Photo kit

The Guesteria photo kitФотокит Guesteria

79 frames. Three houses and Guesteria’s own people, the cast, and the grounds a layout sets copy on. Click a frame to open it large; the arrows step through the set.79 кадров. Три отеля и команда Guesteria, персонажи и пластины, на которые вёрстка ставит текст. Клик по кадру открывает его большим, стрелки листают набор.

The photo kit ships one language. Frame captions and alt text below are the artifact’s own.Фотокит существует на одном языке. Подписи и alt-тексты кадров ниже взяты из артефакта.

The housesОтели

Antje Bergmann at the reception desk in the afternoon rush, the phone at her ear while she reads from a sheet of paper to a queue of guests seen from behind — Antje Bergmann at the Hanseblick desk, phone at her ear, reading a list to a queue during the check-in rush.

Antje Bergmann handing a key card across the reception desk to Stefan Vogt, a small stand with the scan code on the counter between them and his wife waiting behind him — Antje Bergmann checks in Stefan Vogt at the Hanseblick desk, past the scan-code stand.

Klaus Reinhardt standing by a rack of untouched leaflets in his lobby, watching a couple leave through the glass door while they choose on their phones — Klaus Reinhardt in the Hanseblick lobby, watching guests leave past the untouched leaflet stand.

An empty hotel lobby in the morning: two rounded oatmeal armchairs and a round wooden table on a patterned rug, a fig tree by a tall curtained window, the wooden desk at the right edge and a pale plaster wall above — The Hanseblick lobby, empty before the guests come down.

Klaus Reinhardt standing at the empty hotel bar before the day starts, an espresso cup in one hand, reading his small black notebook on the counter — Klaus Reinhardt, owner-manager, at the Hanseblick bar before the day starts, reading his notebook over an espresso.

Klaus Reinhardt on the lobby side of the reception desk asking Antje Bergmann how the day looks, a handwritten sheet under her hand on the counter — Klaus Reinhardt and Antje Bergmann at the Hanseblick desk, morning: he asks how the day looks.

A stack of blank cream paper curling at the top, a slim grey pen lying across it, a pale stone tray of blank white cards at the right edge on the Hanseblick counter, an olive sprig in a white vase on the sideboard at the upper left — A stack of blank paper and a pen on the Hanseblick counter, nobody at the desk.

A handwritten list of questions with ticks beside a pen and the desk phone on a pale wooden counter in soft morning light — A handwritten list of guest questions on the Hanseblick counter, nobody at the desk.

Antje Bergmann in the back office typing the hotel's answers at the desk computer, one finger on her handwritten list, the screen turned away — Antje Bergmann in the Hanseblick back office, typing the hotel's own answers to repeated questions.

Stefan Vogt just inside his hotel room, the leather weekend bag still on his shoulder, holding his phone up to the code on a small wall tag by the door — Stefan Vogt, just arrived, scans the code by his room door.

Stefan Vogt in a lobby armchair smiling at his phone as he chooses an activity, his wife standing behind the chair looking away toward the window — Stefan Vogt in a Hanseblick lobby armchair, choosing the day's activity on his phone.

Stefan Vogt stopping on a narrow cobbled old-town street to reach for the knocker of a carved wooden door while his wife walks on ahead — Stefan Vogt stops at a carved old-town door on the way to the activity he booked.

Klaus Reinhardt at his office desk in a green jumper checking the office computer, its screen turned away, his notebook open beside the keyboard and a stack of blank paper at his elbow — Klaus Reinhardt at his Hanseblick office desk, a month after launch, checking the orders.

An empty wooden reception desk in the evening, one brass lamp lit beside a closed folio and a small tray, a blank blue-grey wall above — The Hanseblick reception desk, empty in the evening after the rush.

Lukas Brandt pausing outside the hotel's rain-lit glass entrance at dusk on launch day, the black laptop backpack on one shoulder, looking back at the warm lobby glow behind him — Lukas Brandt pauses outside the Hanseblick entrance at dusk on launch day.

Klaus Reinhardt and Lukas Brandt reviewing the launch checklist in his office on launch day, Lukas Brandt's laptop open on the desk between them — Klaus Reinhardt and Lukas Brandt go over the launch checklist in the Hanseblick office.

The pale stone facade of the Hanseblick Hotel's entrance on Kirchenallee, worn steps leading to a recessed glass door, empty pavement under flat overcast daylight — The Hanseblick entrance on Kirchenallee, Hamburg, late-morning overcast light.

An empty wooden bar counter with two stools and a shelf of plain white cups and glasses behind it, soft early-morning light from a side window — The Hanseblick hotel bar, empty before opening, early-morning window light.

A made bed with pale oatmeal linen by a curtained window, a small wooden desk at the right edge, warm lamp light meeting the last daylight in an empty guest room — A Hanseblick guest room, tidy and empty, early-evening lamp and window light.

Klaus Reinhardt signing a printed contract at his office desk, weighing the low fixed fee against a share of each booking — Klaus Reinhardt signs the low-fee contract at his Hanseblick office desk.

Lukas Brandt walking Antje Bergmann through the guest view on his laptop, its screen turned away, the morning after signing — Lukas Brandt walks Antje Bergmann through the guest view, the morning after signing.

Antje Bergmann at the reception desk scrolling once through a list of activities already loaded on the screen, angled away from camera — Antje Bergmann glances over a list of activities already loaded, a spare minute between check-ins.

Antje Bergmann handing a new guest a small folded card with his key at the reception desk, the guest seen from behind, a queue building — Antje Bergmann hands a new guest his key card and a small invitation card, a queue building behind him.

Stefan Vogt sitting on the edge of the hotel room bed just after arriving, holding his phone at a three-quarter angle toward the window light — Stefan Vogt, just arrived, opens the region's activities from the edge of the bed.

Stefan Vogt at the rail of an open harbour boat touring Hamburg's Speicherstadt warehouse district, his wife beside him — Stefan Vogt on a harbour cruise through Hamburg's Speicherstadt, the activity he booked.

Stefan Vogt at a viewing rail inside the Miniatur Wunderland model-railway exhibition hall in Hamburg, his wife beside him pointing at the model — Stefan Vogt at Miniatur Wunderland, taking in the model city with his wife.

The castПерсонажи

Marc Soler at the reception desk leaning toward the desktop screen, angled away from camera, one hand on the mouse in a quiet minute — **Marc Soler**Desk agent, Mirall Barcelona

Montse Ferrer off duty on her flat's narrow balcony in the evening, watering a row of tomato plants in terracotta pots — **Montse Ferrer**Housekeeper, Mirall Barcelona

Nora Hoffmann sitting forward in a lobby armchair on a free afternoon between sessions, checking her phone with both hands, the screen turned away from view — **Nora Hoffmann**Congress guest, Barcelona

Bernard Delmas at his desk in the château's office, compiling the month's figures for the management report, a leather diary and fountain pen beside the keyboard — **Bernard Delmas**Estate manager, Domaine de Roqueterre

Camille Rougier at the château's vestibule desk in the quiet mid-morning, typing the château's own answers, one hand on her handwritten list of repeated questions — **Camille Rougier**Reception manager, Domaine de Roqueterre

Martine Lachaud reading a paperback in a wooden garden chair among box hedges and lavender before an afternoon tour, a vineyard visible beyond the stone wall — **Martine Lachaud**Touring guest, the Dordogne

Lukas Brandt at his desk in Guesteria's office, one hand on the trackpad as he sets up a newly signed hotel's account, a paper checklist and pen beside the laptop — **Lukas Brandt**Account manager, Guesteria

GroundsПластины

A ground carries the brand line and leaves the copy room. The line sits where the frame reserves it.Пластина несёт подпись бренда и оставляет место тексту. Подпись стоит там, где кадр оставил ей место.

An empty hotel lobby in bright midday daylight, a pale grey armchair and a stone-topped table on wide stone flooring, a potted palm at the left and a glass wall at the right — The Mirall lobby, midday.

An empty stone terrace overlooking a vineyard valley in late afternoon light, two wrought-iron garden chairs and a clipped bay tree in a terracotta pot at the balustrade — The Roqueterre terrace, late afternoon.