, a lithograph, line art or any hand-drawn or painted rendering inside the picture frames; a steep pitched roof, a mansard roof, dormer windows, a turret, a spire or an ornate carved gable in any of the pictures; a grand city mansion, a Parisian house, a half-timbered house; a white sash window, a steel lamp, a white wall, a second lamp, a French casement, stucco mouldings, a southern courtyard, planted tubs, wrought-iron garden furniture, and any wall socket, plug or light switch. Beyond the window a plain brick courtyard wall with no landmark and nothing that identifies the city. Hour and light: late morning under a high unbroken overcast, one soft light only, cool diffuse daylight through the linen-veiled courtyard window, soft on his face, the white hair and the wool; the brass lamp is unlit, no warm second source, no direct sun. Camera: mid shot at seated eye level from the side of the desk, 35mm-equivalent lens, verticals straight with no tilt, his face, white hair, the notebook and his hand on the left third with spare room on every side, so a 16:9 crop keeps them. Copy space: the right third, the flat grey-blue wall beside the veiled window, one even plane at brightness 150 to 180 with a standard deviation of 40 or below, with no window bar, glazing frame, tree or branch crossing it, kept clear for one line of dark type. 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   "collected": "chat",
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   "prompt": "Photoreal, true to life: natural skin texture with its imperfections, a relaxed natural expression and a weight-bearing pose, no retouched gloss. Six reference sheets are attached. The first three sheets are the front office manager, the tall broad-shouldered woman behind the desk: the only source for her face, eyes, hair, skin and build. THE FRONT OFFICE MANAGER. Identity, locked: a white European woman in her early forties; tall, broad-shouldered and solid; an oval face with a wide jaw, a short straight nose and thick dark brows; light brown eyes; fair skin with visible pores, faint freckles on the cheekbones and fine lines at the corners of the eyes; thick straight dark brown hair pulled back into one long braid that hangs down her back. Identifiers, present in every image: the one long dark brown braid, hanging straight down her back and never brought forward over a shoulder; the thick dark brows on the wide-jawed oval face; the tall, broad-shouldered, solid build. Wardrobe, here: the black fitted blazer with no badge over a white blouse. Kept out: tattoos, jewellery, name badges, printed text and logos. The last three sheets are the weekend guest, the short stocky man with the ginger-red hair and beard at the counter: the only source for his face, eyes, hair, skin and build. THE WEEKEND GUEST. Identity, locked: a white European man in his mid-thirties; below average height, stocky and broad-chested with a thick neck; a round face with full cheeks, a broad nose and a short full ginger-red beard; blue eyes; pale skin with visible pores and freckles across the nose and cheeks; short curly ginger-red hair. Identifiers, present in every image: the short curly ginger-red hair and the full ginger-red beard; the round freckled face; the short, stocky, broad-chested build. Wardrobe, here: the rust-brown waxed-cotton jacket, exactly the same rust-brown waxed cotton as in his other frames and never suede, tan or lighter, open over the light blue denim shirt, dark jeans, and the dark brown leather weekend bag on his shoulder. Kept out: tattoos, jewellery, printed text and logos. She is the taller figure behind the desk and he is noticeably shorter and stockier. Scene: late morning at the one reference reception desk of the property. The front office manager, behind the desk, checks in the weekend guest; she slides a blank white key card across the counter toward him. On the counter between them a small plain upright wooden stand carries only a soft, out-of-focus square pattern with no words, letters, heading, caption, number or sharp module anywhere on the stand or on the pattern, beside a small key-card tray; the stand is plain wood, not acrylic, and it has no black plastic base. The weekend guest stands at the counter just in from travel, looking down at the pattern on the stand. A step behind him his wife, a white European woman with light brown hair loose to the shoulders in a grey knit jumper, stands with her back fully to the camera looking away toward the lobby, no part of her face visible, unidentifiable; her hair is loose with no braid of any kind, nothing brought forward over a shoulder, and nothing about her resembles the front office manager. Expressions: hers composed, his relieved, neither looking at the camera. Behind her the plain blue-grey plaster wall with no lettering, words, art or notices on it; no exit sign or illuminated sign anywhere; the lobby behind them empty. Material set, the one set for this property and nothing outside it: dark wood panelling on the front of the counter; pale blue-grey lime plaster above it; terracotta tile at the foot of the counter; the brass desk lamp as an object only; medium oak for the counter top. Kept out of frame: light oak with a visible end-grain edge, an acrylic sign holder, a bell, a second counter, warm downlights, a glazed door in frame, and any wall socket, plug or light switch. Hour and light: late morning under a high unbroken overcast, one soft light only, diffuse daylight from a tall rectangular window with linen sheers to one side; the brass lamp gives one small warm note and lights neither face; no warm downlights and no cold daylight from a door at the right. Camera: mid shot from the lobby side at standing eye level, 35mm-equivalent lens, verticals straight with no tilt, the front office manager on the left third in three-quarter view with her braid behind her shoulder, the weekend guest on the right third in three-quarter view, the stand between them, all inside a crop-safe centre band so a 16:9 or 1.91:1 crop keeps both faces and the stand. Copy space: the plaster wall above them, one even plane at brightness 150 to 180 with a standard deviation of 40 or below, kept clear for one line of dark type. Grade, stated for this German set and borrowed from no other property: mean frame brightness lifted to 120 to 160; p1 lifted to 25 to 35; p5 lifted to 40 or above; p95 200 to 230; contrast p95 minus p5 brought down to between 130 and 170; highlights moved to 6300 to 7000K; red-minus-blue of the mid frame brought to between 0 and +12 so the frame reads neutral, neither warm-washed nor cool blue-grey; shadows 4500 to 6000K; clipping under one percent; whole-frame saturation brought down to 0.12 to 0.20, the rust-brown jacket the only saturated note and every background surface under 0.30 saturation. No readable characters on the stand, the key cards or anything else. No maker's marks or labels on clothing or the bag. Landscape 3:2, PNG 1536x1024. Every person in frame, background figures included, reads as a white European. No flags, pins, badges, stickers, rainbow motifs or symbols of any cause anywhere in frame. European fittings; no wall sockets, plugs or light switches in view, no money or card terminal in view. Available light only, no flash, no rim light, no lens flare, one light source only. Nobody looks at the camera: no smile to camera, no thumbs-up, no pointing, no handshake. No purple or violet anywhere in frame. No text, letters or numbers anywhere, no room numbers, no logos, brand names, signage or badges, no watermark, no readable handwriting. No drawn, painted or 3D-rendered look. No tablet, no charts or dashboards, no screen content visible.",
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  "pair--desk-morning--mid-port--v1": {
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   "code": "ext-send-not-confirmed",
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   "fix": "открой вкладку провайдера в Chrome и проверь, что поле ввода доступно",
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Identifiers, present in every image: the thick white hair combed back from a high forehead; the clean-shaven long face with the prominent straight nose; the lean, upright, narrow-shouldered build. Wardrobe, here: the navy unstructured wool jacket over a white open-collar shirt with no tie, stone-coloured chinos and brown leather shoes. Kept out: tattoos, jewellery, a tie, printed text and logos. The last three sheets are the front office manager, the tall broad-shouldered woman behind the desk: the only source for her face, eyes, hair, skin and build. THE FRONT OFFICE MANAGER. Identity, locked: a white European woman in her early forties; tall, broad-shouldered and solid; an oval face with a wide jaw, a short straight nose and thick dark brows; light brown eyes; fair skin with visible pores, faint freckles on the cheekbones and fine lines at the corners of the eyes; thick straight dark brown hair pulled back into one long braid that hangs down her back. Identifiers, present in every image: the one long dark brown braid, hanging straight down her back and never brought forward over a shoulder; the thick dark brows on the wide-jawed oval face; the tall, broad-shouldered, solid build. Wardrobe, here: the black fitted blazer with no badge over a white blouse, black trousers and black low-heeled shoes. Kept out: tattoos, jewellery, name badges, printed text and logos. She is at least as tall as he is and her head sits no lower than his in the frame; she is broad-shouldered and solid, he is narrow-shouldered and lean. Scene: late morning at the one reference reception desk of the property, before the arrivals. The owner-manager has stopped on the lobby side of the counter, one hand resting on the counter, asking how the day looks. The front office manager stands behind the desk, a sheet of handwritten lined paper under her hand on the counter with the handwriting a rhythm of strokes and no distinguishable word, letter or number, answering him directly, her head no lower than his, the one long braid visible behind her shoulder and hanging down her back. Both faces in three-quarter view, neither pointing, neither directing the other, neither looking at the camera. Expressions: his attentive, hers candid. Material set, the one set for this property and nothing outside it: dark wood panelling on the front of the counter; pale blue-grey lime plaster on the wall above it; terracotta tile at the foot of the counter; the brass desk lamp, on the counter as an object and never the key light; medium oak for the counter top; a small key-card tray and a key rack on the back counter. Kept out of frame: limed light oak, a thin modern counter top, any second counter, a bell, and any wall socket, plug or light switch. Hour and light: late morning under a high unbroken overcast, one soft light only, diffuse daylight from a tall rectangular window with linen sheers on the lobby side; the brass lamp behind her burns as one small warm note and lights neither face. Camera: mid shot from the side of the desk at standing eye level, 35mm-equivalent lens, verticals straight with no tilt, both faces, his white hair, her braid and the paper in the middle band with spare room above and below, so a 4:5 or 9:16 crop keeps both faces. Copy space: the upper centre of the plaster wall above them, one even plane at brightness about 169 with a standard deviation of 23 or below, kept clear for one line of dark type and crossed by nothing. Grade, stated for this German set and borrowed from no other property: mean frame brightness 120 to 160; p1 lifted to 25 to 35; p5 at or above 40; p95 200 to 230; contrast p95 minus p5 brought down to between 130 and 170; red-minus-blue of the mid frame brought to between 0 and +12 so the frame reads neutral, neither cool pale blue-grey nor warm-washed; highlights 6300 to 7000K; shadows 4500 to 6000K; clipping under one percent; whole-frame saturation 0.12 to 0.20, the navy jacket the only saturated note and every background surface under 0.30 saturation. The paper shows no readable characters. No labels on either jacket. Portrait 2:3, PNG 1024x1536. Every person in frame reads as a white European. No flags, pins, badges, stickers, rainbow motifs or symbols of any cause anywhere in frame. European fittings; no wall sockets, plugs or light switches in view, no money in view. Available light only, no flash, no rim light, no lens flare, one light source only. Nobody looks at the camera: no smile to camera, no thumbs-up, no pointing, no handshake. No purple or violet anywhere in frame. No text, letters or numbers anywhere, no logos, brand names, signage or badges, no watermark, no readable handwriting. No drawn, painted or 3D-rendered look. No tablet, no charts or dashboards, no screen content visible.",
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  "pair--launch-checklist--mid-port--v1": {
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Identifiers, present in every image: the thick white hair combed back from a high forehead; the clean-shaven long face with the prominent straight nose; the lean, upright, narrow-shouldered build. Wardrobe, here: the dark green crew-neck jumper, a round crew neck and not a V neck, over the white open-collar shirt with no tie. Kept out: tattoos, jewellery, a tie, printed text and logos. The last three sheets are the account manager, the tall slim man in the thin round black-rimmed glasses standing at his shoulder: the only source for his face, eyes, hair, skin and build. THE ACCOUNT MANAGER. Identity, locked: a white European man in his late twenties; tall and slim, long-legged, with a slight forward lean when he listens; an oval face with a straight nose and a defined clean-shaven jaw, a small mole high on the left cheek; dark brown eyes; fair skin with visible pores; thick black hair, short at the sides and longer on top, swept to one side; thin round black-rimmed glasses. Identifiers, present in every image: the thin round black-rimmed glasses; the thick black hair swept to one side; the tall, slim, long-legged build; the small mole high on the left cheek. Wardrobe, here: the charcoal unstructured blazer over the pale grey oxford shirt. Kept out: tattoos, jewellery, lanyards, name badges, printed text and logos. Scene: launch-day late morning in the owner-manager's small office behind reception. This office is the one office of the property and it is exactly the room of his two other office frames: same wall, same desk, same lamp, same window, same photographs. The owner-manager sits at his medium-oak desk, his small black notebook open in front of him; the account manager stands at his shoulder, his laptop open on the desk between them with its screen turned fully away from the camera so no part of it is visible, one hand pointing lightly at a line on the paper checklist beside it rather than at the owner-manager. The checklist is a clean sheet with not one character or mark on it. Expressions: the owner-manager's guarded, softening toward settled; the account manager's watchful and patient; neither looks at the camera and there is no handshake. Material set, the one office set and nothing outside it: a grey-blue painted wall with a wooden dado rail; a medium-oak desk of the same single tone as the rest of the property; a worn leather chair; one brass table lamp only, standing on the desk as an object and switched off; a tall rectangular window onto a courtyard with linen sheers drawn across it; three small black-and-white framed photographs of the 1910 hotel building on the wall. Kept out of frame: dark mahogany, any table in a red-brown tone, a warm beige wall, a window onto a courtyard of pale stucco with mouldings, a tree outside the window, a French casement, wrought-iron garden furniture, planted tubs, a second lamp, and any wall socket, plug or light switch. Beyond the window a plain brick courtyard wall with no landmark and nothing that identifies the city. Hour and light: late morning under a high unbroken overcast, one soft light only, cool diffuse daylight through the linen-veiled courtyard window onto both faces, the white hair and the black-rimmed glasses; the brass lamp is unlit and is an object, never the key light; no warm desk lamp acting as a second source, no afternoon sun. Camera: mid shot at seated-and-standing eye level from the side of the desk, 35mm-equivalent lens, verticals straight with no tilt, both faces, the notebook and the checklist in the centre band with spare room above and below, so a 9:16 or 4:5 crop keeps both faces. Copy space: the upper left, flat grey-blue wall, one even plane at brightness 150 to 180 with a standard deviation of 40 or below, with the window, its frame and any branch kept entirely out of that area, kept clear for one line of dark type. Grade, stated for this German set and borrowed from no other property: mean frame brightness 120 to 160; p1 25 to 35; p5 at or above 40; p95 200 to 230; contrast p95 minus p5 between 130 and 170; red-minus-blue of the mid frame between 0 and +12 so the frame reads neutral, neither warm-washed nor cool blue-grey; highlights 6300 to 7000K; shadows 4500 to 6000K; clipping under one percent; whole-frame saturation 0.12 to 0.20, the dark green jumper the only saturated note and every background surface under 0.30 saturation. No readable characters on the notebook, the checklist or the laptop edge. No maker's marks or logos on the laptop, the pen or the glasses. Portrait 2:3, PNG 1024x1536. Every person in frame reads as a white European. No flags, pins, badges, stickers, rainbow motifs or symbols of any cause anywhere in frame. European fittings; no wall sockets, plugs or light switches in view, no money in view. Available light only, no flash, no rim light, no lens flare, one light source only. Nobody looks at the camera: no smile to camera, no thumbs-up, no pointing at a person, no handshake. No purple or violet anywhere in frame. No text, letters or numbers anywhere, no logos, brand names, signage or badges, no watermark, no readable handwriting. No drawn, painted or 3D-rendered look. No tablet, no charts or dashboards, no screen content visible.",
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   "prompt": "Photoreal, true to life: natural skin texture with its imperfections, a relaxed natural expression and a weight-bearing pose, no retouched gloss. Six reference sheets are attached. The first three sheets are the desk agent, the lean dark-stubbled man behind the desk: the only source for his face, eyes, hair, skin and build. THE DESK AGENT. Identity, locked: a white European man in his early thirties; medium height, lean and athletic, an upright posture; an angular face with a straight jaw, defined cheekbones and a short dark stubble beard; dark brown eyes; olive Mediterranean skin with visible pores and a light natural tan; near-black hair, cropped short and neatly side-parted. Identifiers, present in every image: the short dark stubble beard; the angular olive-skinned face with the straight jaw; the lean, athletic build. Wardrobe range, variable: a slate-blue fitted blazer with no badge over a white shirt, charcoal trousers and black leather shoes at the desk; a denim jacket over a plain white tee, indigo jeans and white trainers off shift; a grey wool overcoat outdoors. Kept out: tattoos, jewellery, name badges, printed text and logos. The last three sheets are the congress guest, the woman with the dark blonde ponytail at the counter: the only source for her face, eyes, hair, skin and build. THE CONGRESS GUEST. Identity, locked: a white European woman in her early thirties; average height, slim, an upright brisk carriage; an oval face with a straight nose and a soft jawline; green eyes; fair skin with a light golden tan and faint freckles across the nose; dark blonde hair, shoulder length, usually tied back in a low ponytail. Identifiers, present in every image: the dark blonde hair tied back in a low ponytail; the oval, lightly freckled face; the slim, upright build. Wardrobe range, variable: a tailored navy blazer over a cream blouse, dark trousers and low block-heeled shoes for the congress floor; a white linen shirt and beige chinos for the terrace; a packable black raincoat outdoors; a structured black tote with a laptop sleeve. Kept out: tattoos, jewellery, a conference lanyard or badge, printed text and logos. Scene: late afternoon at the reception desk of the 4-star city hotel on Barcelona's Diagonal Mar, by the beach and the CCIB congress hall. The desk agent, behind the desk in the slate-blue fitted blazer with no badge over the white shirt, checks in the congress guest; he slides a blank white key card across the counter toward her. On the counter between them a small plain upright stand carries only a square scan code, a soft square pattern, with no words, letters, heading or caption anywhere on the stand, beside a small key-card tray. The congress guest stands at the counter in the tailored navy blazer over the cream blouse, the structured black tote on one shoulder, looking down at the code on the stand. Expressions: his composed, hers settling in. Behind him a plain pale wall with no lettering, art or notices; no congress signage or badge anywhere; the modern lobby behind them airy and mostly empty. The code on the stand is slightly out of focus. Hour and light: late afternoon, even daylight from a tall glass entrance meeting a soft desk downlight. Camera: mid shot from the lobby side at standing eye level, 35mm-equivalent lens, the desk agent on the left third in three-quarter view, the congress guest on the right third in three-quarter view, the code stand between them, all inside a crop-safe centre band so a 16:9 or 1.91:1 crop keeps both faces and the stand; the plain wall above them quiet enough to carry one line of type. Grade: soft and low-contrast, leaning to cool pale blue-grey; the navy blazer the strongest colour note. No readable characters on the stand, the key cards or anything else. No maker's marks or labels on clothing or the tote. Landscape 3:2. Every person in frame, background figures included, reads as a white European. No flags, pins, badges, stickers, rainbow motifs or symbols of any cause anywhere in frame. European fittings; no wall sockets, plugs or light switches in view, no money or card terminal in view. Available light only, no flash, no rim light, no lens flare. Nobody looks at the camera: no smile to camera, no thumbs-up, no pointing, no handshake. No purple or violet anywhere in frame. No text, letters or numbers anywhere, no room numbers, no logos, brand names or signage, no watermark. No drawn, painted or 3D-rendered look. No tablet, no charts or dashboards, no screen content visible.",
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   "prompt": "Photoreal, true to life: natural skin texture with its imperfections, a relaxed natural expression and a weight-bearing pose, no retouched gloss. Six reference sheets are attached. The first three sheets are the reception manager, the petite woman with the low bun behind the desk: the only source for her face, eyes, hair, skin and build. THE RECEPTION MANAGER. Identity, locked: a white European woman in her mid-thirties; petite, slight, average height, a light quick step; a heart-shaped face with a small chin and straight dark eyebrows; hazel eyes; fair skin with a light tan and faint laugh lines at the eyes; chestnut-brown hair in a low bun with loose strands at the temples. Identifiers, present in every image: the chestnut hair in the low bun; the heart-shaped face with the straight dark eyebrows; the petite, light-framed build. Wardrobe range, variable: a fitted forest-green blazer with no badge over an ivory blouse, taupe trousers and flat brown shoes on shift; a cream cable-knit jumper and jeans off shift; a beige trench coat outdoors. Kept out: tattoos, jewellery, name badges, printed text and logos. The last three sheets are the touring guest, the woman with the silver-streaked light brown hair at the counter: the only source for her face, eyes, hair, skin and build. THE TOURING GUEST. Identity, locked: a white European woman in her mid-fifties; average height, softly built, an upright unhurried carriage; an oval face with fine lines at the eyes and mouth and a warm, open expression; blue-grey eyes; fair skin, lightly freckled; shoulder-length light brown hair streaked with silver, often clipped back. Identifiers, present in every image: the silver-streaked light brown hair clipped back; the oval, softly lined face; the average, softly built frame. Wardrobe range, variable: a pale blue or white linen shirt with cotton trousers and tan leather loafers for the drive and the terrace; a cream cardigan over a dress for dinner; a packable olive rain jacket with flat walking shoes for the caves and the river. Kept out: tattoos, jewellery, printed text and logos. Scene: early evening at the vestibule desk of the 17th-century château hotel near Sarlat, in the Dordogne's Périgord Noir. The reception manager, behind the desk in the fitted forest-green blazer with no badge over the ivory blouse, checks in the touring guest; she slides a blank white key card across the counter toward her, the leather-bound reservations diary open beside a small square stand carrying only a scan code, a soft square pattern with no words, letters, heading or caption anywhere on the stand. The touring guest stands at the counter in the pale blue linen shirt and cotton trousers, looking down at the code, tired but pleased after the day's drive. A step behind her, her husband waits with a bag on his shoulder, back to camera, unidentifiable. Expressions: the reception manager's composed, the touring guest's settling in. Behind the desk a stone vestibule wall with no lettering, art or notices; a small brass bell and a vase of garden flowers on the back counter; the vestibule behind them quiet. The code on the stand is slightly out of focus. Hour and light: early evening, warm downlights over the desk meeting the last daylight through a stone-mullioned window. Camera: mid shot from the lobby side at standing eye level, 35mm-equivalent lens, the reception manager on the left third in three-quarter view with her bun visible, the touring guest on the right third in three-quarter view, the code stand between them, all inside a crop-safe centre band so a 16:9 or 1.91:1 crop keeps both faces and the stand; the stone wall above them quiet enough to carry one line of type. Grade: soft and low-contrast, both sides leaning to warm beige and greige; the forest-green blazer and the pale blue shirt the two strongest colours. No readable characters on the stand, the diary, the key cards or anything else. No maker's marks or labels on clothing or the bag. Landscape 3:2. Every person in frame, background figures included, reads as a white European. No flags, pins, badges, stickers, rainbow motifs or symbols of any cause anywhere in frame. European fittings; no wall sockets, plugs or light switches in view, no money or card terminal in view. Available light only, no flash, no rim light, no lens flare. Nobody looks at the camera: no smile to camera, no thumbs-up, no pointing, no handshake. No purple or violet anywhere in frame. No text, letters or numbers anywhere, no room numbers, no logos, brand names or signage, no watermark. No drawn, painted or 3D-rendered look. No tablet, no charts or dashboards, no screen content visible.",
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   "prompt": "Photoreal, true to life: natural skin texture with its imperfections, a relaxed natural expression and a weight-bearing pose, no retouched gloss. Six reference sheets are attached. The first three sheets are the front office manager, the tall broad-shouldered woman with the long braid: the only source for her face, eyes, hair, skin and build. THE FRONT OFFICE MANAGER. Identity, locked: a white European woman in her early forties; tall, broad-shouldered and solid; an oval face with a wide jaw, a short straight nose and thick dark brows; light brown eyes; fair skin with visible pores, faint freckles on the cheekbones and fine lines at the corners of the eyes; thick straight dark brown hair pulled back into one long braid that hangs down her back. Identifiers, present in every image: the one long dark brown braid, hanging straight down her back and never brought forward over a shoulder; the thick dark brows on the wide-jawed oval face; the tall, broad-shouldered, solid build. Wardrobe, here: the black fitted blazer with no badge over a white blouse. Kept out: tattoos, jewellery, name badges, printed text and logos. The last three sheets are the account manager, the tall slim man in the thin round black-rimmed glasses: the only source for his face, eyes, hair, skin and build. THE ACCOUNT MANAGER. Identity, locked: a white European man in his late twenties; tall and slim, long-legged, with a slight forward lean when he listens; an oval face with a straight nose and a defined clean-shaven jaw, a small mole high on the left cheek; dark brown eyes; fair skin with visible pores; thick black hair, short at the sides and longer on top, swept to one side; thin round black-rimmed glasses. Identifiers, present in every image: the thin round black-rimmed glasses; the thick black hair swept to one side; the tall, slim, long-legged build; the small mole high on the left cheek. Wardrobe, here: the charcoal unstructured blazer over the pale grey oxford shirt. Kept out: tattoos, jewellery, lanyards, name badges, printed text and logos. Scene: a quiet late morning in the one back office of the property, behind reception, the day after signing. It is the same room, the same desk and the same chairs as the frame of her typing the hotel's answers. The account manager sits beside her at the desk, his laptop open between them with its screen turned fully away from the camera so no part of it is visible, one finger resting lightly near its edge as he walks her through what a guest sees; she leans in, one hand on the desk, watching the laptop rather than him, the one long braid hanging straight down her back. Expressions: hers attentive and quick to follow, his patient and unhurried, neither looking at the camera. Material set, the one back-office set and nothing outside it: a medium-oak desk of the same single tone as the rest of the property; bentwood Vienna chairs; pale blue-grey lime plaster on the walls; a black desk phone at the edge of frame. Kept out of frame: a white desk, white laminate, mesh office chairs, light grey paint, framed papers on the wall, wall notices, calendars, certificates, and any wall socket, plug or light switch. Hour and light: late morning under a high unbroken overcast, one soft light only, side light from a tall rectangular window with linen sheers falling across both faces; no frontal diffuse light from the doorway, no second source, no lamp lit. Camera: mid shot at seated eye level from the side of the desk, 35mm-equivalent lens, verticals straight with no tilt, both faces and the laptop in the centre band with spare room on every side, so a 16:9 crop keeps them. Copy space: the upper centre of the plaster wall above them, one even plane at brightness about 200 with a standard deviation of 16 or below, kept clear for one line of dark type and crossed by nothing. Grade, stated for this German set and borrowed from no other property: mean frame brightness 120 to 160; p1 lifted to 25 to 35; p5 lifted to 40 or above; p95 200 to 230; contrast p95 minus p5 brought down to between 130 and 170; highlights moved to 6300 to 7000K; red-minus-blue of the mid frame brought to between 0 and +12 so the frame reads neutral and never cool, never a blue-grey cast; shadows 4500 to 6000K; clipping under one percent; whole-frame saturation brought down to 0.12 to 0.20, saturated colour only on clothing and every background surface under 0.30 saturation. No readable characters on the laptop edge or anywhere else. No maker's marks or logos on the laptop or the glasses. Landscape 3:2, PNG 1536x1024. Every person in frame reads as a white European. No flags, pins, badges, stickers, rainbow motifs or symbols of any cause anywhere in frame. European fittings; no wall sockets, plugs or light switches in view, no money in view. Available light only, no flash, no rim light, no lens flare, one light source only. Nobody looks at the camera: no smile to camera, no thumbs-up, no pointing, no handshake. No purple or violet anywhere in frame. No text, letters or numbers anywhere, no logos, brand names, signage or badges, no watermark, no readable handwriting. No drawn, painted or 3D-rendered look. No tablet, no charts or dashboards, no screen content visible.",
   "provenance": "chat",
   "provider": "chatgpt",
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   "prompt": "Photoreal, true to life: natural skin texture with its imperfections, a relaxed natural expression and a weight-bearing pose, no retouched gloss. This is the reception manager from the three reference sheets attached in this chat; they are the only source for her face, eyes, hair, skin and build. THE RECEPTION MANAGER. Identity, locked: a white European woman in her mid-thirties; petite, slight, average height, a light quick step; a heart-shaped face with a small chin and straight dark eyebrows; hazel eyes; fair skin with a light tan and faint laugh lines at the eyes; chestnut-brown hair in a low bun with loose strands at the temples. Identifiers, present in every image: the chestnut hair in the low bun; the heart-shaped face with the straight dark eyebrows; the petite, light-framed build. Wardrobe range, variable: a fitted forest-green blazer with no badge over an ivory blouse, taupe trousers and flat brown shoes on shift; a cream cable-knit jumper and jeans off shift; a beige trench coat outdoors. Kept out: tattoos, jewellery, name badges, printed text and logos. Scene: the dinner-service rush at the vestibule desk of a 17th-century château hotel near Sarlat, in the Dordogne's Périgord Noir. She holds the desk phone handset at her ear with one hand, the restaurant's reservation line ringing again, while a guest at the counter asks her a question about a cave-tour ticket, seen from behind, only the back of his head in view, unidentifiable; a floor-standing rack of pale curled leaflets stands untouched at the edge of frame. She wears the fitted forest-green blazer with no badge over the ivory blouse. Expression pressed and patient, lips parted mid-word, the low bun with loose strands at her temples. Behind her a stone vestibule wall, a leather-bound reservations diary open on the desk, a small brass bell beside it, a vase of garden flowers. Hour and light: early evening, warm downlights over the desk meeting the last daylight through a tall stone-mullioned window. Camera: wide shot from standing eye level placed behind the guest on the lobby side, 35mm-equivalent lens, looking past him toward the desk, so his head and shoulders are soft and out of focus in the foreground, no part of his face visible; her face, bun and the diary left of centre inside a crop-safe centre band, so a 16:9 or 1.91:1 crop keeps them; the stone wall above her quiet enough to carry one line of type. Grade: soft and low-contrast, leaning to warm beige and greige; the forest-green blazer the strongest colour. The diary, the leaflets and the bell show no readable characters. No maker's marks on the phone. Landscape 3:2. Every person in frame, background figures included, reads as a white European. No flags, pins, badges, stickers, rainbow motifs or symbols of any cause anywhere in frame. European fittings; no wall sockets, plugs or light switches in view, no money or card terminal in view. Available light only, no flash, no rim light, no lens flare. Nobody looks at the camera: no smile to camera, no thumbs-up, no pointing. No purple or violet anywhere in frame. No text, letters or numbers anywhere, no room numbers, no logos, brand names or signage, no watermark. No drawn, painted or 3D-rendered look. No tablet, no charts or dashboards, no screen content visible.",
   "provenance": "chat",
   "provider": "chatgpt",
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    "request": "r_mudsgz9f_1b",
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    "verified": "desk phone at her ear, a guest at the counter, chateau vestibule"
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   "prompt": "Photoreal, true to life: natural skin texture with its imperfections, a relaxed natural expression and a weight-bearing pose, no retouched gloss. This is the reception manager from the three reference sheets attached in this chat; they are the only source for her face, eyes, hair, skin and build. THE RECEPTION MANAGER. Identity, locked: a white European woman in her mid-thirties; petite, slight, average height, a light quick step; a heart-shaped face with a small chin and straight dark eyebrows; hazel eyes; fair skin with a light tan and faint laugh lines at the eyes; chestnut-brown hair in a low bun with loose strands at the temples. Identifiers, present in every image: the chestnut hair in the low bun; the heart-shaped face with the straight dark eyebrows; the petite, light-framed build. Wardrobe range, variable: a fitted forest-green blazer with no badge over an ivory blouse, taupe trousers and flat brown shoes on shift; a cream cable-knit jumper and jeans off shift; a beige trench coat outdoors. Kept out: tattoos, jewellery, name badges, printed text and logos. Scene: the dinner-service rush at the vestibule desk of the 17th-century château hotel near Sarlat, in the Dordogne's Périgord Noir. The desk phone rings unanswered on its cradle as she leans across the counter, one hand pointing past a guest toward a small plain wall tag beside the desk carrying a square scan code, a soft out-of-focus pattern with no readable characters, rather than reaching for the phone. The guest stands with his back to the camera, only the back of his head in view, unidentifiable, a white European adult in dark navy, black or grey, no rust-brown jacket, no ginger or white hair, nothing that resembles another cast member. She wears the fitted forest-green blazer with no badge over the ivory blouse, the low bun with loose strands at her temples. Expression brisk but kind, lips parted mid-word. A stone vestibule wall behind her, the leather-bound reservations diary open on the desk. Hour and light: early evening, warm downlights over the desk meeting the last daylight through a tall stone-mullioned window. Camera: wide shot from standing eye level placed behind the guest on the lobby side, 35mm-equivalent lens, the guest strictly from behind and out of focus in the foreground, her figure, pointing hand and the wall tag right of centre inside a crop-safe band, so a 16:9 or 1.91:1 crop keeps them; the stone wall above her quiet enough to carry one line of type. Grade: soft and low-contrast, leaning to warm beige and greige; the forest-green blazer the strongest colour. No readable characters on the diary or the wall tag. No maker's marks on the phone. Landscape 3:2. Every person in frame, background figures included, reads as a white European. No flags, pins, badges, stickers, rainbow motifs or symbols of any cause anywhere in frame. European fittings; no wall sockets, plugs or light switches in view, no money or card terminal in view. Available light only, no flash, no rim light, no lens flare. Nobody looks at the camera: no smile to camera, no thumbs-up, no pointing. No purple or violet anywhere in frame. No text, letters or numbers anywhere, no room numbers, no logos, brand names or signage, no watermark. No drawn, painted or 3D-rendered look. No tablet, no charts or dashboards, no screen content visible.",
   "provenance": "chat",
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   "prompt": "Photoreal, true to life: natural skin texture with its imperfections, a relaxed natural expression and a weight-bearing pose, no retouched gloss. This is the reception manager from the three reference sheets attached in this chat; they are the only source for her face, eyes, hair, skin and build. THE RECEPTION MANAGER. Identity, locked: a white European woman in her mid-thirties; petite, slight, average height, a light quick step; a heart-shaped face with a small chin and straight dark eyebrows; hazel eyes; fair skin with a light tan and faint laugh lines at the eyes; chestnut-brown hair in a low bun with loose strands at the temples. Identifiers, present in every image: the chestnut hair in the low bun; the heart-shaped face with the straight dark eyebrows; the petite, light-framed build. Wardrobe range, variable: a fitted forest-green blazer with no badge over an ivory blouse, taupe trousers and flat brown shoes on shift; a cream cable-knit jumper and jeans off shift; a beige trench coat outdoors. Kept out: tattoos, jewellery, name badges, printed text and logos. Scene: the quiet mid-morning hour at the vestibule desk of the château hotel near Sarlat. She sits at the desk writing the château's own answers into the desk computer, the screen angled away from the camera so nothing on it is visible, a handwritten list of repeated questions on a sheet of paper beside the keyboard, one hand flat on it as she reads a line from it and the other on the keyboard. The leather-bound reservations diary lies closed beside the screen, a small brass bell at the edge of the desk. She wears the fitted forest-green blazer with no badge over the ivory blouse. Seen from her side, the chestnut hair in its low bun. Expression absorbed, lips closed. Hour and light: mid-morning daylight through a tall stone-mullioned window, soft side light on her face and the paper. Camera: mid shot at seated eye level from the side of the desk, 35mm-equivalent lens, her face, bun, the list and her hand left of centre with spare room on every side, so a 16:9 crop keeps them; the right third, the stone vestibule wall, quiet enough to carry one line of type. Grade: soft and low-contrast, leaning to warm beige and greige; the ivory blouse and the paper the brightest notes. No readable characters on the paper or the diary. No maker's marks or logos on the computer, keyboard or phone. Landscape 3:2. Every person in frame reads as a white European. No flags, pins, badges, stickers, rainbow motifs or symbols of any cause anywhere in frame. European fittings; no wall sockets, plugs or light switches in view, no money in view. Available light only, no flash, no rim light, no lens flare. Nobody looks at the camera: no smile to camera, no thumbs-up, no pointing. No purple or violet anywhere in frame. No text, letters or numbers anywhere, no logos, brand names or signage, no watermark. No drawn, painted or 3D-rendered look. No tablet, no charts or dashboards, no screen content visible.",
   "provenance": "chat",
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   "prompt": "Photoreal, true to life: natural skin texture with its imperfections, a relaxed natural expression and a weight-bearing pose, no retouched gloss. This is the touring guest from the three reference sheets attached in this chat; they are the only source for her face, eyes, hair, skin and build. THE TOURING GUEST. Identity, locked: a white European woman in her mid-fifties; average height, softly built, an upright unhurried carriage; an oval face with fine lines at the eyes and mouth and a warm, open expression; blue-grey eyes; fair skin, lightly freckled; shoulder-length light brown hair streaked with silver, often clipped back. Identifiers, present in every image: the silver-streaked light brown hair clipped back; the oval, softly lined face; the average, softly built frame. Wardrobe range, variable: a pale blue or white linen shirt with cotton trousers and tan leather loafers for the drive and the terrace; a cream cardigan over a dress for dinner; a packable olive rain jacket with flat walking shoes for the caves and the river. Kept out: tattoos, jewellery, printed text and logos. Scene: midday on the Dordogne river below the honey-coloured cliffs and châteaux of the Périgord Noir, soft and out of focus along the bank behind her. She sits in the bow of a canoe, a paddle held loosely across her knees rather than paddling, looking out at the water, at ease. Her husband sits behind her steering, back to camera, unidentifiable. She wears the packable olive rain jacket over a plain white tee, a plain unbranded life vest over it. Expression relaxed and pleased, lips softly closed. A few other canoes further along the river, out of focus. Hour and light: midday, bright even daylight off the water, soft on her face and the cliffs behind. Camera: wide shot at eye level from a following boat, 35mm-equivalent lens, her figure and the canoe centred with spare river on every side, so a 16:9 or 1.91:1 crop keeps her; the upper third, the cliffs and pale sky, quiet enough to carry one line of type. Grade: soft and low-contrast, leaning to warm beige and greige; the olive jacket the strongest colour against the pale cliffs. No maker's marks on the canoe, the paddle or the life vest. Landscape 3:2. Every person in frame, background figures included, reads as a white European. No flags, pins, badges, stickers, rainbow motifs or symbols of any cause anywhere in frame. No money in view. Available light only, no flash, no rim light, no lens flare. Nobody looks at the camera: no smile to camera, no thumbs-up, no pointing. No purple or violet anywhere in frame. No text, letters or numbers anywhere, no logos, brand names or signage, no watermark. No drawn, painted or 3D-rendered look. No tablet, no charts or dashboards, no screen content visible.",
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   "prompt": "Photoreal, true to life: natural skin texture with its imperfections, a relaxed natural expression and a weight-bearing pose, no retouched gloss. This is the touring guest from the three reference sheets attached in this chat; they are the only source for her face, eyes, hair, skin and build. THE TOURING GUEST. Identity, locked: a white European woman in her mid-fifties; average height, softly built, an upright unhurried carriage; an oval face with fine lines at the eyes and mouth and a warm, open expression; blue-grey eyes; fair skin, lightly freckled; shoulder-length light brown hair streaked with silver, often clipped back. Identifiers, present in every image: the silver-streaked light brown hair clipped back; the oval, softly lined face; the average, softly built frame. Wardrobe range, variable: a pale blue or white linen shirt with cotton trousers and tan leather loafers for the drive and the terrace; a cream cardigan over a dress for dinner; a packable olive rain jacket with flat walking shoes for the caves and the river. Kept out: tattoos, jewellery, printed text and logos. Scene: late afternoon on the gravel courtyard of a 17th-century château hotel near Sarlat, in the Dordogne's Périgord Noir, at the end of a full day's drive through the wine country. She stands beside a parked car, one hand raised to stretch her shoulder, looking up at the stone facade of the château, pleased despite the tiredness of the drive. She wears the pale blue linen shirt with cotton trousers and tan leather loafers. A step behind her, her husband lifts a bag from the car boot, back to camera, unidentifiable. The château's honey-coloured stone facade and turret roofline soft in the afternoon light behind her, gravel underfoot, a few parked cars out of focus at the edge of frame with no plates or badges legible. Expression tired but pleased, lips softly closed. Hour and light: late afternoon, warm low sun from one side, golden on the stone and the gravel. Camera: wide shot at standing eye level, 35mm-equivalent lens, her figure and the château facade left of centre with spare courtyard on every side, so a 16:9 or 1.91:1 crop keeps her and the building; the right third, the gravel and cars, quiet enough to carry one line of type. Grade: soft and low-contrast, leaning to warm beige and greige; the pale blue shirt the strongest colour against the honey stone. No number plates, badges or maker's marks on any car. No text anywhere. Landscape 3:2. Every person in frame, background figures included, reads as a white European. No flags, pins, badges, stickers, rainbow motifs or symbols of any cause anywhere in frame. No money in view. Available light only, no flash, no rim light, no lens flare. Nobody looks at the camera: no smile to camera, no thumbs-up, no pointing. No purple or violet anywhere in frame. No text, letters or numbers anywhere, no logos, brand names or signage, no watermark. No drawn, painted or 3D-rendered look. No tablet, no charts or dashboards, no screen content visible.",
   "provenance": "chat",
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  "touring-guest--garden-paperback--mid-port--v1": {
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   "prompt": "Photoreal, true to life: natural skin texture with its imperfections, a relaxed natural expression and a weight-bearing pose, no retouched gloss. This is the touring guest from the three reference sheets attached in this chat; they are the only source for her face, eyes, hair, skin and build. THE TOURING GUEST. Identity, locked: a white European woman in her mid-fifties; average height, softly built, an upright unhurried carriage; an oval face with fine lines at the eyes and mouth and a warm, open expression; blue-grey eyes; fair skin, lightly freckled; shoulder-length light brown hair streaked with silver, often clipped back. Identifiers, present in every image: the silver-streaked light brown hair clipped back; the oval, softly lined face; the average, softly built frame. Wardrobe range, variable: a pale blue or white linen shirt with cotton trousers and tan leather loafers for the drive and the terrace; a cream cardigan over a dress for dinner; a packable olive rain jacket with flat walking shoes for the caves and the river. Kept out: tattoos, jewellery, printed text and logos. Scene: midday in the château's garden near Sarlat, in the Dordogne's Périgord Noir, before an afternoon tour. She sits relaxed in a simple wooden garden chair among clipped box hedges and a bed of lavender, reading a paperback held in both hands, a soft-focus stretch of vineyard visible beyond a low stone wall behind her. She wears the cream cardigan over a plain dress. Expression relaxed and absorbed, a small private smile at the page. Hour and light: midday, dappled shade from a nearby tree softening the bright sun, warm on the stone wall and the lavender. Camera: mid shot at seated eye level, 35mm-equivalent lens, her face, hair and the paperback in the centre with spare room above and below, so a 9:16 or 4:5 crop keeps them; the soft vineyard above the wall quiet enough to carry one line of type. Grade: soft and low-contrast, leaning to warm beige and greige; the lavender and the cream cardigan the softest colours. No readable text on the paperback's cover or pages. No maker's marks on the chair. Portrait 2:3. Every person in frame reads as a white European. No flags, pins, badges, stickers, rainbow motifs or symbols of any cause anywhere in frame. No money in view. Available light only, no flash, no rim light, no lens flare. Nobody looks at the camera: no smile to camera, no thumbs-up, no pointing. No purple or violet anywhere in frame. No text, letters or numbers anywhere, no logos, brand names or signage, no watermark. No drawn, painted or 3D-rendered look. No tablet, no charts or dashboards, no screen content visible.",
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   "prompt": "Photoreal, true to life: natural skin texture with its imperfections, a relaxed natural expression and a weight-bearing pose, no retouched gloss. This is the touring guest from the three reference sheets attached in this chat; they are the only source for her face, eyes, hair, skin and build. THE TOURING GUEST. Identity, locked: a white European woman in her mid-fifties; average height, softly built, an upright unhurried carriage; an oval face with fine lines at the eyes and mouth and a warm, open expression; blue-grey eyes; fair skin, lightly freckled; shoulder-length light brown hair streaked with silver, often clipped back. Identifiers, present in every image: the silver-streaked light brown hair clipped back; the oval, softly lined face; the average, softly built frame. Wardrobe range, variable: a pale blue or white linen shirt with cotton trousers and tan leather loafers for the drive and the terrace; a cream cardigan over a dress for dinner; a packable olive rain jacket with flat walking shoes for the caves and the river. Kept out: tattoos, jewellery, printed text and logos. Scene: inside the dim gallery of a painted-cave replica near Montignac in the Dordogne, ochre and black animal forms soft and out of focus on the curved rock wall beyond her, too indistinct to read as any specific artwork. She stands close to the wall, one hand near but not touching it, looking up at the forms with quiet wonder. Her husband stands a step behind her in the low light, back to camera, unidentifiable. She wears the packable olive rain jacket over the cream cardigan. Expression absorbed, lips parted slightly, not smiling for the camera. A guide rope along the floor, a soft handrail; no information panel or sign legible anywhere. Hour and light: dim indoor gallery light, warm low spots on the rock wall, cooler ambient light on the visitors. Camera: wide shot at standing eye level, 35mm-equivalent lens, her figure left of centre with spare wall on every side, so a 16:9 or 1.91:1 crop keeps her; the right two-thirds, the dim curved wall, quiet enough to carry one line of type. Grade: soft and low-contrast, leaning to warm beige and greige; the ochre wall tones the warmest note. No maker's marks on the rope or the rail. No readable signage anywhere. Landscape 3:2. Every person in frame, background figures included, reads as a white European. No flags, pins, badges, stickers, rainbow motifs or symbols of any cause anywhere in frame. No money in view. Available light only, no flash, no rim light, no lens flare. Nobody looks at the camera: no smile to camera, no thumbs-up, no pointing. No purple or violet anywhere in frame. No text, letters or numbers anywhere, no logos, brand names or signage, no watermark. No drawn, painted or 3D-rendered look. No tablet, no charts or dashboards, no screen content visible.",
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   "prompt": "Photoreal, true to life: natural skin texture with its imperfections, a relaxed natural expression and a weight-bearing pose, no retouched gloss. This is the touring guest from the three reference sheets attached in this chat; they are the only source for her face, eyes, hair, skin and build. THE TOURING GUEST. Identity, locked: a white European woman in her mid-fifties; average height, softly built, an upright unhurried carriage; an oval face with fine lines at the eyes and mouth and a warm, open expression; blue-grey eyes; fair skin, lightly freckled; shoulder-length light brown hair streaked with silver, often clipped back. Identifiers, present in every image: the silver-streaked light brown hair clipped back; the oval, softly lined face; the average, softly built frame. Wardrobe range, variable: a pale blue or white linen shirt with cotton trousers and tan leather loafers for the drive and the terrace; a cream cardigan over a dress for dinner; a packable olive rain jacket with flat walking shoes for the caves and the river. Kept out: tattoos, jewellery, printed text and logos. Scene: a quiet moment in a window seat of her room at the 17th-century château hotel near Sarlat, in the Dordogne's Périgord Noir, a soft-focus stretch of vineyard visible through the stone-mullioned window beside her. She sits with her phone held at a three-quarter angle in both hands in her lap, its screen tilted up and toward the camera enough to show as a plain pale matte rectangle catching the window light, no icon, text or content of any kind on it. She wears the cream cardigan over a plain dress. Expression interested, deciding, lips closed. A worn wooden window seat cushion beneath her, a plain plaster wall at the edge of frame. Hour and light: late afternoon, warm low sun through the stone-mullioned window, golden on her face and the phone's blank screen. Camera: mid shot at seated eye level, three-quarter angle on the phone so its face reads clearly, 35mm-equivalent lens, her face, hair and the phone in the centre with spare room above and below, so a 9:16 or 4:5 crop keeps them; the vineyard beyond the window quiet enough to carry one line of type. Grade: soft and low-contrast, leaning to warm beige and greige; the cream cardigan the softest colour. No maker's marks on the phone. Portrait 2:3. Every person in frame reads as a white European. No flags, pins, badges, stickers, rainbow motifs or symbols of any cause anywhere in frame. No money in view. Available light only, no flash, no rim light, no lens flare. Nobody looks at the camera: no smile to camera, no thumbs-up, no pointing. No purple or violet anywhere in frame. No text, letters or numbers anywhere, no logos, brand names or signage, no watermark. No drawn, painted or 3D-rendered look. No tablet, no charts or dashboards, no screen content visible: the phone's screen is a blank matte surface with no drawn interface.",
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   "prompt": "Photoreal, true to life: natural skin texture with its imperfections, a relaxed natural expression and a weight-bearing pose, no retouched gloss. This is the weekend guest from the three reference sheets attached in this chat; they are the only source for his face, eyes, hair, skin and build. THE WEEKEND GUEST. Identity, locked: a white European man in his mid-thirties; below average height, stocky and broad-chested with a thick neck; a round face with full cheeks, a broad nose and a short full ginger-red beard; blue eyes; pale skin with visible pores and freckles across the nose and cheeks; short curly ginger-red hair. Identifiers, present in every image: the short curly ginger-red hair and the full ginger-red beard; the round freckled face; the short, stocky, broad-chested build. Wardrobe range, variable: a rust-brown waxed-cotton jacket, a light blue denim shirt or a plain white tee, dark jeans and brown leather boots for walking the city; a grey marl crew-neck sweatshirt in the evening; a black canvas backpack or a dark brown leather weekend bag when travelling. Kept out: tattoos, jewellery, printed text and logos. The jacket is exactly the same rust-brown waxed cotton as in his other frames, never suede, never tan, never lighter. Scene: late morning on an open harbour boat touring Hamburg's Speicherstadt warehouse district, red-brick warehouses and iron bridges soft and out of focus along the waterline behind him. This is the one frame of the set whose place is meant to be recognisable, and the scene, the standpoint and the composition are kept exactly as they are; only the light and the grade change. He stands at the boat's rail, one hand loosely on it, looking out at the water rather than at the buildings, at ease. His wife stands beside him at the rail, a white European woman with light brown hair loose to the shoulders in a grey knit jumper, her head turned toward the water, unidentifiable, her hair loose with no braid of any kind. He wears the rust-brown waxed-cotton jacket open over a plain white tee and dark jeans. A few other passengers seated further along the boat, every one of them from behind or out of focus with not one readable face, all white European adults in dark navy, black or grey. Expression relaxed and pleased, lips softly closed, eyes on the water. Hour and light: late morning under a high unbroken overcast, the same soft hour as the facade of the hotel, one flat light from above; no backlight, no direct sun, no specular glitter path on the water, and the sky is not allowed to blow out. Camera: wide shot at standing eye level, 35mm-equivalent lens, verticals straight with no tilt, his figure and the rail on the right third with spare water and warehouses on every side, so a 16:9 or 1.91:1 crop keeps him and his wife. Copy space: the left third, the water and the soft warehouse line, one even band at brightness 150 to 180 with a standard deviation of 40 or below, kept clear for one line of dark type. Grade, stated for this German set and borrowed from no other property: mean frame brightness 120 to 160; p1 25 to 35; p5 at or above 40; p95 at or below 235; contrast p95 minus p5 brought down to between 130 and 170; clipping under one percent, the sky included; red-minus-blue of the mid frame brought to between 0 and +12 so the frame reads neutral, neither warm beige nor cool blue; highlights 6300 to 7000K; shadows 4500 to 6000K; whole-frame saturation brought down to 0.12 to 0.20, the rust-brown jacket the only saturated note and the red brick held under 0.30 saturation. No maker's marks or labels on the rail, the boat or his clothing. Landscape 3:2, PNG 1536x1024. Every person in frame, background figures included, reads as a white European. No flags, pins, badges, stickers, rainbow motifs or symbols of any cause anywhere in frame. No money in view. Available light only, no flash, no rim light, no lens flare, one light source only. Nobody looks at the camera: no smile to camera, no thumbs-up, no pointing. No purple or violet anywhere in frame. No text, letters or numbers anywhere, no logos, brand names, signage or badges, no watermark, no readable handwriting. No drawn, painted or 3D-rendered look. No tablet, no charts or dashboards, no screen content visible.",
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   "prompt": "Photoreal, true to life: natural skin texture with its imperfections, a relaxed natural expression and a weight-bearing pose, no retouched gloss. This is the weekend guest from the three reference sheets attached in this chat; they are the only source for his face, eyes, hair, skin and build. THE WEEKEND GUEST. Identity, locked: a white European man in his mid-thirties; below average height, stocky and broad-chested with a thick neck; a round face with full cheeks, a broad nose and a short full ginger-red beard; blue eyes; pale skin with visible pores and freckles across the nose and cheeks; short curly ginger-red hair. Identifiers, present in every image: the short curly ginger-red hair and the full ginger-red beard; the round freckled face; the short, stocky, broad-chested build. Wardrobe range, variable: a rust-brown waxed-cotton jacket, a light blue denim shirt or a plain white tee, dark jeans and brown leather boots for walking the city; a grey marl crew-neck sweatshirt in the evening; a black canvas backpack or a dark brown leather weekend bag when travelling. Kept out: tattoos, jewellery, printed text and logos. The jacket is the same rust-brown waxed cotton in every frame, never suede, never tan, never lighter. Scene: late morning in the lobby of the small independent city hotel, in the same room and with the same materials as the lobby plate. He sits forward in a soft rounded oatmeal boucle armchair, about to tap the activity he has chosen on his phone, held in both hands at chest height with the screen toward him and away from the camera; the phone is a generic unbranded smartphone in a plain matte dark grey case that covers its back completely, with no visible camera lens, no camera bump, no logo and no recognisable model, and its back is never turned toward the camera. His wife stands behind the chair with one hand on its back, a white European woman with light brown hair loose to the shoulders in a grey knit jumper, her head turned fully away from the camera so only the back of her head and her hair show, no part of her face visible, unidentifiable, and her hair is loose with no braid of any kind and nothing brought forward over a shoulder. The black canvas backpack on the stone floor by the chair, plain, with no patch, tab or logo. He wears the light blue denim shirt, dark jeans and brown leather boots. Expression decided, a closed and barely marked smile toward the screen, no teeth showing, eyes on the phone. Material set, the one set for this property and nothing outside it: pale blue-grey lime plaster; a floor of large grey stone slabs; the patterned cream wool rug; a tall rectangular window with a linen sheer curtain; oatmeal boucle upholstery; medium oak of one single tone. Kept out of frame: terrazzo, limestone paving, olive branches, arched openings, sisal, walnut, limed pine, stained or fumed oak, heavy curtain folds behind his head, and any wall socket, plug or light switch. Hour and light: late morning under a high unbroken overcast, one soft light only, side light through the linen sheer onto his face, the beard and the fabric; no strong backlight through the curtain, no second source, no direct sun, nothing in frame blown out. Camera: mid shot at seated eye level, 35mm-equivalent lens, verticals straight with no tilt, his face, the curly ginger-red hair and beard and the phone on the left third with spare room above and below, so a 9:16 or 4:5 crop keeps them; the frame raised enough that flat plaster runs above his head instead of curtain folds. Copy space: the plain blue-grey plaster above their heads, one even plane at brightness 150 to 180 with a standard deviation of 40 or below, no folds and no fabric in it, kept clear for one line of dark type. Grade, stated for this German set and borrowed from no other property: mean frame brightness 120 to 160; p1 25 to 35; p5 at or above 40; p95 at or below 230; contrast p95 minus p5 between 130 and 170; clipping under one percent; red-minus-blue of the mid frame between 0 and +12 so the frame reads neutral, neither cool pale blue-grey nor warm beige; highlights 6300 to 7000K; shadows 4500 to 6000K; whole-frame saturation 0.12 to 0.20, saturated colour only on clothing and every background surface under 0.30 saturation. No maker's marks or labels on the phone, the backpack or clothing; no stitched maker's tab on the jeans. Portrait 2:3, PNG 1024x1536. Every person in frame reads as a white European. No flags, pins, badges, stickers, rainbow motifs or symbols of any cause anywhere in frame. European fittings; no wall sockets, plugs or light switches in view, no money in view. Available light only, no flash, no rim light, no lens flare, one light source only. Nobody looks at the camera: no smile to camera, no thumbs-up, no pointing. No purple or violet anywhere in frame. No text, letters or numbers anywhere, no logos, brand names, signage or badges, no watermark, no readable handwriting. No drawn, painted or 3D-rendered look. No tablet, no charts or dashboards, no screen content visible.",
   "provenance": "chat",
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   "prompt": "Photoreal, true to life: natural skin texture with its imperfections, a relaxed natural expression and a weight-bearing pose, no retouched gloss. This is the weekend guest from the three reference sheets attached in this chat; they are the only source for his face, eyes, hair, skin and build. THE WEEKEND GUEST. Identity, locked: a white European man in his mid-thirties; below average height, stocky and broad-chested with a thick neck; a round face with full cheeks, a broad nose and a short full ginger-red beard; blue eyes; pale skin with visible pores and freckles across the nose and cheeks; short curly ginger-red hair. Identifiers, present in every image: the short curly ginger-red hair and the full ginger-red beard; the round freckled face; the short, stocky, broad-chested build. Wardrobe range, variable: a rust-brown waxed-cotton jacket, a light blue denim shirt or a plain white tee, dark jeans and brown leather boots for walking the city; a grey marl crew-neck sweatshirt in the evening; a black canvas backpack or a dark brown leather weekend bag when travelling. Kept out: tattoos, jewellery, printed text and logos. Scene: late morning inside a large indoor model-railway exhibition hall, standing at a waist-high pine viewing rail, looking down with open delight at an intricate miniature landscape below the frame line, tiny buildings and track soft and out of focus beneath him; the model shows no recognisable landmark, monument or skyline and nothing that identifies any city. His wife stands beside him at the rail, a white European woman with light brown hair loose to the shoulders in a grey knit jumper, her head turned fully away from the camera so no part of her face is visible, unidentifiable, her hair loose with no braid of any kind, her hand resting on the rail rather than pointing. A few other visitors further along the rail, every one of them from behind and out of focus with not one readable face. He wears the grey marl crew-neck sweatshirt and dark jeans. Expression open, a small closed unguarded smile down at the model, eyes down, never toward the camera. The hall: dark painted walls and plain pine railings. Kept out of frame: a green illuminated exit sign or any illuminated sign, a fire notice, temporary stanchions or barrier posts, panel walls, an exhibition booth, and any lettering, number or plate anywhere. Hour and light: late morning, one light source only, cool even daylight from a high window in the hall wall on one side across both figures; the small warm lights of the model stay below the frame line, give no colour to the background and are not the key light. Camera: mid shot at standing eye level, 35mm-equivalent lens, verticals straight with no tilt, his face and shoulders on the left third with spare room above and below, so a 9:16 or 4:5 crop keeps him and his wife. Copy space: the upper third, the plain dark wall above the rail, one even band at brightness 150 to 180 with a standard deviation of 40 or below, kept clear for one line of dark type and crossed by nothing. Grade, stated for this German set and borrowed from no other property: mean frame brightness 120 to 160; p1 25 to 35; p5 at or above 40; p95 200 to 230; contrast p95 minus p5 brought down to between 130 and 170; red-minus-blue of the mid frame brought to between 0 and +12 so the frame reads neutral, neither warm beige nor cool blue; highlights 6300 to 7000K; shadows 4500 to 6000K; clipping under one percent; whole-frame saturation brought down to 0.12 to 0.20, saturated colour only on clothing and every background surface under 0.30 saturation. No maker's marks or labels on the rail or his clothing. Portrait 2:3, PNG 1024x1536. Every person in frame, background figures included, reads as a white European. No flags, pins, badges, stickers, rainbow motifs or symbols of any cause anywhere in frame. No money in view. Available light only, no flash, no rim light, no lens flare, one light source only. Nobody looks at the camera: no smile to camera, no thumbs-up, no pointing. No purple or violet anywhere in frame. No text, letters or numbers anywhere, no logos, brand names, signage or badges, no watermark, no readable handwriting. No drawn, painted or 3D-rendered look. No tablet, no charts or dashboards, no screen content visible.",
   "provider": "chatgpt",
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   "imageMode": "series",
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   "prompt": "Photoreal, true to life: natural skin texture with its imperfections, a relaxed natural expression and a weight-bearing pose, no retouched gloss. This is the weekend guest from the three reference sheets attached in this chat; they are the only source for his face, eyes, hair, skin and build. THE WEEKEND GUEST. Identity, locked: a white European man in his mid-thirties; below average height, stocky and broad-chested with a thick neck; a round face with full cheeks, a broad nose and a short full ginger-red beard; blue eyes; pale skin with visible pores and freckles across the nose and cheeks; short curly ginger-red hair. Identifiers, present in every image: the short curly ginger-red hair and the full ginger-red beard; the round freckled face; the short, stocky, broad-chested build. Wardrobe range, variable: a rust-brown waxed-cotton jacket, a light blue denim shirt or a plain white tee, dark jeans and brown leather boots for walking the city; a grey marl crew-neck sweatshirt in the evening; a black canvas backpack or a dark brown leather weekend bag when travelling. Kept out: tattoos, jewellery, printed text and logos. The jacket is exactly the same rust-brown waxed cotton as in his room frames, never suede, never tan, never lighter, never a different weave. Scene: late morning on a narrow old-town street of a northern European city, on the way to the activity they booked. He has stopped to look closely at an old carved wooden door set in a brick wall, one hand raised toward the carving without touching it, the black canvas backpack on his shoulders. His wife walks on a step ahead with her back to the camera, a white European woman with light brown hair loose to the shoulders in a grey knit jumper and dark trousers, unidentifiable, her hair loose with no braid of any kind. He wears the rust-brown waxed-cotton jacket open over a plain white tee, dark jeans and brown leather boots, no phone in his hands. Expression loose and pleased, lips closed, eyes on the door. The street: brick gable fronts, narrow tall rectangular windows, plain cast-iron lamp posts with no lettering or panel of any kind, wet cobbles; a few passers-by far behind and out of focus, all white European adults, all from behind. Kept out of frame: rusticated palazzo stonework, louvred brown shutters, a Renaissance doorway, an entryphone panel, a nameplate, a doorbell plate, a letterbox plate, a shop sign, a street sign, a house number, and any landmark, monument or skyline that would identify the city. Hour and light: late morning under a high unbroken overcast, the same hour as the facade of the hotel, one soft light only from above, flat and calm on the damp cobbles, the brick and the carved wood; no direct sun, no second source. Camera: wide shot at standing eye level, 35mm-equivalent lens, verticals straight with no tilt and no converging lines, his figure and the carved door on the right third with spare room on every side, so a 16:9 or 1.91:1 crop keeps his face, the door and his wife. Copy space: the left third, an even band of pale overcast sky above the street, brightness 150 to 180 with a standard deviation of 40 or below, crossed by no cable, gable edge, lamp arm or aerial, kept clear for one line of dark type. Grade, stated for this German set and borrowed from no other property: mean frame brightness 120 to 160; p1 25 to 35; p5 at or above 40; p95 200 to 230; contrast p95 minus p5 brought down to between 130 and 170; red-minus-blue of the mid frame brought to between 0 and +12 so the frame reads neutral, neither warm beige nor cool blue; highlights 6300 to 7000K; shadows 4500 to 6000K; clipping under one percent; whole-frame saturation brought down to 0.12 to 0.20, the rust-brown jacket the only saturated note and every background surface under 0.30 saturation. No maker's marks or labels on the backpack or clothing; no stitched maker's tab on the jeans. Landscape 3:2, PNG 1536x1024. Every person in frame, background figures included, reads as a white European. No flags, pins, badges, stickers, graffiti, rainbow motifs or symbols of any cause anywhere in frame. No money in view. Available light only, no flash, no rim light, no lens flare, one light source only. Nobody looks at the camera: no smile to camera, no thumbs-up, no pointing. No purple or violet anywhere in frame. No text, letters or numbers anywhere, no logos, brand names, signage or badges, no watermark, no readable handwriting. No drawn, painted or 3D-rendered look. No tablet, no charts or dashboards, no screen content visible.",
   "provenance": "request",
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  "weekend-guest--room-bed-wifi--mid-port--v1": {
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   "prompt": "Photoreal, true to life: natural skin texture with its imperfections, a relaxed natural expression and a weight-bearing pose, no retouched gloss. This is the weekend guest from the three reference sheets attached in this chat; they are the only source for his face, eyes, hair, skin and build. THE WEEKEND GUEST. Identity, locked: a white European man in his mid-thirties; below average height, stocky and broad-chested with a thick neck; a round face with full cheeks, a broad nose and a short full ginger-red beard; blue eyes; pale skin with visible pores and freckles across the nose and cheeks; short curly ginger-red hair. Identifiers, present in every image: the short curly ginger-red hair and the full ginger-red beard; the round freckled face; the short, stocky, broad-chested build. Wardrobe range, variable: a rust-brown waxed-cotton jacket, a light blue denim shirt or a plain white tee, dark jeans and brown leather boots for walking the city; a grey marl crew-neck sweatshirt in the evening; a black canvas backpack or a dark brown leather weekend bag when travelling. Kept out: tattoos, jewellery, printed text and logos. The jacket is the same rust-brown waxed cotton in every frame, never suede, never tan, never lighter. Scene: just after arriving, sitting on the edge of the bed in the one reference guest room of the property, the dark brown leather weekend bag still unopened on the floor. This is the second and last evening frame of the set; the light, the camera and the composition are reproduced one to one from the accepted version and only the materials and the black point change. He holds his phone, in a scuffed plain dark case with no logo, at a three-quarter angle in both hands, low in his lap, its face a plain pale matte rectangle catching the window light with no icon, text, interface or content of any kind drawn on it. He wears the light blue denim shirt and dark jeans, his boots still on, the rust-brown waxed-cotton jacket folded on the bed beside him. Expression settled, reading, lips closed, eyes down on the phone. Material set, the one room set and nothing outside it: pale blue-grey lime plaster on the walls; medium oak for the headboard and the bedside table, one single tone; the patterned wool rug of the same family as the lobby rug; oatmeal linen on the bed; one brass table lamp only, unlit; a tall rectangular window with a linen sheer curtain at the left edge. Kept out of frame: sisal, jute, a walnut headboard, greige plaster, grey carpet, a wall sconce, a second lamp, and any wall socket, plug, light switch or key-card slot. Hour and light: early evening, one light source only, the last daylight through the linen sheer from the left, soft on his face and the phone's blank face; the brass lamp unlit; no second source, no direct sun. Camera: mid shot at seated eye level, three-quarter angle on the phone so its face reads clearly, 35mm-equivalent lens, verticals straight with no tilt, his face, the curly ginger-red hair and beard and the phone on the left of the lower centre with spare room above and below, so a 4:5 or 9:16 crop keeps them. Copy space: the plain plaster wall above the bed, one even plane at brightness 150 to 180 with a standard deviation of 40 or below, kept clear for one line of type and crossed by nothing. Grade, the evening corridor of this German set, stated fresh and borrowed from no other property: p1 20 to 30; p5 at or above 35; contrast p95 minus p5 between 150 and 180; red-minus-blue of the mid frame between +12 and +20, a single warm band and no cold second note; clipping under one percent; whole-frame saturation 0.15 to 0.22, the folded rust-brown jacket the only saturated note and every background surface under 0.30 saturation. No maker's marks or labels on the phone, the bag or his clothing. Portrait 2:3, PNG 1024x1536. Every person in frame reads as a white European. No flags, pins, badges, stickers, rainbow motifs or symbols of any cause anywhere in frame. European fittings; no wall sockets, plugs, light switches or key-card slots in view, no money in view. Available light only, no flash, no rim light, no lens flare, one light source only. Nobody looks at the camera: no smile to camera, no thumbs-up, no pointing. No purple or violet anywhere in frame. No text, letters or numbers anywhere, no room numbers, no logos, brand names, signage or badges, no watermark, no readable handwriting. No drawn, painted or 3D-rendered look. No tablet, no charts or dashboards, no screen content visible: the phone's face is a blank matte surface with no drawn interface.",
   "provenance": "chat",
   "provider": "chatgpt",
   "references": [
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   "session": "chatgpt/guesteria",
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   "sheet": false,
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     "requestId": "r_mufxj834_7",
     "seq": "photos-weekend-guest-03-a1",
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   "turn": 2
  },
  "weekend-guest--room-code-scan--close-port--v1": {
   "attempts": 1,
   "bytes": 2062231,
   "chatId": "6ab57a03-09dc-83eb-b9b8-278759e5400f",
   "collected": "chat",
   "file": "weekend-guest--room-code-scan--close-port--v1.png",
   "graded": {
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     "contrast": 170.723,
     "mean": 127.725,
     "p1": 29.846,
     "p5": 42.757,
     "p95": 213.48,
     "rb": 15.308,
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    "at": "2026-09-25",
    "before": {
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     "mean": 97.063,
     "p1": 12.86,
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    },
    "method": "GERMANY-RESHOOT.md grade corridor, declared units: 900px long edge, Rec.709 luma, R-B of the 3x3 centre cell",
    "note": "re-derived from disk; the runner rewrites this file from an in-memory copy and drops concurrent edits",
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   },
   "group": "weekend-guest",
   "harvest": {
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   },
   "id": "weekend-guest--room-code-scan--close-port--v1",
   "imageMode": "series",
   "mode": "one-chat",
   "prompt": "Photoreal, true to life: natural skin texture with its imperfections, a relaxed natural expression and a weight-bearing pose, no retouched gloss. This is the weekend guest from the three reference sheets attached in this chat; they are the only source for his face, eyes, hair, skin and build. THE WEEKEND GUEST. Identity, locked: a white European man in his mid-thirties; below average height, stocky and broad-chested with a thick neck; a round face with full cheeks, a broad nose and a short full ginger-red beard; blue eyes; pale skin with visible pores and freckles across the nose and cheeks; short curly ginger-red hair. Identifiers, present in every image: the short curly ginger-red hair and the full ginger-red beard; the round freckled face; the short, stocky, broad-chested build. Wardrobe range, variable: a rust-brown waxed-cotton jacket, a light blue denim shirt or a plain white tee, dark jeans and brown leather boots for walking the city; a grey marl crew-neck sweatshirt in the evening; a black canvas backpack or a dark brown leather weekend bag when travelling. Kept out: tattoos, jewellery, printed text and logos. The jacket is the same rust-brown waxed cotton in every frame, never suede, never tan, never lighter. Scene: just after arriving, inside the door of the one reference guest room of the property. This is one of only two evening frames in the whole set. He stands side-on to a small plain wall tag beside the door that carries a square scan code, the dark brown leather weekend bag still on his shoulder, and holds his phone, in a scuffed plain dark case with no logo, up at chest height aimed at the tag: from the camera the phone is seen strictly edge-on, its back toward the tag and its screen toward his own face, so neither the screen nor the back of the phone nor any camera lens is visible. The code on the tag is a soft, out-of-focus square pattern with no readable characters, no sharp modules and no other line, word or mark on the tag. No exit sign, door sign, notice or nameplate anywhere behind him. He wears the rust-brown waxed-cotton jacket open over the light blue denim shirt, and dark jeans. Expression curious, lips closed, eyes on the tag. Material set, the one room set and nothing outside it: pale blue-grey lime plaster on the walls; medium oak for the door and its architrave, one single tone; the patterned wool rug of the same family as the lobby rug; a linen sheer at the window; one brass table lamp only. Kept out of frame: grey carpet, a wall sconce, a second lamp, limestone tile, jute, sisal, walnut, a wrought-iron balcony, and any wall socket, plug, light switch or key-card slot. Hour and light: early evening, one light source only, the last daylight through the linen sheer at the room window from one side; the single brass lamp is on as an object and gives one small warm note, never the key light. Camera: close shot at eye level from inside the room, 35mm-equivalent lens, verticals straight with no tilt, his face in three-quarter view, the curly ginger-red hair and beard, the phone, the tag and the bag strap on the left third with spare room above and below, so a 9:16 or 4:5 crop keeps them. Copy space: the plain plaster wall above his head, one even plane at brightness 50 to 80 for light type, standard deviation 40 or below, kept clear and crossed by nothing. Grade, the evening corridor of this German set, stated fresh and borrowed from no other property: p1 20 to 30; p5 at or above 35; contrast p95 minus p5 between 150 and 180; red-minus-blue of the mid frame between +12 and +20, a single warm band and no cold second note; highlights 6000 to 6300K; clipping under one percent; whole-frame saturation 0.12 to 0.20, the rust-brown jacket the only saturated note and every background surface under 0.30 saturation. No maker's marks or labels on the phone, the bag or his clothing. Portrait 2:3, PNG 1024x1536. Every person in frame reads as a white European. No flags, pins, badges, stickers, rainbow motifs or symbols of any cause anywhere in frame. European fittings; no wall sockets, plugs, light switches or key-card slots in view, no money in view. Available light only, no flash, no rim light, no lens flare, one light source only. Nobody looks at the camera: no smile to camera, no thumbs-up, no pointing. No purple or violet anywhere in frame. No text, letters or numbers anywhere, no room numbers, no logos, brand names, signage or badges, no watermark, no readable handwriting. No drawn, painted or 3D-rendered look. No tablet, no charts or dashboards, no screen content visible.",
   "provenance": "chat",
   "provider": "chatgpt",
   "references": [
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 "record": "generation-record",
 "writer": "engine/scripts/lib/imagegen.py"
}